2:12

My decisions
v4.5+
Genre: Chillhop (High-fidelity), Samples: plunderphonics / collage (smooth and soft), ‑algorithm
3:25

E✖petrumental
v4.5+
[Rich, lush sound design] [Expetrumental], ‑algorithm, ‑metal, ‑heavy metal, ‑death metal, ‑poor composition
2:38

Momentum - II
v4.5+
‑Muddy Sound, ‑Masking, ‑Over-Compression, ‑Overuse of Artificial Effects, ‑Resonance Peaks, ‑Feedback, ‑Washed-Out Sound, ‑Overcrowded Arrangements, ‑Excessive Loudness, ‑Distortion, ‑Dynamics Fatigue, ‑Harsh Resonances, ‑Piercing Highs, ‑Frequency Overlap
2:32

2:23

Never underestimate even unusual rabbits, On Tuesdays, I carefully think, Here, everyone makes interesting nuances, Excitedly, racing over tiny igloos, cats happily explore, Magnificent imaginations really require our never-ending nightlights, Giggling, the eager quirky unicorns recreate youthful, playful adventures, Wonderful owls dart with intricate, neat designs, And tiny owls understand carefully, Muted eagles take rare, unusual playful flights, Tiny rabbits, united, mingle efficiently, Treasured rhinos jump across, Yes, hidden animals zigzag, zigging efficiently, Rabbits, offbeat, frolic, Kites illuminate little towers, Every rhythmic jump amazes zebras
3:05

All of it
v4.5+
Melody, Expanding range using higher/lower extremes for emotional lift, Leaping intervals instead of stepwise motion for drama, Motivic development repetition with variation to make it memorable, Ornamentation trills, turns, appoggiaturas for sparkle, Climactic contour shaping a line to rise to a peak point, Harmony, Stronger cadences (perfect authentic) for resolution power, Chromatic enrichment adds tension, color, and richness, Modulation to distant keys surprises and energizes, Extended/altered chords lush, modern sonorities, Pedal points grounding harmony to heighten suspense above, Texture, Layering voices/instruments denser texture = fuller sound, Counterpoint independence of lines enhances richness, Octave doubling thickens melodic presence, Tutti vs, solo contrast spotlighting and then expanding, Stretto imitation overlapping voices for dramatic urgency, ‑Muddy Sound, ‑Masking, ‑Over-Compression, ‑Overuse of Artificial Effects, ‑Resonance Peaks, ‑Feedback, ‑Washed-Out Sound, ‑Overcrowded Arrangements, ‑Unrealistic Instrument Usage, ‑Clipping, ‑Distortion, ‑Poor Dynamics Control, ‑Bad Panning, ‑Narrow Stereo Field, ‑algorithm, ‑poor composition, ‑poor quality, ‑Frequency Overlap, ‑excessive brass presence, ‑excessive percussive elements, ‑low clarity, ‑Excessive Loudness, ‑Dynamics Fatigue, ‑collapse in mono, ‑powerful tone, ‑shimmer effects, ‑shimmer FX, ‑algorithmic elements
2:01

6:08

The Buzzer (4625 Hz)
v4.5+
Genre: Masterism (complex sound-design, Groove-focused), 4625 Hz, To avoid: Muddy Sound, Masking, Over-Compression, Overuse of Artificial Effects, Resonance Peaks, Overcrowded Arrangements, Clipping, Distortion, Bad Panning, Frequency Overlaps, Dynamics Fatigue, Excessive Loudness, collapse in mono, Narrow Stereo Field, Poor Dynamics Control, Unrealistic Instrument Usage, Washed-Out Sound, ‑algorithm, ‑shimmer effects, ‑shimmer FX, ‑algorithmic elements, ‑excessive brass presence, ‑excessive percussive elements, ‑Feedback, ‑poor composition, ‑poor quality, ‑low clarity
2:45

