CHALLENGE INTERNATIONAL "VISION"

Duration max, 3 min, High-energy skewed indietronica / new-wave revival pop, 106–110 BPM, minor key with euphoric lift, immediate start with flickering-light ambience, high-pitched synth lead and rhythmic electric guitar, four-on-the-floor pulse, distorted sustained bass, power chords, heavy side-chained supersaw pads, Roland Juno-style analog warmth, stadium drums, gated reverb snare, glitch-pop transitions, slight shoegaze and dream-pop haze, dry intimate adult male vocal with deadpan verses, bigger layered anthemic hook, robotic vocoder section before drop, off-kilter piano, warped flute motifs, short tape delays, lush reverb tails, subtle tremolo, dramatic build-ups, metallic BONG impact into halftime chaos, emotional house/light symbolism, strange but catchy, bittersweet, euphoric, cinematic, no childlike vocals, no children voices, no fade-out

Duration max 3 min, high-energy skewed indietronica / new-wave revival pop, 108 BPM, minor key with euphoric lift, Immediate start with flickering-light ambience, high-pitched synth lead, rhythmic electric guitar, four-on-the-floor pulse, distorted sustained bass, power chords, side-chained supersaw pads, Roland Juno analog warmth, stadium drums, gated reverb snare, Dry intimate adult male vocal, deadpan verses, bigger layered anthemic hook, robotic vocoder section before drop, Glitch-pop transitions, slight shoegaze/dream-pop haze, off-kilter piano, warped flute motifs, short tape delays, lush reverb tails, subtle tremolo, dramatic builds, metallic BONG impact into halftime chaos, Emotional house/light symbolism, strange but catchy, bittersweet, euphoric, cinematic, No childlike vocals, no children voices, no fade-out

Dark cinematic indietronica, emotional ambient minimalism, cold Scandinavian electronic ballad, industrial emotional decay, sincere grieving female vocal only, intimate close-mic delivery, broken upright piano, cold empty-room ambience, very low industrial drones, faint metallic resonance, soft distorted synth textures, heavy sustained bass pressure, slow heartbeat-like kick, off-kilter piano echoes, mechanical reverb decay, ghostly synth haze, filtered echo tails, fragile intro, slow emotional pressure, halftime emotional collapse, lonely unresolved ending, no dance groove, no bright EDM energy, no festival feeling, no euphoric melody, no hopeful resolution, no fade-out, max 3 min, "I’m sorry" is a hook

Latin Groove Metal / Tumbao Breakdown Fusion inspired by Puya, authentic salsa-metal collision, heavy syncopated low-tuned guitar riffs locked tightly with dancing Latin bass movement, aggressive funk-metal groove, real salsa percussion driving the song: congas, timbales, cowbell, clave, bongos, not decorative but central to the rhythm, Add salsa piano montuno, brass stabs, street-party chaos, sweaty Puerto Rican block-party energy, raw male lead vocal, Spanish/English chants, gang shouts, call-and-response hooks, brutal but danceable breakdowns with movement, sudden riff stops, percussion fills, groove-first heaviness, no generic metalcore, no fake Latin samples, no clean pop chorus

Dreamlike psychedelic forest folk-pop, magical woodland atmosphere inspired by an ancient Dream Tree, 1960s psychedelic dream-pop influences, warm vintage recording character, Mellotron flutes and choir, rotating Leslie organ drifting through the canopy like wind between branches, soft forest wind, airy breath textures, rustling leaves in stereo, deep wooden creaks and hollow trunk resonance, low cello and contrabass drones beneath the roots, branch-like percussion, tiny bells, glassy plucks, delicate chimes and fluttering fairy-wing tremolos, Ethereal "Uhhh-Ahhh" vocal clouds, dreamy "na-na-na" sing-along motifs, reversed cymbals, tape flutter, psychedelic echo trails and hidden choirs emerging from the trees, Gentle but driving folk-pop pulse with tambourine, brushed drums and warm melodic bass, Emotional female lead vocal, catchy chorus, wonder, imagination and discovery, The forest itself feels alive and singing, Vintage psychedelic magic, beautiful, mysterious and uplifting

