Full Speed @ mima_place 03-07-26

Hip hop, K-pop, pop-rock

pop-dance-R&B at a breathless pace, with a driving linear ascending bassline doubling the melody, staccato synth hooks in tight groups of 3, and breathy stacked vocals with gritty ad-lib grunts, Sparse verse, pre-chorus with a withheld chord, then a huge chorus: punchy drums, distorted guitars, crisp electronic percussion, wide dynamics, [IS_MAX_MODE: MAX] (Max) [QUALITY: MAX] (Max) [REALISM: MAX] (Max) [REAL_INSTRUMENTS: MAX] (Max) [DYNAMICS: WIDE] (Wide) [QUALITY_LOSS: NONE] (None)

Dark neoclassical, haunting piano ballad, solemn female vocals, passionate emotionally raw singing, prominent melancholic piano, slow tempo, minimal instrumentation, tragic atmosphere, desolate mood, hauntingly beautiful melody, slow burning intensity, crisp mixing, evocative piano chords, orchestral feel, acoustic production, sad sweeping violin, weeping strings, somber cello orchestration, classical strings arrangement, deep emotional despair, vulnerable vocal performance, quiet sorrow, cinematic gothic ballad, melancholic soundscape, breathless singing, intimate recording, no drums, no bass, no guitars, no percussion, no synths, no electronic elements, no backing choir, pure acoustic piano and strings, dark ambient classical, soft ambient acoustics, slow heavy piano notes, weeping violin solo, heartbreaking melody, stark minimalism, mournful tone, raw vocals, gothic lullaby vibe

rumba, disco-funk, tropical

medieval folk rock, dark bard storytelling, clear male vocals, acoustic lute, driving percussion, medieval german, 85 BPM

A lo-fi shoegaze indie acoustic demo, with a post hardcore and midwest emo urgency and emotional delivery, raw and intimate, male voice, like a bedroom tape recording, Fingerpicked and softly strummed acoustic guitar with slight detuning, drenched in reverb, Gentle tape hiss, mic hum, and room sounds (chair creak, breath), Dreamy layered vocals, half-whispered and fragile, doubled in chorus with heavy delay/reverb, The song is about falling in love with a camgirl — not during her performance, but in a fleeting unguarded moment when she was talking to her friend, showing her real self, Nostalgic, bittersweet, tender and hazy, like a lost cassette, Shoegaze textures in the chorus (guitar layers swelling like waves), Optional faint organ/synth pad in the bridge, Mood: melancholic but hopeful, dreamy, suspended in time

Accusation: this is a festive, colorful psychedelic 60s rock and roll/Broadway hybrid, opening with solo jangly electric guitar before drums enter, then female girl-group vocals split into 4 distinct voices with rich Beach Boys-style barbershop harmonies, Celesta, Mellotron, strings, brass, vintage tape warmth, sudden key changes, modern mastering, ‑drum intro

opera metal, symphonic rock, dramatic sudden transition, operatic female vocals, slow to fast, heavy distorted guitar

Japanese visual-kei deathcore, cybergrind, glitchcore, mathcore chaos, industrial noise, breakcore bursts, shamisen fragments, taiko impacts, koto harmonics, detuned 8 string guitars, crushing downtuned breakdowns, frantic blast beats, sub drops, granular glitches, stuttering vocal chops, cinematic synths, haunted choir pads, ultra dynamic tempo changes, theatrical visual-kei melodies, harsh screams, gutturals, emotional clean Japanese chorus, dense electronic destruction, futuristic Tokyo cyberpunk atmosphere, violent stop-start arrangements, digital corruption, radio interference, dramatic orchestral hits, polished yet chaotic production

K-pop, bubblegum metal, hip hop

fantasy boom bap, acoustic hip hop, 88 BPM, deep male spoken rap, half orc baritone, lute sample chop, acoustic bass ostinato, taiko boom accents, wooden percussion, boom bap drum break, rain field recording, fire crackle ambience, tape saturation, mono room reverb, corner booth intimacy, quietly dangerous, meditative cadence, head nod groove, stripped verse drop, tavern nocturne

Industrial rock, electronic metal, heavy rhythmic stomp, aggressive synthesizers, driving guitar riffs, raw powerful male vocals, martial beats, 140 BPM

