#6 TRA Studio Monday Madness

doom-metal, nu-metal, trap

Mesmerizing alternative funk-rock, late 1990s California sound, clean melancholy arpeggio guitar riff in Am that never changes, warm tube-amp crunch on choruses, crisp bassline, walking melodic slap bass with muted ghost notes, half-time groovy drums with swinging ghost strokes on snare, thin tambourine shimmer, male vocal half-sung half-spoken with cracked vulnerable emotion and improvised yeah-yeah-whoos, huge stacked backing harmonies on chorus, sudden drops to only bass + vocal in bridge, final chorus explodes into wall-of-sound layered guitars and double-time hi-hat, warm analog production, subtle plate reverb, tempo 96 bpm, minor key, extreme dynamic range from intimate whisper to stadium roar, lyrics about falling, drug abuse, identity loss and California decay

A high-energy and aggressive instrumental track in the metal genre with strong riffs and no solos, A little progressive, Tempo: ~120 BPM, Very heavy chorus, with backing vocals joining on the high-end, The production emphasizes a clear, punchy mix with guitars in mid tones, drums solid, and bass prominent, The overall mood is intense and aggressive, Song structure features distinct, high-gain guitar riffs that transition smoothly while keeping energy high, Instrumentation: Heavily distorted electric guitars with strong riffs, groovy and fluid Bass guitar is prominent, alternates between following guitars and locking with drums Drums have powerful beats, double bass pedal, mid-technical Vocals are low, powerful, masculine, slightly raspy, thick

A gothic progressive metal track at 120 BPM kicks off with downtuned, heavily distorted guitars and deep, resonant bass, driven by punchy double-kick drums, Layers of haunting synths add atmospheric weight beneath sinister, soaring gothic female vocals, with dramatic, demonic vibes in the chorus

Progressive rock, emotional, dramatic, gritty male vocals, clean production, loud mix

Grunge recording qualities, Male Vocals, Guitar Distortion, Distorted Riffs, Scratchy Guitars, Heavy Loud Feedback, Driving Drums, Scratchy Bass, Hard Rock Roots, A subtle use of vocal harmony, mild rhythmic syncopation, repetitive Melodic Phrasing, minor key Tonality, extensive vamping, Piano

Math metal, djent

Neo-soul with distorted guitar edge, D minor to D major key change, 88-92 BPM, Rhodes electric piano foundation, gritty guitar throughout, light distortion building to heavy fuzz, crunch tone, behind-the-beat groove, fingerstyle bass, brush drums to sticks, conversational male vocals, stripped vulnerable bridge, guitar explosion with power chords and feedback, blues-rock influenced, sustained fuzzy notes, controlled feedback, garage rock grit meets vintage soul, warm analog tone with bite, late-night confession energy, authenticity theme

J-punk but during Christmas, not a J-Chirstmas, a regular one, But punk must be J, J stands for Japan, That means punk but with kawaii accent, until the mellow voice get sick of being mellow and kawai became gritty and sarcastic, Or ironic, I guess you don't get the difference, Of course there must be shamisen that spins intricate, circular fingerwork and harmonics, Of course this is a Suno invention, because I fear that fingerwork on shamisen mean severe finger bleeding, All over jingle bells; a fucking lot of jingle bells, People must be wondering, where the fuck this jingle bells come from? Ah! I got a pun! J-bells for J-Punk, You got it? Ah! Now go and don't disappoint me because this is the best prompt ever

Generate a dark, goth, melodic doom metal song, Ethereal female vocals in the style of Anneke van Giersbergen, Atmospheric keyboards and melodic, heavy guitar riffs, Dynamic shifts between reflective verses and soaring choruses, No showboating - let the song breathe and slowly unravel

[STYLE: Acoustic Rock /light cinematic egirlcore / acoustic hyperpop fusion] [MOOD: warm, heartfelt, gentle, nostalgic, hopeful, everyday beauty] [TEMPO: mid-slow (around 85–95 BPM), steady rhythm with expressive phrasing] [INSTRUMENTATION: acoustic guitar, piano, soft strings, subtle electric piano, shaker/brush percussion, minimal bass, no heavy synths] [VOCALS: tender and expressive female vocal, natural and sincere tone, layered harmonies in chorus, soft vibrato, emotional phrasing] [PRODUCTION: warm and intimate mix, subtle room reverb, clear mids, focus on vocal clarity and acoustic texture] [MASTERING: clean and balanced, natural dynamics, gentle compression, around -11 LUFS for organic warmth]

