Collabs

Key of B minor, 124 BPM, nu-disco x phonk x synthwave fusion, tone upbeat and cinematic with dreamlike tension, vocals: alternating male/female leads, clean verses, airy falsetto lifts, stacked harmonies, glitchy vocal-chop loop repeating like a memory glitch, mid-song rap verse in low steady cadence influenced by phonk, instrumentation: disco bass fused with 808 subs, analog polysynth pads/arps, sharp mono synth leads, erhu swells in choruses and plucked accents in drops, sax or chorus-guitar riff as a recurring countermelody, structure: short arp + erhu intro → verse → lifted pre-chorus → big chorus with four-on-the-floor kick → rap verse over stripped phonk groove → instrumental bridge with erhu stabs + chopped vocals → final chorus → fading pad/erhu outro, production: polished but saturated, analog warmth, wide stereo synths, forward vocals, groove: disco-driven pulse with syncopated bass, trap hats in transitions, atmosphere: retrofuturist dream city locked in a time loop

Key of F# minor, 128 BPM, Halloween EDM club banger with dark-house edges; punchy 4/4 kick, thunderous sub-bass, eerie arps, haunted pads, crisp hats, reverb claps, Male/female duet: male verse 1, female verse 2, stacked monster chants in the chorus; pre-chorus spectral risers into a heavy drop, Bridge expands into a 10-bar rap call-and-response with crypt energy, then a break with tomb-rattle chants and explosive final chorus, Tone: sinister, playful, high-energy ‘spooky rave, ’ Arrangement: chilling hook intro → verse–pre–chorus–drop → verse 2 → rap bridge → break chant → infernal final drop → demonic laugh outro, Sound design: detuned saws, tape-smeared leads, subharmonic layering, scary risers, reverse swells, theremin glides, pipe-organ stabs, phantom choirs, and sparse horror foley (creaks, howls, whispers), Production: wide stereo sweeps, coffin-deep low end, tight snares, sidechain pump; layered doubles/ad-libs, echoing crowd FX, Atmosphere: haunted warehouse rave

Key of A minor, 114 BPM, genres: psychedelic rock, funk, nu-disco, euphoric and hypnotic tone, male lead vocal with smooth delivery and falsetto accents, female backing harmonies, brief spoken ad-libs, instrumentation: wah-driven rhythm guitar, fuzzed psych leads, slap funk bass with octave jumps, disco kick on every beat, syncopated hi-hats, claps, congas, Rhodes swells, analog synth arps, vocoder pads, structure: compact riff-based intro, verse to pre-chorus lift, hook chorus, psychedelic bridge with solo, climactic final chorus, production: polished analog warmth, wide stereo, ping-pong delays, vocal reverb tails, rhythm locked between funk syncopation and nu-disco pulse, atmosphere: rooftop party at sunset, influences: Hendrix-style psych textures, African percussion, Chic-inspired disco guitar, unique traits: riff motif returns, vocoder chants, swirling feedback transitions, ‑long intro

Dance Pop, Eurobeat, Para Para, and Italo Disco collide in a fast-paced, relentless 4-on-the-floor catchy earworm track that feels euphoric, ecstatic, and over-the-top, Driving hi-hats, syncopated handclaps, and a sawbass synth bassline power constant propulsion, while bright poly-synth stabs, arpeggios, and tambourine layers give it Para Para flair, Funky rhythm guitar nods to classic Italo Disco, with occasional string hits adding baroque-drama accents, Smooth, light cute feminine vocals, The polished, high-gloss mix spreads synths wide across the stereo field, anchored by pounding kicks, Climactic builds burst into massive choruses with big drop moments for hands-in-the-air dancing, before closing on a hypnotic synth loop fading into reverb, The sound paints neon-lit Tokyo club floors, festival crowds waving glowsticks, cyber-highway races at night, and retro arcade aesthetics, channeling the 1980s Italo Disco palette and 1990s–2000s Para Para choreography culture