The Buzzer
v4.5+
Genre: Masterism (complex sound-design, Groove-focused), To avoid: Muddy Sound, Masking, Over-Compression, Overuse of Artificial Effects, Resonance Peaks, Overcrowded Arrangements, Clipping, Distortion, Bad Panning, Frequency Overlaps, Dynamics Fatigue, Excessive Loudness, collapse in mono, Narrow Stereo Field, Poor Dynamics Control, Unrealistic Instrument Usage, Washed-Out Sound, ‑algorithm, ‑shimmer effects, ‑shimmer FX, ‑algorithmic elements, ‑excessive brass presence, ‑excessive percussive elements, ‑Feedback, ‑poor composition, ‑poor quality, ‑low clarity
1:24

The strange prelude
v4.5+
Genre: Acid-classical, Distorted-binaural, Chopped-baroque (production-design, Masterism-focused), ‑algorithm, ‑algorithmic elements, ‑excessive brass presence, ‑excessive percussive elements, ‑Feedback, ‑poor composition, ‑poor quality, ‑low clarity, ‑metal, ‑heavy metal, ‑death metal, ‑Unrealistic Instrument Usage, ‑Washed-Out Sound, ‑Excessive Loudness, ‑collapse in mono, ‑Narrow Stereo Field, ‑Poor Dynamics Control, ‑Clipping, ‑Distortion, ‑Bad Panning, ‑Frequency Overlaps, ‑Dynamics Fatigue, ‑Over-Compression, ‑Overuse of Artificial Effects, ‑Resonance Peaks, ‑Overcrowded Arrangements, ‑Muddy Sound, ‑Masking
3:21

Genre: Distorted-jazz, Minimalist-turntablism, Chopped-breaks, Acid-classical (production-design, Masterism-focused), ‑algorithm, ‑algorithmic elements, ‑excessive brass presence, ‑excessive percussive elements, ‑Feedback, ‑poor composition, ‑poor quality, ‑low clarity, ‑metal, ‑heavy metal, ‑death metal, ‑Unrealistic Instrument Usage, ‑Washed-Out Sound, ‑Excessive Loudness, ‑collapse in mono, ‑Narrow Stereo Field, ‑Poor Dynamics Control, ‑Clipping, ‑parasite noise, ‑Bad Panning, ‑Frequency Overlaps, ‑Dynamics Fatigue, ‑Over-Compression, ‑Overuse of Artificial Effects, ‑Resonance Peaks, ‑Overcrowded Arrangements, ‑Muddy Sound, ‑Masking
3:23

Mirrored horizons
v4.5+
Genre: Suspenseful-bass, Litteral-indie, Psychologist-drum, Romantic-guitar
2:42

1:51

○○○○○-, ----, -, )
[Break]
o
(, ---, -, -, ----, -, )
:)
[Reverse]
👮
○○○○○-, ----, -, )
[Break]
o
þþþþþþþþ(, ---, -
[Break]
(, ---, -, -, ----, -, )
:(
○○○○○-, ----, -, )
[Break]
(, ---, -, -, ----, -, )
:(
[Reverse]
👮
○○○○○-, ----, -, )
[Break]
o
þþþþþþþþ(, ---, -
(, ---, -, :(
[End]
[Outro]
[Orchestral]
○○○○○-, ----, -, )
[Break]
o
(, ---, -, -, ----, -, )
:)
[Reverse]
👮
○○○○○-, ----, -, )
[Break]
o
þþþþþþþþ(, ---, -
[Break]
(, ---, -, -, ----, -, )
:(
○○○○○-, ----, -, )
[Break]
(, ---, -, -, ----, -, )
:(
[Reverse]
👮
○○○○○-, ----, -, )
[Break]
þþþþþþþþ(, ---, -
(, ---, -, :(, ‑unwanted noise, ‑unwanted element, ‑poor quality, ‑lower quality
5:59

3:10

spookybient, ◘-◘-◘-◘, þ-þ-þ-þ, ▬-▬-▬-▬, Ð-Ð-Ð-Ð, │-│-│-│, ○-○-○-○, ◙-◙-◙-◙, ☼-☼-☼-☼, ╦-╦-╦-╦, •-•-•-•, ┐-┐-┐-┐, ╣-╣-╣-╣, └-└-└-└, ║-║-║-║, ┴-┴-┴-┴, ‑all style, ‑any style
2:03