Opens with breathy shakuhachi and harp, delicate solo voice over soft cello and ambient viola, Layers of interwoven choir scat create ethereal harmonies as violins and flute rise in delicate counterpoint, Taiko drums thunder beneath sweeping horns and clarinets, while symphonic electric guitars interlace for an epic, mystical texture, The arrangement crescendos with poignant inter layered voices and a sense of reverence, closing on lingering melodic longing and bright hope, atmospheric mystical symphonic metal guitar orchestra, with a reverence to nature

184 BPM, C# Phrygian — industrial deathcore × J-metalcore × jersey-club × cinematic choir (Veirith yandere theme), Drop-C# 8-string chugs and tremolo riffs lock to a bouncy off-beat jersey kick plus massive club slam kicks, with tritone stabs, blastbeats, d-beat runs and half-time breakdowns, Verses stay stripped and tense: low female growls and calm possessive lines over subs, sparse percussion and distant strings, Pre-chorus swells with sharp string ostinatos, snare flurries and side-chained pads, Choruses explode into Japanese Padoru hooks: epic female choir in unison, taiko-style drums and soaring violins, doubled by gang shouts and high harsh vocals on the last syllables, Final breakdown is the most unhinged: feral screams, choking kick stops and sudden silence before one last choir hit

A melancholic and autumnal progressive folk-rock track; acoustic-driven, with clean vocals; built on intricate, layered acoustic guitars, the vintage sound of a Mellotron, and melodic, jazz-inflected basslines; the atmosphere is sorrowful, nostalgic, and deeply textured, with a focus on harmony and dynamic subtlety; the sound of a fading memory on a cool autumn evening, Genre Tags: Progressive Rock, Folk Rock, 70s Prog, Acoustic, Melancholic, Art Rock, FX Tags: Mellotron, Analog Warmth, Plate Reverb, Tape Saturation, Natural Compression, Singer's Voice: A clear and expressive mezzo-soprano voice with subtle vibrato and dynamic phrasing, alternating between intimate whispers and breathy, airy soars, Mastering: Lo-fi polish with tape-like warmth, layered reverb, and slightly compressed midrange to maintain emotional intensity and rawness, Performed by Amanda Magellan

Ultra-fast guitar solo first hybrid thrash/death metal at 280 BPM with nonstop blast-beats, D-beat thrash gallops, crushing downpicked chromatic riffs, and violent feedback shrieks, Guitars use trem-picked dissonant intervals, squeals, and rapid-fire palm-muted bursts, Bass grinds with distorted pick attack, locking tightly to double-kick rampages, Vocals are harsh, razor-edged screams with gang-shout accents, Multiple shred solos erupt with 7–9 string sweep patterns, 8-finger tapped runs, chromatic divebombs, pick-hand trills, tapped harmonics, and chaotic behind-the-nut bends, Frequent structural whiplash: sudden half-time drops, doom-slow breakdowns, explosive accelerations, and feedback-driven transitions, Overall tone is unhinged, punishing, and mechanically feral

Ferocious melodic deathcore erupts with downtuned, palm-muted chug riffs, shifting into gnarly dissonant tremolo waves against relentless blast beats and relentless double kicks, Sections drop into cavernous sub drops and punishing slam grooves, supporting guttural vocals, gutted lows, and jarring pig squeals, Bone-rattling breakdowns deliver catastrophic impact, with terrifying ambience woven through, In standout bridges, a warped reggae section introduces syncopated rhythm guitars and off-beat bass while violent textures seep through, ensuring a seamlessly hostile, brutal atmosphere throughout

Opening with aggressive, guttural vocals over syncopated, polyrhythmic downtuned guitars and a thick, compressed bass, the song shifts between crushing thall riffs and wide atmospheric doom passages using vintage analog synths, Dynamic drops pair raw aggression with ambient reverb-soaked textures; drums alternate between intricate, pummeling rhythms and sparse, open soundscapes, maintaining the hypnotic, heavy feel throughout