Key of B minor, 116 BPM, genres: tropical house, lo-fi, funky house, tone: euphoric, warm, hopeful, vocals: male airy tenor verses, falsetto bridge, female harmonies on choruses, group ad-libs final hook, instrumentation: steelpan, Rhodes, synth bass octaves, light disco guitar, sax pads, muted trumpet intro/outro, vinyl crackle, vocal chops hook, structure: crackle/keys intro → verse minimal → pre-chorus with harmonies + bongos → chorus/drop with mallets, brass, chops, full groove → verse 2 with lo-fi accents → half-time bridge falsetto + chants → double chorus with sax/harmonies → trumpet fade outro, production: polished yet analog-warm, stereo depth, reverb/delay, groove: laid-back lo-fi kick/snare plus funky house percussion (congas, bongos, hi-hat shuffle), 4/4 swing, syncopated plucks/bass, atmosphere: tropical dusk to festival night, influences: Caribbean percussion, jazz chords, disco filters, signatures: call-response chops, reverse swells, vinyl layers, brass stabs

Key of B♭ major, 112 BPM, nu-disco x surf pop x yacht rock blend, upbeat, breezy, flirtatious yet sincere, male-female duet with playful back-and-forth delivery, falsetto lifts, and stacked harmonies in refrains, instrumentation led by clean surf guitars, warm Rhodes keys, steady electric bass with subtle slides, soft analog synth arps, light conga and shaker textures, and a tight drum kit with disco hi-hats and steady four-on-the-floor kick, structure features short guitar-synth intro, verse-pre-chorus lift, hook-centered chorus, extended bridge with harmonic modulation, and laid-back outro vamp, production polished but relaxed with analog warmth, plate reverb giving depth, wide stereo guitar layers, atmosphere evokes a sunset deck party or coastal drive, influences include 70s yacht rock smoothness, 60s California surf pop harmonies, and modern disco sheen, unique touches include glockenspiel sparkle in bridge, recurring surf guitar riff motif

Key of B minor, 124 BPM, nu-disco x phonk x synthwave fusion, tone hypnotic and cinematic with dreamlike tension, vocals: alternating male/female leads, clean verses, airy falsetto lifts, stacked harmonies, glitchy vocal-chop loop repeating like a memory glitch, mid-song rap verse in low steady cadence influenced by phonk, instrumentation: disco bass fused with 808 subs, analog polysynth pads/arps, sharp mono synth leads, violin swells in choruses and plucked accents in drops, sax or chorus-guitar riff as a recurring countermelody, structure: arp + violin intro → verse → lifted pre-chorus → big chorus with four-on-the-floor kick → rap verse over stripped phonk groove → instrumental bridge with violin stabs + chopped vocals → final chorus → fading pad/violin outro, production: polished but saturated, analog warmth, wide stereo synths, forward vocals, groove: disco-driven pulse with syncopated bass, trap hats in transitions, atmosphere: retrofuturist dream city locked in a time loop

A soulful R&B musical fusion with rock and roll and electric funk, smooth bass cello, electric guitar plays a solo during the break, deep male vibrato voice, soulful, chill mid tempo, relaxing

Eurobeat, Eurodance, Shibuya-kei, Rhythmic, Italo-Disco Bass, Sawbass Bassline, Four-on-the-floor beat, Piano Electronica, Prominent Synth, Energetic, Para Para, Intense, Denpacore, Maniac, Female Voice

Key of B minor, 116 BPM, genres: tropical house, funky house, lo-fi house, tone: euphoric, warm, hopeful, vocals: male lead (airy tenor) with brief falsetto, female harmonies on choruses, instrumentation: plucky mallets/steelpan, Rhodes and piano, synth bass with octave riffs, disco guitar, sax pads, vocal chops as drop hook, structure: pad intro → verse → pre-chorus → chorus/drop → verse 2 → half-time bridge → double chorus, tag outro, production: polished but analog-warm, wide stereo, reverb, delay, sidechain to kick, groove: laid-back lo-fi kick/snare plus funky house percussion (congas, bongos, hi-hat shuffle), straight 4/4 with subtle swing, syncopated plucks and bass, atmosphere: sunset pier to festival, influences: Caribbean percussion, jazz-rap chords, disco-house filters, signatures: call-and-response vocal chops, filtered intro, reverse-reverb pre-drops, crowd-chant hits, ‑-compression, ‑-distortion, ‑-shimmer, ‑-noise, ‑-bad instrument, ‑-voice distortion, ‑-muddy vocals, ‑-low quality