[Top Prompt: German indie rock ballad, Kettcar style, Hamburger Schule, emotional, melancholic, slow tempo, guitars, piano, subtle electronic pads, raw male vocal, tragic love, realistic lyrics, dramatic but grounded]

post-hardcore, screamo, industrial-leaning electronic (dark/industrial art-pop), alternative metalcore, witch-house, glitchy metal (industrial-influenced), metalcore, electronicore, 2000s modern metal

rockabilly metal, melodic heavy metal, retro rock'n'roll swagger, swinging metal groove, charismatic, whiskey-soaked, driving, distorted electric guitars, twang-inflected rhythm guitar, swinging metal riffs, rolling upright-inspired bass groove, punchy live drums, fast rockabilly guitar picking, restrained fiddle accents, male baritone vocals, rhythmic crooning, vintage rock'n'roll cadence, charismatic storytelling delivery, melodic chorus vocals, mandatory Irish accent, fully spoken intro, polished studio-recorded production, punchy guitar tone, rolling low end, syncopated groove momentum, driving choruses, restrained tension build, hook-driven arrangement, continuous forward momentum, controlled room ambience, no live audience atmosphere, ‑live audience, ‑live recording, ‑live performance, ‑concert atmosphere, ‑crowd ambience, ‑crowd noise, ‑audience cheering, ‑stadium ambience, ‑pub atmosphere, ‑bar crowd noise, ‑festival atmosphere, ‑arena rock ambience, ‑synthesizer, ‑keyboard, ‑synth pads, ‑synthetic instruments, ‑artificial sound, ‑electronic drums, ‑auto-tune, ‑vocal chop, ‑trap, ‑EDM, ‑electronic music, ‑southern rock, ‑country rock, ‑folk metal, ‑pirate metal, ‑psychobilly parody, ‑comedy rock, ‑arena rock, ‑stadium rock, ‑synthetic fiddle, ‑electric violin, ‑cinematic orchestra, ‑orchestral soundtrack elements, ‑glossy radio metal polish, ‑metalcore breakdowns, ‑deathcore, ‑excessive harsh vocals, ‑growling vocals, ‑screamed vocals, ‑guttural vocals, ‑modern alternative pop rock

Hypnagogic pop / indie-pop with 60s psych rock haze: celesta-led intro, jangly acoustic and electric guitars, sleigh bells, string section, and warm analog tape texture, Female lead with 4-voice girl-group harmonies, rich layered vocals, hazy reverb, sudden key changes, and an argumentative verse push, ‑drum intro

90s German Crossover / Nu-Metal anthem, High energy, 100 BPM, Three distinct female vocals: one fast-paced aggressive rapping (Tic-Tac-Toe style), one melodic-gritty, one shouting/screaming, Distorted bass-heavy intro, dry and hard 90s hip-hop beats mixed with massive electric guitar walls, Dark, rebellious, and urban atmosphere, Direct, confrontational delivery with vocal interjections and sassy remarks, No male voices, High-quality studio production with a raw live-concert feel

Dark Pirate Electro Shanty, Heavy Slap Bass, Stomping Beats, Rough Male Choir, Melancholic Synths, Dark Pop Grooves, 115 BPM

A theatrical Celtic folk song in English, Dramatic storytelling, poetic, At the very end, the music stops and switches to a modern German pub atmosphere

Instrumental palette: Intimate folk-punk slowly consumed by cinematic future garage, atmospheric electronica, lo-fi trip-hop, broken breakbeats, and ambient sound design, Begins with dry close-mic acoustic guitar and room ambience before electronic textures quietly bloom beneath the song, 136 BPM, Swung future garage rhythms, ghost snares, shuffled breakbeats, deep warm sub bass, vinyl crackle, cassette hiss, tape flutter, analog synth pads, granular textures, Rhodes piano, evolving arpeggiators, reverse reverbs, lush sidechained pads, emotional synth swells, and occasional glitch transitions, Aggressive acoustic strumming, upright bass, hammer dulcimer, mandolin, accordion, hand percussion, foot stomps, brushed drums, Intimate indie folk vocals that build into massive layered gang harmonies, Organic instruments remain central while electronics gradually overwhelm the mix before dissolving back into tape hiss

Genre: 90s German “Hamburger Schule” Lo-Fi indie rock with harmonica Tempo: slow-stoic (85–95 BPM), Mood: melancholic, lethargic, defiant, absurd, Vocals: Monotone, half-spoken verses with a bored, detached tone, Refrain shouted like a slogan, raw and almost off-key, No polish, no “beautiful” singing, Instrumentation: Guitars deliberately sloppy, lots of feedback and amp noise, simple power chords strummed with no precision, Bass dull and stoic, sometimes slightly off-beat, Drums extremely simple, dry, snare-heavy, with small imperfections, Production: Lo-Fi rehearsal room sound, rough, noisy, unpolished, Tape hiss, feedback, and accidents left in the mix, Amateurism embraced as aesthetic