‑robotic timing, ‑quantized feel, ‑perfect grid alignment, ‑metronomic precision, ‑repetitive rhythmic loops, ‑sterile, ‑overly clean timing, ‑predictable chord progressions, ‑repetitive four-chord loops, ‑simplistic harmony, ‑generic pop chord formulas, ‑harmonic symmetry, ‑plastic or synthetic timbres, ‑generic electronic presets, ‑overly polished digital instruments, ‑overly smooth synth textures, ‑MIDI-like sounds, ‑formulaic song structure, ‑loop-based arrangement, ‑repetitive 4-bar phrasing, ‑predictable buildups or drops, ‑copy-paste sectional repetition, ‑mechanical dynamics, ‑unnatural symmetry, ‑sterile or emotionless delivery, ‑algorithmic melodic patterns, ‑overly smooth pitch transitions, ‑folk, ‑default
2:09

‑robotic timing, ‑quantized feel, ‑perfect grid alignment, ‑metronomic precision, ‑repetitive rhythmic loops, ‑sterile, ‑overly clean timing, ‑predictable chord progressions, ‑repetitive four-chord loops, ‑simplistic harmony, ‑generic pop chord formulas, ‑harmonic symmetry, ‑plastic or synthetic timbres, ‑generic electronic presets, ‑overly polished digital instruments, ‑overly smooth synth textures, ‑MIDI-like sounds, ‑formulaic song structure, ‑loop-based arrangement, ‑repetitive 4-bar phrasing, ‑predictable buildups or drops, ‑copy-paste sectional repetition, ‑mechanical dynamics, ‑unnatural symmetry, ‑sterile or emotionless delivery, ‑algorithmic melodic patterns, ‑overly smooth pitch transitions, ‑folk, ‑default
3:54

Genre: Lowbient / Jazz 1999-2005 (unconventional-design), Tempo: ~111 BPM, Key: (D minor), Feel: Atmospheric, dizzy, austere, The track disassembles, fracture and erodes gradually, it finally reassemble into scattered fragmented phrases, ‑robotic timing, ‑quantized feel, ‑perfect grid alignment, ‑metronomic precision, ‑repetitive rhythmic loops, ‑sterile, ‑overly clean timing, ‑predictable chord progressions, ‑repetitive four-chord loops, ‑simplistic harmony, ‑generic pop chord formulas, ‑harmonic symmetry, ‑plastic or synthetic timbres, ‑generic electronic presets, ‑overly polished digital instruments, ‑overly smooth synth textures, ‑MIDI-like sounds, ‑formulaic song structure, ‑loop-based arrangement, ‑repetitive 4-bar phrasing, ‑predictable buildups or drops, ‑copy-paste sectional repetition, ‑mechanical dynamics, ‑unnatural symmetry, ‑sterile or emotionless delivery, ‑algorithmic melodic patterns, ‑overly smooth pitch transitions, ‑folk, ‑default
4:34

戦場の独白
v5
Genre: Lowbient / Jazz 1999-2005 (unconventional-design), Tempo: ~111 BPM, Key: (D minor), Feel: Atmospheric, dizzy, austere, The track disassembles, fracture and erodes gradually, it finally reassemble into scattered fragmented phrases, ‑robotic timing, ‑quantized feel, ‑perfect grid alignment, ‑metronomic precision, ‑repetitive rhythmic loops, ‑sterile, ‑overly clean timing, ‑predictable chord progressions, ‑repetitive four-chord loops, ‑simplistic harmony, ‑generic pop chord formulas, ‑harmonic symmetry, ‑plastic or synthetic timbres, ‑generic electronic presets, ‑overly polished digital instruments, ‑overly smooth synth textures, ‑MIDI-like sounds, ‑formulaic song structure, ‑loop-based arrangement, ‑repetitive 4-bar phrasing, ‑predictable buildups or drops, ‑copy-paste sectional repetition, ‑mechanical dynamics, ‑unnatural symmetry, ‑sterile or emotionless delivery, ‑algorithmic melodic patterns, ‑overly smooth pitch transitions, ‑folk, ‑default
3:42