Key of A minor, 122 BPM, instantly catchy dance-pop/nu-disco fusion with modern punch, Female lead vocal enters immediately on verse over full groove — no ambient intro, Mantra-like pre-chorus hook, explosive doubled choruses with stacked harmonies, gang shouts, falsetto accents, short male rap verse, Instrumentation: plucky arp hook, octave bass, chopped vocal riffs, funky guitar chops, piano stabs, vocoder layers, claps with bongos, Drum groove: punchy 4/4 kick, crisp hats, syncopated percussion, Structure: direct verse start, pre-chorus lift, big chorus, chant-driven post-chorus, rap verse, disco-inspired breakdown, instrumental chop break, climactic final chorus layering all hooks, outro fade with looping chant echoes, Atmosphere: euphoric, groovy, retro-futurist dance floor, Short song, 3 minutes, Begin immediately with vocals and full beat, No intro, No risers, No pad builds, Song starts at bar 1 with kick, bass, and vocal, ‑intro, ‑long intro, ‑intros, ‑sung intro

Key of E minor, 150 BPM, pop-punk/alt-rock fusion with trap accents, bittersweet yet defiant mood, female lead vocal (powerful belt, airy falsetto), male rap feature with triplet flow, gang shouts on choruses, structure: distorted guitar intro→verse (clean guitar + 808s)→pre-chorus build→explosive chorus (layered guitars + trap hats)→bridge drop (808 bass + rap verse)→final chorus with dual vocal overlay→abrupt stop outro, instrumentation: distorted guitars, sub-heavy 808s, crisp snare/claps, hi-hat rolls, synth stabs, pads, production: polished and wide, guitars panned L/R, vocals layered with reverb/delay, rhythm: straight punk 8ths + trap syncopation, dynamics: tension-release cycles, halftime breakdown bridge, atmosphere: basement show meets modern club, cultural fusion: emo-punk core with Atlanta trap details, unique signatures: glitchy vocal chops in bridge, octave riff, trap hats under live drums

At ~126 BPM in G minor, this catchy earworm Nu-Disco x Dance-Pop x EDM track opens with a filtered disco loop—four-on-the-floor kick, off-beat hats, rubbery octave bass, and gentle sweep transitions, The female vocalist carries the verses with smooth, grounded phrasing over clean funk guitar chops, bright poly stabs, and subtle call-and-response ad-libs, lifting into stacked harmonies before the pre-chorus, A male rapper drives the second verse on a stripped groove with syncopated kicks, warm sub bass, and widened claps, building tension back into the main hook, The chorus hits with a chant-ready topline and a tight rhythmic pocket, followed by a post-chorus built around a repeatable “move along” motif, The drop leans EDM with detuned saws, sidechained pads, chopped vocal textures, and punchy low-end hits, Production stays polished and stereo-wide with plate reverb accents, slap delay details, and clean buss compression for a confident, dance-floor-ready finish

At around 86 BPM, this driving one-drop tune blends modern Roots Reggae, Dub, and Cali-Reggae, Drums are straightforward—kick and snare on two and four with a four-on-the-floor push in the hook—while a melodic bass line locks to bubble organ and offbeat chop guitar, A warm mid-tenor male lead delivers verses about being human and connected under the night sky, then opens into chant-style choruses with stacked thirds, call-and-response lines and lifted tags, Core palette is sub bass, Hammond organ, chop guitar, occasional melodica or lead-guitar replies and soft synth arps panned wide, Structure hits the hook early, cycles verse / lift / chorus, drops into a dubby bridge of bass, drums and arps, then returns for a longer final chorus with lift, Production is polished, analog-leaning, with spring and plate reverbs, tape-slap delays and a wide low end

At ~112 BPM, this Nu-Disco, Dance-Pop, Tropical House, & Amapiano hybrid centers on a four-on-the-floor drive with lightly swung hats, crisp claps, marimba-like plucks, & rounded log-drum phrases weaving syncopation beneath a warm, sidechained bass, Harmony stays in bright minor with touches of Dorian on Rhodes chords, palm-muted funk guitar, & wide pads that open into a tight, hook-first chorus, A smooth male tenor & a warm, smoky low female sing in controlled pop phrasing before building into stacked mixed-gender refrains, Verse two features a full 16-line Caribbean patois rap, delivered with percussive dancehall cadence, double-time bursts, & punchy enunciation that locks into the groove, Core anchors include pluck leads, piano stabs, soft choir pads, subtle strings, & rising FX, Structure runs intro–verse–pre–chorus–chorus–verse two rap–bridge–double chorus, produced with glossy digital sheen, deep clean lows, wide stereo placement, & smooth festival-ready dynamics