2000s mid-tempo hip hop, soulful vocal sample chop, vinyl crackle, warm boom-bap drums, underground rap beat, inspirational and triumphant mood, melodic chipmunk soul backing vocals, west coast piano accents

Indie Folk, Contemporary Folk Rock, warm, hopeful, clean organic intimate production, fingerpicked acoustic guitar, lush warm string ensemble, piano, organic drums, female conversational lead vocal, sincere, emotionally expressive, 94 BPM, Moderato con moto, G Major, string-led arrangement, gradual full-band build, brief instrumental interlude, restrained breakdown, uplifting final chorus, gentle fading outro, spacious natural mix, ‑Epic trailer music, ‑cinematic film score, ‑arena rock, ‑stadium anthem, ‑glossy pop production, ‑heavy pop polish, ‑electronic textures, ‑synth-driven production, ‑EDM, ‑theatrical vocals, ‑operatic delivery, ‑aggressive percussion, ‑bombastic orchestration, ‑oversized symphonic arrangements

[genre metal boom bap, alternative hip hop, atmospheric post-metal, emotional rap] [instrumentation clear boom bap drums, distorted bass guitar chugs, bass sax swells, brass horn accents, Less is more Room to breathe] [tempo 145 BPM] [mix Studio-quality production Transparent mastering Spotless noise floor No artifacts Forward lead vocal Dry vocal presentation Minimal ambience Tight controlled low end Sharp transient definition Clear instrument separation No muddy frequencies Warm natural mids Controlled highs High-definition audio quality] [Tone: Cocky cause I earned it]

dark, hardtechno, intense

Nu disco and funk-soul dance anthem at 116 BPM with a powerful female vocalist, soulful grit, confident swagger and playful attitude, Built on a funky bass groove, punchy drums, rhythmic guitar stabs, handclaps, bright synth accents, gang vocals and a huge singalong chorus, Uplifting, resilient and celebratory after hard times, driven by infectious dancefloor energy, head-nodding rhythm and unstoppable momentum, Progressive chorus lift, each hook increases energy with added instruments, gang vocals, handclaps, vocal stacks and rhythmic intensity until a huge final anthem payoff, Rhythmic, funky, uplifting, female vocals, nu disco, soul, funk, soulful, playful

indie pop; female vocals, girl group, rich intricate layered beachboys-esque vocal harmonies, trading lines, sometimes do unison; sloppy drum playing, jangly electric guitar, celesta, handclaps, tambourine; key changes, upbeat, wall of sound; warm analog 60s vintage recording production

modern pop rock, country rap, emotional cinematic pop, mid-tempo 90bpm, powerful uplifting chorus, dynamic hip hop beat integration, acoustic guitar, banjo, driving strings, anthemic, hopeful female vocals, male rap vocals, melodic rap verse

Emotional future garage fused with folk-punk and lo-fi trip-hop, 135–140 BPM, swung broken beats, deep sub bass, and spacious atmospheric production, Dusty cassette hiss, vinyl crackle, rain ambience, warm Rhodes piano, analog synth pads, and fingerpicked acoustic guitar, Folk-punk instrumentation woven throughout: aggressive acoustic strumming, banjo, mandolin, upright bass, accordion, harmonica, washboard percussion, foot stomps, and handclaps with natural timing imperfections, Beats are broken and soulful with ghost snares, shuffled garage rhythm, and subtle breakbeat edits, Cinematic, nostalgic, bittersweet mood with DIY basement recording energy, Vocals: emotional male or female vocals, intimate and slightly distant, indie/folk-punk delivery with subtle reverb and tape warmth, Melodic, heartfelt lyrics about memory, distance, growing up, and fading moments, Occasional harmonized vocal layers and ambient vocal textures

Swing, 40's jazz, big band, jazz band, beebop, upbeat, barber choir, 1940's Radio Philharmonic Orchestra, needle-crackle, uplifting