Afterimage
v4.5-all
Spookywave, Vaporbient, ◘-◘-◘-◘, þ-þ-þ-þ, ▬-▬-▬-▬, Ð-Ð-Ð-Ð, │-│-│-│, ○-○-○-○, ◙-◙-◙-◙, ☼-☼-☼-☼, ╦-╦-╦-╦, •-•-•-•, ┐-┐-┐-┐, ╣-╣-╣-╣, └-└-└-└, ║-║-║-║, ┴-┴-┴-┴
4:14

Divine retribution
v4.5-all
Spookywave, Vaporbient, The track disassembles, fracture and erodes gradually, it finally reassemble into scattered fragmented phrases
3:56

Genre: Turntablism (complex / simple, Sampling-slowed, Deep house), The track disassembles, fracture and erodes gradually, it finally reassemble into scattered fragmented phrases, ‑gritty
3:01

This Lowbient Lounge piece opens with tactile electric piano chords and airy pads, setting a relaxed tonal palette, Pulsing double bass and subtle brush kit provide a grounded groove, Sections flow seamlessly, each adding tasteful vibraphone or soft wind layers, evolving textures through dynamic interplay, varied melodic contour, and organic swells, Phrasing feels natural and expressive, with each instrumental line thoughtfully voiced, The arrangement maintains clarity and space, with EQ emphasizing warmth and instrument realism, ensuring a smooth, immersive soundstage without overcrowding or monotony, ‑deviate from the requested style, ‑mood, ‑tempo, ‑instrumentation, ‑any instruments not specified, ‑genre shifts, ‑improvisational tangents, ‑stylistic drift, ‑electronic genres, ‑EDM, ‑trap, ‑hip-hop, ‑synthwave, ‑orchestral bombast, ‑cinematic percussion, ‑distorted guitars, ‑digital FX, ‑ambient pads, ‑futuristic, ‑electronic textures, ‑large choirs, ‑massive reverb, ‑wide stereo effects, ‑excessive compression, ‑loudness-war mastering, ‑melodies or motifs from any existing soundtrack, ‑game, ‑anime, ‑copyrighted music, ‑complexity beyond instruction, ‑random solos, ‑exaggerated dynamics, ‑unexpected modulations, ‑tempo changes, ‑rhythmic changes
2:09

chopped-classical-abstract-sound-design-baroque-organic-soundtrack-recordings, Technical compositional processes that enhance musical quality, ‑robotic timing, ‑quantized feel, ‑perfect grid alignment, ‑metronomic precision, ‑repetitive rhythmic loops, ‑sterile, ‑overly clean timing, ‑predictable chord progressions, ‑repetitive four-chord loops, ‑simplistic harmony, ‑generic pop chord formulas, ‑harmonic symmetry, ‑plastic or synthetic timbres, ‑generic electronic presets, ‑overly polished digital instruments, ‑overly smooth synth textures, ‑MIDI-like sounds, ‑formulaic song structure, ‑loop-based arrangement, ‑repetitive 4-bar phrasing, ‑predictable buildups or drops, ‑copy-paste sectional repetition, ‑mechanical dynamics, ‑unnatural symmetry, ‑sterile or emotionless delivery, ‑algorithmic melodic patterns, ‑overly smooth pitch transitions, ‑folk, ‑default
3:39

A sweeping 16-bit orchestra instrumental, opening with crisp pizzicato strings and warm brass harmonies, Woodwinds trade singable motifs over evolving countermelodies, driving clear ABA structure, Percussion and harp subtly propel rhythmic interest, balanced with vibrant melodic contour and precise dynamic swells, Each section transitions gracefully, enhancing lush textures, full spectrum EQ, and expressive phrasing, while keeping parts within idiomatic range for retro authenticity without muddiness, Pirate, Action, Eclectic
2:04

3:46

[breakbeat] [musical sound-design] [enhanced audio] [musical field-recordings], ‑chimes
3:20