At 82 BPM, this track blends 2010s alt-indie revival with psychedelic indie dream pop, using a floaty, hypnotic pulse shaped by lo-fi drums, soft tambourine hits, and a lightly swung feel, Harmony centers on C# minor with touches of A Aeolian and brief Lydian color, carried by washed-out rhythm guitar, gentle acoustic accents, warm bass, and a mellow piano or airy synth pad, Vocals are soft female lead with close phrasing, light doubles, and a repeating melodic hook that reinforces the trance-like motion, The structure moves through verse, chorus, verse, bridge, a chorus and repeated evolved chorus variation, and a fading textural outro, Production leans lo-fi with soft compression, rounded transients, wide guitars, and light tape wear, keeping the mix warm and subtly drifting, ‑trap drums, ‑autotuned pop vocals, ‑EDM synths, ‑upbeat funk rhythms, ‑compressed modern mix, ‑bright polished sheen

At 82 BPM, this track blends 2010s alt-indie revival with psychedelic indie dream pop, using a floaty, hypnotic pulse shaped by lo-fi drums, soft tambourine hits, and a lightly swung feel, Harmony centers on C# minor with touches of A Aeolian and brief Lydian color, carried by washed-out rhythm guitar, gentle acoustic accents, warm bass, and a mellow piano or airy synth pad, Vocals are soft female lead with close phrasing, light doubles, and a repeating melodic hook that reinforces the trance-like motion, The structure moves through verse, chorus, verse, bridge, a chorus and repeated evolved chorus variation, and a fading textural outro, Production leans lo-fi with soft compression, rounded transients, wide guitars, and light tape wear, keeping the mix warm and subtly drifting

At ~112 BPM, this Nu-Disco, Dance-Pop, Tropical House, & Amapiano hybrid centers on a four-on-the-floor drive with lightly swung hats, crisp claps, marimba-like plucks, & rounded log-drum phrases weaving syncopation beneath a warm, sidechained bass, Harmony stays in bright minor with touches of Dorian on Rhodes chords, palm-muted funk guitar, & wide pads that open into a tight, hook-first chorus, A smooth male tenor & a warm, smoky low female trade verse-one lines in controlled pop phrasing before building into stacked mixed-gender refrains, Verse two features a full 16-line Caribbean patois rap, delivered with percussive dancehall cadence, double-time bursts, & punchy enunciation that locks into the groove, Core anchors include pluck leads, piano stabs, soft choir pads, subtle strings, & rising FX, Structure runs intro–verse–pre–chorus–chorus–verse two rap–bridge–double chorus, produced with glossy digital sheen, deep clean lows, wide stereo placement, & smooth festival-ready dynamics

This track runs around 125 BPM, blending dance-pop with big-room EDM and tribal house percussion, Drums use a tight four-on-the-floor kick, syncopated claps, rolling congas, low toms, shakers, and rim clicks shaped by Caribbean and Afro-Latin grooves, Harmony sits in a minor i–♭VI–V loop beneath a plucky synth hook and a catchy male-led chorus, Verses use a smooth mid-range vocal with clean, conversational delivery, and a 16-bar Caribbean patois rap rides a stripped-down bed of kick, congas, and sub bass before the tempo jumps a few BPM into the biggest drop, Core elements include congas, sidechained sub bass, bright bell-like leads, muted piano stabs, brass accents, and noisy risers, Structure follows intro–verse–pre–drop–chorus, second verse, rap break, accelerated-drop double chorus, and a fading groove, Production is polished and wide, with centered vocals, crisp highs, and a festival-meets-tropical-club atmosphere, ‑vocables, ‑long drop