Crooner Jazz, Symphonic Metal Fusion, warm storytelling baritone, crooner phrasing, conversational delivery, reflective, quietly determined, slightly weathered, hopeful beneath the surface, soulful, forward-moving, D Dorian, andante walking pace, piano, upright bass, brass, rhythm guitars, metal drums, symphonic strings, subtle walking swing influence, crooner jazz foreground, restrained symphonic metal support, gradual expansion, intimate verses, reflective bridge, accepting emotional climax, clear vocal storytelling, balanced orchestral texture, ‑Pure Jazz, ‑Traditional Swing, ‑Big Band, ‑Bebop, ‑Smooth Jazz, ‑Lounge Music, ‑Cabaret, ‑Musical Theatre, ‑Easy Listening, ‑Adult Contemporary, ‑Orchestral Ballad, ‑Cinematic Orchestral, ‑Pure Symphonic Orchestra, ‑Chamber Pop, ‑Operetta, ‑Classical Crossover, ‑Folk Rock, ‑Acoustic Folk, ‑Singer-Songwriter, ‑Soft Rock, ‑Country, ‑Blues, ‑Pure Crooner, ‑Rat Pack Revival, ‑Retro Novelty Swing, ‑Electro Swing, ‑Funk, ‑Disco, ‑Orchestral Jazz, ‑Jazz Ballad

kawaii future bass, electro-pop, dance-pop, seductive, playful, heavy bass, upbeat, sensual, electronic synth, catchy rhythm, confident female vocals, pop rock

[Viking Ritual Folk, Nordic Pagan, Dark Cinematic Norse, 82 BPM, D minor, powerful female alto lead, deep male choir, layered ritual chants, massive war drums, frame drums, tribal percussion, nordic horns, tagelharpa, low cello drones, cold wind ambience, distant ravens, ancient temple reverb, mystical, sacred, fierce, divine goddess energy, raw human vocals, epic cinematic climax, song about Freyja goddess of love, war, magic and destiny]

Nu disco and funk-soul dance anthem at 116 BPM with a powerful female vocalist, soulful grit, confident swagger and playful attitude, Built on a funky bass groove, punchy drums, rhythmic guitar stabs, handclaps, bright synth accents, gang vocals and a huge singalong chorus, Uplifting, resilient and celebratory after hard times, driven by infectious dancefloor energy, head-nodding rhythm and unstoppable momentum, Progressive chorus lift, each hook increases energy with added instruments, gang vocals, handclaps, vocal stacks and rhythmic intensity until a huge final anthem payoff, Rhythmic, funky, uplifting, female vocals, nu disco, soul, funk, soulful, playful

Disco, funky, orchestral pop, four-on-the-floor, plucked 808 bass, disco percussion, 133 BPM, erotic, hi-hat snaps, disco drums, wah wah guitars, conga, bongo, funky lead guitar, sultry soul divas, party, Dance-Pop

60s psychedelic rock - beatles-esque rock - baroque pop, female vocals - girl group - 4 distinct voices with 2 main vocals and 2 main backing vocals - rich intricate beachboys-esque group vocal harmonies, acoustic guitar, electric guitar, hammond organ, mellotron, ringo-esque slopy drumming, vintage recording sound, analoq warm

rap, Dunkler, politischer Deutschrap mit aggressiven Drums, knurrendem Bass und schnellem Flow, Strophen trocken und frontal, Fokus auf Silbenreihen und Punchlines, Hook breiter mit Shouts und Call-and-Response Backings, Dezent verzerrte Ad-libs, kalte Synth-Flächen im Hintergrund, Vocal sehr präsent und direkt im Mix

Modern Nu Disco / Funk Revival at 114 BPM with emotional groove, warm analog production, melodic bass, expressive slap bass fills, tight live funk drums, syncopated guitar chops, rhythmic clavinet, warm Rhodes, lush strings, vibrant brass accents and organic percussion, The chorus grows with layered harmonies and uplifting live-band energy, This is a duet between one bright female lead vocalist and one mature male soul/funk lead vocalist with a rich smoky baritone, naturally raspy weathered tone, gravelly warmth, expressive low register, relaxed pocket and charismatic delivery, Female lead sings Intro, Verses 1 & 3, Pre-Chorus 1 and Bridge 2 only, Male lead sings Intro, Verses 2 & 4, Pre-Chorus 2 and Bridge 1 only, All choruses and the outro are sung together in harmony, Do not swap or blend verse vocals; keep the vocal assignment consistent throughout the song

Ancient Norse pagan chanting, Traditional Scandinavian male voices with authentic Norwegian or Icelandic pronunciation and a strong Nordic accent, Primitive Viking war chants, deep ritual chanting, raw untrained male voices, harsh and weathered, sounding like real Norse warriors instead of musicians, No lead singer, no rock singer, no pop singer, no sea shanty, no clean vocals, no melodic pop delivery, Tribal clan chanting, ancient battle cries, ceremonial Norse chanting, authentic pagan atmosphere, Heavy war drums, primitive horns, low droning strings and crushing metal guitars supporting the chants instead of leading them, Dark, cold, ancient, ritualistic, fierce and victorious