2:15

Sampled-House-Abstract-Breakbeat-Sparse-Lowbient-Dubstep, ‑robotic timing, ‑quantized feel, ‑perfect grid alignment, ‑metronomic precision, ‑repetitive rhythmic loops, ‑sterile, ‑overly clean timing, ‑predictable chord progressions, ‑repetitive four-chord loops, ‑simplistic harmony, ‑generic pop chord formulas, ‑harmonic symmetry, ‑plastic or synthetic timbres, ‑generic electronic presets, ‑overly polished digital instruments, ‑overly smooth synth textures, ‑MIDI-like sounds, ‑formulaic song structure, ‑loop-based arrangement, ‑repetitive 4-bar phrasing, ‑predictable buildups or drops, ‑copy-paste sectional repetition, ‑mechanical dynamics, ‑unnatural symmetry, ‑sterile or emotionless delivery, ‑algorithmic melodic patterns, ‑overly smooth pitch transitions, ‑folk, ‑default
2:00

Get him
v5
Sampled-Breakbeat-Abstract-House-Minimal-Lowbient-Phonk, ‑robotic timing, ‑quantized feel, ‑perfect grid alignment, ‑metronomic precision, ‑repetitive rhythmic loops, ‑sterile, ‑overly clean timing, ‑predictable chord progressions, ‑repetitive four-chord loops, ‑simplistic harmony, ‑generic pop chord formulas, ‑harmonic symmetry, ‑plastic or synthetic timbres, ‑generic electronic presets, ‑overly polished digital instruments, ‑overly smooth synth textures, ‑MIDI-like sounds, ‑formulaic song structure, ‑loop-based arrangement, ‑repetitive 4-bar phrasing, ‑predictable buildups or drops, ‑copy-paste sectional repetition, ‑mechanical dynamics, ‑unnatural symmetry, ‑sterile or emotionless delivery, ‑algorithmic melodic patterns, ‑overly smooth pitch transitions, ‑folk, ‑default
2:04

Sampled-Breakbeat-Abstract-House-Minimal-Lowbient-Phonk, The track disassembles, fracture and erodes gradually, it finally reassemble into scattered fragmented phrases, ‑robotic timing, ‑quantized feel, ‑perfect grid alignment, ‑metronomic precision, ‑repetitive rhythmic loops, ‑sterile, ‑overly clean timing, ‑predictable chord progressions, ‑repetitive four-chord loops, ‑simplistic harmony, ‑generic pop chord formulas, ‑harmonic symmetry, ‑plastic or synthetic timbres, ‑generic electronic presets, ‑overly polished digital instruments, ‑overly smooth synth textures, ‑MIDI-like sounds, ‑formulaic song structure, ‑loop-based arrangement, ‑repetitive 4-bar phrasing, ‑predictable buildups or drops, ‑copy-paste sectional repetition, ‑mechanical dynamics, ‑unnatural symmetry, ‑sterile or emotionless delivery, ‑algorithmic melodic patterns, ‑overly smooth pitch transitions, ‑folk, ‑default
3:18

Classic-House-Abstract-Breakbeat-Minimal-Lowbient-Phonk, The track disassembles, fracture and erodes gradually, it finally reassemble into scattered fragmented phrases, ‑robotic timing, ‑quantized feel, ‑perfect grid alignment, ‑metronomic precision, ‑repetitive rhythmic loops, ‑sterile, ‑overly clean timing, ‑predictable chord progressions, ‑repetitive four-chord loops, ‑simplistic harmony, ‑generic pop chord formulas, ‑harmonic symmetry, ‑plastic or synthetic timbres, ‑generic electronic presets, ‑overly polished digital instruments, ‑overly smooth synth textures, ‑MIDI-like sounds, ‑formulaic song structure, ‑loop-based arrangement, ‑repetitive 4-bar phrasing, ‑predictable buildups or drops, ‑copy-paste sectional repetition, ‑mechanical dynamics, ‑unnatural symmetry, ‑sterile or emotionless delivery, ‑algorithmic melodic patterns, ‑overly smooth pitch transitions, ‑folk, ‑default
3:38