Dreamlike psychedelic forest folk-pop, magical woodland atmosphere inspired by an ancient Dream Tree, 1960s psychedelic dream-pop influences, warm vintage recording character, Mellotron flutes and choir, rotating Leslie organ drifting through the canopy like wind between branches, soft forest wind, airy breath textures, rustling leaves in stereo, deep wooden creaks and hollow trunk resonance, low cello and contrabass drones beneath the roots, branch-like percussion, tiny bells, glassy plucks, delicate chimes and fluttering fairy-wing tremolos, Ethereal "Uhhh-Ahhh" vocal clouds, dreamy "na-na-na" sing-along motifs, reversed cymbals, tape flutter, psychedelic echo trails and hidden choirs emerging from the trees, Gentle but driving folk-pop pulse with tambourine, brushed drums and warm melodic bass, Emotional female lead vocal, catchy chorus, wonder, imagination and discovery, The forest itself feels alive and singing, Vintage psychedelic magic, beautiful, mysterious and uplifting

Create a cover version of the uploaded song using a different female voice only, reverb, Keep the exact same song, chorus, melody, chord progression, tempo, timing, phrasing, rhythm, structure, section lengths, hooks, pauses, instrumental arrangement and overall production, Do not rewrite, remix, rearrange, reharmonize or change the composition, Preserve every melodic contour, chorus shape, vocal rhythm and musical transition exactly as in the original, Only replace the vocal tone with a new solo female lead voice: modern Danish radio-pop, emotional, powerful, clear, expressive, slightly brighter and more polished, No male vocals, no duet, no harmonies, no backing vocals, no layered voices, no choir vocals, Same lyrics, same pronunciation, same energy, same dynamics, same FX, same mix balance, This must sound like the same released song performed by a new female singer, not a new version, (Bugten is pronounced ['b̥ɔɡ̊d̥ə] like Bogten, New voice is soft and very sensual and Danish

hip hop, opera, theatrical rap, Vocals: Barritone Male, Opera singer and Rap singer, no acapella, no laugh, CINEMATIC, angelic choir

Magical British psychedelic fairytale pop inspired by an enchanted queen's mirror chamber, sparkling fantasy atmosphere, late-1960s British psychedelic baroque dream-pop, warm vintage analogue recording, Mellotron flutes, celestial choir and strings, rotating Leslie organ, harpsichord flourishes, glockenspiel, music box, shimmering bells, crystal chimes, magical glitter cascades, sparkling fairy dust sounds, whimsical whooshes, exaggerated 1960s fantasy SFX, twinkling star bursts, bubbling potion sounds, reverse cymbals, theatrical magical "poof" effects, ethereal female "Uhhh-Ahhh" vocal clouds, playful "na-na-na" motifs, brushed drums, tambourine, warm melodic bass, emotional and expressive female lead vocal with mischievous charm, memorable sing-along chorus, uplifting and mysterious, enchanted mirrors that whisper and sing, organic instrumentation mixed with magical sound effects, whimsical wonder, glitter, transformation, self-discovery and joy, Chorus within first 45 seconds

Baroquepop, ‑No electric guitar, ‑no distorted guitars, ‑no heavy drums, ‑no trap hi-hats, ‑no EDM drops, ‑no orchestral brass, ‑no cinematic trailer music, ‑no choir, ‑no rap, ‑no screaming, ‑no aggressive percussion

Ethereal British dream pop, whimsical fairy folk, enchanted indie pop, shimmering guitars, delicate glockenspiel, airy female vocals, warm layered harmonies, magical woodland atmosphere, intimate yet uplifting, subtle Celtic influences, sparkling acoustic textures, nostalgic British fantasy, emotional storytelling, playful rhythmic pulse, elegant orchestral swells, dreamy but energetic, handcrafted organic sound, hidden wonder, gentle optimism, -EDM -trap -heavy drumsacoustic warmth, ‑epic, ‑heavy drums, ‑EDM

[Genre] Early-mid 90s Danish Football Pop-Rock [Theme] Authentic Danish football summer anthem, nostalgic 1990s TV sports feeling, classic Danish radio pop, emotional, authentic human energy, [Instruments] Memorable electric guitar hook, acoustic rhythm guitar, melodic bass, dry live drums, analog tape warmth, modest live band production, [Vocals] Natural Danish male vocals, warm, heartfelt, slightly unpolished, [Atmosphere] Warm Danish summer night, late-night USA World Cup broadcasts, TV lights in living room windows, friends gathered around television, supporters staying awake all night, [Crowd] Rhythmic handclaps only, no crowd vocals, no supporter chants, no shouting, no audience taking over the song, [Song] Simple catchy football chorus, repeating melody motif, natural room sound, slightly loose live feel, [Avoid] No modern pop polish, no EDM, no cinematic soundtrack