This track runs around 125 BPM, blending dance-pop with big-room EDM and tribal house percussion, Drums use a tight four-on-the-floor kick, syncopated claps, rolling congas, low toms, shakers, and rim clicks shaped by Caribbean and Afro-Latin grooves, Harmony sits in a minor i–♭VI–V loop beneath a plucky synth hook and a catchy male-led chorus, Verses use a smooth mid-range vocal with clean, conversational delivery, and a 16-bar Caribbean patois rap rides a stripped-down bed of kick, congas, and sub bass before the tempo jumps a few BPM into the biggest drop, Core elements include congas, sidechained sub bass, bright bell-like leads, muted piano stabs, brass accents, and noisy risers, Structure follows intro–verse–pre–drop–chorus, second verse, rap break, accelerated-drop double chorus, and a fading groove, Production is polished and wide, with centered vocals, crisp highs, and a festival-meets-tropical-club atmosphere

This track runs around 125 BPM, blending dance-pop with big-room EDM and tribal house percussion, Drums use a tight four-on-the-floor kick, syncopated claps, rolling congas, low toms, shakers, and rim clicks shaped by Caribbean and Afro-Latin grooves, Harmony sits in a minor i–♭VI–V loop beneath a plucky synth hook and a catchy male-led chorus, Verses use a smooth mid-range vocal with clean, conversational delivery, and a 16-bar Caribbean patois rap rides a stripped-down bed of kick, congas, and sub bass before the tempo jumps a few BPM into the biggest drop, Core elements include congas, sidechained sub bass, bright bell-like leads, muted piano stabs, brass accents, and noisy risers, Structure follows intro–verse–pre–drop–chorus, second verse, rap break, accelerated-drop double chorus, and a fading groove, Production is polished and wide, with centered vocals, crisp highs, and a festival-meets-tropical-club atmosphere

At about 112 BPM, this track fuses nu-disco and dance-pop gloss with Peruvian chicha guitar work and tropical psychedelia haze, A tight four-on-the-floor kick, disco claps, and lightly swung cumbia percussion drive a rubbery syncopated bassline, while bright, slightly overdriven surf-style guitars play modal hooks over compact minor progressions, A female lead is confident and melodic with clean doubles, stacked harmonies, while a male lead is smooth and suave, and a chorus built on punchy, rhythmic phrasing; a mid-song male rap verse rides a stripped-down beat with bass, percussion, and chicha riff looping underneath, Structure follows intro riff–verse–pre–big chorus–post-rap break-bridge–double chorus–extended instrumental outro, Production is polished but warm, blending analog-leaning guitars and percussion with digital synth pads and subtle arps, wide stereo imaging, sidechained keys, plate reverbs, and short delays that suggest an open-air, late-evening outdoor party

This track sits around a relaxed mid-tempo, roughly 95–100 BPM, fusing indie folk and Americana roots with hazy dream pop atmosphere, A husky, raspy male lead carries the verses in close-mic intimacy, occasionally lifting into small falsetto phrases in pre-choruses and choruses to underline emotional spikes, Verses are built on fingerpicked acoustic guitar, upright-style bass, and minimal brushed kit, with subtle foot-stomp accents reinforcing the pulse, Choruses bloom as tremolo electric guitar and warm organ pads widen the field, while a gentle melodic hook repeats like a physical reflex, Structure runs intro–verse–pre–chorus–chorus–verse–chorus–bridge–final lift, with the bridge dropping to vocal, ambient pads, and muted percussion before a layered, saturated final chorus, Production is polished but warm and slightly gritty, favoring analog-style saturation, roomy reverb on instruments, and a mostly centered, dry-ish lead

At 118 BPM in 4/4, this track blends nu-disco bounce, jazz-funk harmony and modern trap-rap weight, The groove rides a steady four-on-the-floor kick with tight hats and claps, then drops into half-time passages where triplet hats and a subby 808 lock to the same bass riff, Keys play a compact minor vamp with Dorian flavor, doubled by clav and funk guitar, while a short synth or horn hook repeats across choruses, A bold female lead handles tuneful verses and a chant-like chorus with stacked harmonies and ad-libs, contrasted by a gritty male rap verse over a stripped half-time section, Structure runs filtered intro, verse, pre, big hook, rap break, bridge and a final extended chorus, Production is clean and wide, mixing warm keys and analog-style bass with bright, compressed drums, sidechained pads and subtle delay for a tight club feel