Cinematic alt-metal with theatrical emo energy and dark festive flair, Funk-infused verses with tight bass pops, percussive guitar chops, elastic vocal phrasing, and sly sarcastic delivery, Pre-choruses bloom into brooding ambience with detuned pads, filtered drums, and pulsing synth-bass, Explosive hooks blend emotional chest-voice power, gritty layers, wide harmonies, and punchy post-hardcore guitars, Christmas textures woven subtly: sleigh bells, toy-piano motifs, warm choirs, Dynamic switches between playful swagger and deep emotional weight, Industrial edges: glitch accents, stutter cuts, metallic impacts, Half-time drops, dramatic pauses, soaring melodic lines, Tone: sharp-witted, bruised, hopeful beneath the smirk; pain wrapped in sparkle

The track opens with industrial percussion and a catchy, driving bassline laying the foundation, Rippling, layered guitars carve out expansive, dreamy textures, punctuated by energetic, punchy rhythms, Wide-range male vocals soar over shifting dynamics, building an epic, post-rock soundscape

A fast-paced theatrical rock ballad in the style of 70s and 80s gothic rock operas with Musical, Orchestral and Hard Rock elements, Starts with a line from the Chorus, Verses are piano-driven with deep, melodic male vocals and restrained drums, The pre-chorus introduces swelling strings and rising tension, The chorus explodes with distorted guitars, thunderous pounding drums, cinematic strings, layered harmonies, and a gothic choir emphasizing on the sung vocals with epic Aahh's and Oohh's, Verse 2 adds rhythm guitar and orchestral touches, The bridge is a dramatic and gently sung monologue over ambient build-up intensifying into an emotional crescendo leading up to the Finale, featuring a double chorus with a key change and full instrumental climax, Ends with whispered vocals and a single piano chord

doom-metal, nu-metal, trap

gothic symphonic metal, heavy tempo at about 100 BPM, gothic strings, dark cello, gritty gothic female vocals with some growls, heavy metal guitars, wrathful, bloody, rage, fury, demonic vibes

Music starts lightly with instruments, Female backing vocals, Harmonica and violin sets the mood, Southern rock and metal version of a tale, make it sound medieval and energized, Make it sound Metal in chorus, Vocals are deep and harmonic, Violin makes long solo with guitar and bass between verses and pre-chorus

Hard-driving Aussie hard rock with dual-guitar attack: bright, biting SG-style lead guitar through a cranked British tube amp, crisp treble emphasis, light overdrive, and blues-rock pentatonic licks, Rhythm guitar uses tight open-chord crunch with minimal gain, slightly left-panned, delivering dry, percussive power-chord riffs, Standard tuning (EADGBE), Drums feature tight, dry snare cracks, steady 4/4 kick with slight swing, bright hi-hats, and roomy natural cymbals, Bass uses a punchy pick tone, locked tightly to the kick, adding midrange grit without distortion, Gritty, high-rasp lead vocal with shouted upper lines and raw blues phrasing, Loud, minimal, riff-driven, and full of swagger

Upbeat nostalgic melodic math rock, pop punk track inspired by 90s nu-metal bands, Features clean electric guitars with light overdrive, bright acoustic strums, melodic basslines, and energetic live drums, Add warm analog textures for a retro feel, Include subtle keyboard/organ layers for harmony and occasional DJ scratches FX on transitions, Male vocal is energetic with dramatic dynamics and has unpolished charm, Expressive tone with layered harmonies and natural vocal breaks, Singing should feel spontaneous and heartfelt, [Include light cassette tape saturation and summery reverb] [Live band aesthetic — no electronic drums] [Mix warm and punchy — slightly lo-fi] [Loudness set around -9 LUFS] [Fun, raw, nostalgic energy] [Clean radio-friendly mix, no autotune artifacts]

fast, hard-hitting melancholic progressive bluegrass / newgrass with raw folk-punk bite and cinematic glitch-folktronica; ~168 BPM in A minor; breakneck clawhammer banjo and aggressive flatpicked acoustic guitar drive a stomping double-time groove; woody upright bass and tight kick/snare hit like a small-room band, peppered with glitchy breakbeat fills and stuttering hats; fiddle/violin tears through urgent, bittersweet runs and dissonant slides that resolve at the last second; low, grainy synth pads and fractured noise swells wrap the acoustic core, with sudden glitch cuts and dropouts for tension; verses feel close and claustrophobic with stripped drums and picking, choruses erupt into full band, gang shouts and stacked harmonies; female vocal: intimate but fierce, slightly raspy, rhythmically sharp, exploding into soaring, strained high notes in the hooks; overall mood = fast backroad catharsis, burning off an older self before a midnight reboot