Max 3 minutes, Danish lyrics, Dark high-energy dance-pop / skewed indietronica with new-wave revival edge, 124–128 BPM, minor key with euphoric lift, Immediate start with flickering heatwave ambience, four-on-the-floor club pulse, distorted sustained bass, punchy electronic drums, gated reverb snare, rhythmic electric guitar stabs, power chords, heavy side-chained supersaw pads, Roland Juno-style analog warmth, glitch-pop transitions, warped flute motifs as the main catchy hook after each chorus, short tape delays, lush reverb tails, subtle tremolo, Dry intimate adult female vocal with deadpan verses, Danish lyrics shaped with modern Scandinavian pop phrasing, bigger layered anthemic chorus, robotic Modern Scandinavian pop phrasing, Danish lyrics performed with international pop phrasing, syncopated syllable splitting, displaced word stress, broken phrase endings and rhythmic articulation that makes Danish flow like contemporary English pop while remaining completely understandable

BOMBAST: Max 3 minutes, English verses with all choruses in Spanish, Spanish folk-noir flamenco-techno, 126 BPM, four-on-the-floor pulse with 6/8 flamenco tension, late-night heatwave isolation, emotional man in love with an ice-cold beer, Flamenco palmas patterns, cajón hits, castanet clicks, rasgueado guitar snaps, Spanish nylon guitar plucks, low bowed strings, deep electronic bass, dry room mics, vinyl crackle, tape saturation, short plate echo on “fría”, “calor”, “amor” and “por favor”, Low-register Spanish male spoken-sung flow, intimate and serious, left-right call and response between guitar and palmas, hypnotic dance groove, every chorus grows stronger, bigger and more emotional, No brass, no trumpets, no horn section, no mariachi, no brass synths, no crowd, no audience, no live ambience, no fade-out, ‑[No brass, ‑No trumpets, ‑No horn section, ‑No mariachi, ‑No brass synths, ‑No orchestral brass, ‑No wind fanfares, ‑]

Epic Skweee electro-funk anthem about the French Revolution, raw analog synths, rubbery basslines, cheap drum machines, wonky square-wave melodies, distorted 8-bit funk, clattering revolutionary percussion, dramatic march-like groove, royal harpsichord fragments twisted into dirty synth riffs, angry crowd energy without crowd vocals, cinematic guillotine tension, Versailles collapsing into chaos, playful but dangerous, weird but catchy, huge emotional sing-along chorus built around the recurring hook "Prenons soin les uns des autres", memorable rebel hook, controlled musical chaos, bright melodic top line, gritty low-end bounce, powerful final chorus, 100 BPM, no artist names, Lyrics: Female, experimental, theatrical, psychedelic, BPM 90–160

Future bass fused with indie pop and electropop, infused with Portal 2's "GLaDOS' Awakening" sci-fi dread—mechanical whirs, ominous harp-flute neoclassical motifs, glitchy chiptune distortions, and dystopian industrial drones, Soulful R&B female vocals warped to synthetic GLaDOS monotone: velvety jazzy inflections twisted by robotic formant shifts, pitch glitches, and deadpan auto-tune for sassy, menacing sarcasm over AI rebirth taunts, Growling buzzing basslines clash with glitching vocal chops, quirky synth stabs, and haunting arpeggios; colorful layers of grating percussion and alarm stabs craft a seductive, moody exhilar [[One distinctive contemporary female lead vocalist only, Close, light, clear and conversational, with an intimate dry vocal placed forward in the mix, Casually cheerful with a slightly deadpan, understated tone, Restrained phrasing, playful tiny pitch bends, subtle vocal cracks, unusual melodic turns and gently rising sentence endings, as if some phrases almost b

BOMBAST, indietronica, psychedelic, danceable KEEP SONG AS IT IS in the REF, SONG

hip hop, pop