Crackling fire to start, Grunge, alt hard rock, pissed off, heavy beats and bass, intense electric guitar, wide range male vocals, Drop the chorus vocals one octave, Drums in verses

A jarring and theatrical Happy Death Core track that fuses the bright, glitchy, maximalist production of hyperpop with the brutal, down-tuned breakdowns and guttural vocals of deathcore, The song is a dynamic battle between two opposing musical styles, with sections that abruptly shift from bubbly synth melodies and distorted 808s to frantic blast beats and heavy guitar riffs, The vocal performance is a duet between a powerful, soulful female clean vocalist and a raw, guttural male screamer, who trade lines in a call-and-response format, The overall mood is a journey from chaotic conflict to a surprising, triumphant synthesis, creating a sound that is both aggressively heavy and unexpectedly euphoric

A harsh fusion of industrial rock and aggressive turntablism, driven by tape-warped vocal samples and crunchy breakbeats, Distorted guitars crash against glitchy loops and mechanical FX

A storm-forged pirate metal anthem combining the fury of modern death metal with the cadence of a sea shanty, 8-string guitars tuned to Drop E deliver rapid tremolo riffs and intricate harmonic runs, paired with lead guitar solos in D Phrygian featuring sweeping arpeggios and tapped harmonics, The rhythm section drives with double-kick drums firing in 32nd-note bursts, blending precision blast patterns with rolling 6/8 maritime grooves, Bass in Drop E locks to the kicks, adding depth through distorted overdrive and occasional slap passages, Over this wall of sound, a hurdy-gurdy drone in G/C and fiddle countermelodies add nautical tension, while accordion and bodhrán accent the rhythmic swing, The arrangement shifts between violent storms of sound and brief atmospheric interludes with ambient ocean wind and creaking hull textures, Massive dynamic builds lead to climactic breakdowns and soaring neoclassical guitar solos, fusing technical death metal virtuosity, ‑ad lib, ‑ad libbing

Clear female vocal rock song, Emotional, j-rock style with driving electric guitars, dynamic drums, and atmospheric synth layers, Tone: emotional, epic, introspective yet powerful, Vocal: female voice with clear tone, soft and transparent in verses, strong and passionate in choruses Arrangement: start with ambient electric guitar and soft percussion, then build to energetic full-band sound, Mood: Destiny, emotional, bittersweet and inspiring atmosphere, Mix: wide stereo, clean reverb, strong low-end kick and bass, vocals upfront with emotional dynamics, ‑Male Vocals

D minor • 6/8 • 140 BPM Dark-folk / frozen ambient ritual x symphonic Metal Vox: warm female alto, close-miked; doubled by breathy whispers panned L/R, Choir: SSA “ah/oh” beds, brief boys’ choir bursts on chorus cadences, Strings: sustained cello drone, tremolo violas, icy violin harmonics on verse ends, Folk core: hurdy-gurdy D drone, finger-picked acoustic guitar, sparse bouzouki taps, Percussion: distant floor-tom rolls (avalanche feel), soft frame-drum on beats 1 & 4, reverse-cymbal swells into sections, Bass: bowed upright, 40 Hz sine tied to tom impacts, FX: high-ridge wind recordings, granular breath grains, pitch-bent singing-bowl tails, Mix: verses near-mono; choruses open to 120° stereo, Long icy-cathedral verb; subtle tape-warble on drones, Structure: intro drone → minimal V1 → bloom in pre-chorus → wide chorus lift → bridge drop to solo drone + whispers → final chorus full choir, double-kick bursts, hurdy-gurdy tremolo → single bowl hit decay to black