Classic-House-Abstract-Breakbeat-Minimal-Lowbient-Phonk, The track disassembles, fracture and erodes gradually, it finally reassemble into scattered fragmented phrases, ‑robotic timing, ‑quantized feel, ‑perfect grid alignment, ‑metronomic precision, ‑repetitive rhythmic loops, ‑sterile, ‑overly clean timing, ‑predictable chord progressions, ‑repetitive four-chord loops, ‑simplistic harmony, ‑generic pop chord formulas, ‑harmonic symmetry, ‑plastic or synthetic timbres, ‑generic electronic presets, ‑overly polished digital instruments, ‑overly smooth synth textures, ‑MIDI-like sounds, ‑formulaic song structure, ‑loop-based arrangement, ‑repetitive 4-bar phrasing, ‑predictable buildups or drops, ‑copy-paste sectional repetition, ‑mechanical dynamics, ‑unnatural symmetry, ‑sterile or emotionless delivery, ‑algorithmic melodic patterns, ‑overly smooth pitch transitions, ‑folk, ‑default
1:45

Bloops
v5
ocean sound-design, water field recordings, ‑musical instruments, ‑melody, ‑harmony, ‑rhythm, ‑percussion, ‑vocals, ‑overlapping sounds, ‑pads, ‑drones, ‑chords, ‑tonal elements, ‑ambient music beds, ‑continuous layers, ‑reverb tails that blend together, ‑cinematic atmosphere, ‑synthesized tones, ‑beats, ‑singing, ‑vocalizations, ‑humming, ‑chants, ‑pulses, ‑pads, ‑drones, ‑sustained tones, ‑ambience beds, ‑atmospheric layers, ‑crossfades, ‑reverb or delay tails, ‑chimes, ‑bells, ‑strings, ‑keys, ‑brass, ‑woodwinds, ‑guitars, ‑bass, ‑sound resembling music or musical structure, ‑birds
2:36

IDM-puzzle, Minimal Plundephonics, Breakbeat field recordings, ‑robotic timing, ‑quantized feel, ‑perfect grid alignment, ‑metronomic precision, ‑repetitive rhythmic loops, ‑sterile, ‑overly clean timing, ‑predictable chord progressions, ‑repetitive four-chord loops, ‑simplistic harmony, ‑generic pop chord formulas, ‑harmonic symmetry, ‑plastic or synthetic timbres, ‑generic electronic presets, ‑overly polished digital instruments, ‑overly smooth synth textures, ‑MIDI-like sounds, ‑formulaic song structure, ‑loop-based arrangement, ‑repetitive 4-bar phrasing, ‑predictable buildups or drops, ‑copy-paste sectional repetition, ‑mechanical dynamics, ‑unnatural symmetry, ‑sterile or emotionless delivery, ‑algorithmic melodic patterns, ‑overly smooth pitch transitions, ‑folk, ‑default
2:51

drum-puzzle, Minimal Plundephonics, Breakbeat field recordings, ‑robotic timing, ‑quantized feel, ‑perfect grid alignment, ‑metronomic precision, ‑repetitive rhythmic loops, ‑sterile, ‑overly clean timing, ‑predictable chord progressions, ‑repetitive four-chord loops, ‑simplistic harmony, ‑generic pop chord formulas, ‑harmonic symmetry, ‑plastic or synthetic timbres, ‑generic electronic presets, ‑overly polished digital instruments, ‑overly smooth synth textures, ‑MIDI-like sounds, ‑formulaic song structure, ‑loop-based arrangement, ‑repetitive 4-bar phrasing, ‑predictable buildups or drops, ‑copy-paste sectional repetition, ‑mechanical dynamics, ‑unnatural symmetry, ‑sterile or emotionless delivery, ‑algorithmic melodic patterns, ‑overly smooth pitch transitions, ‑folk, ‑default
2:24

Sophisticated-House-Warm-Slowed-Dubstep, ‑robotic timing, ‑quantized feel, ‑perfect grid alignment, ‑metronomic precision, ‑repetitive rhythmic loops, ‑sterile, ‑overly clean timing, ‑predictable chord progressions, ‑repetitive four-chord loops, ‑simplistic harmony, ‑generic pop chord formulas, ‑harmonic symmetry, ‑plastic or synthetic timbres, ‑generic electronic presets, ‑overly polished digital instruments, ‑overly smooth synth textures, ‑MIDI-like sounds, ‑formulaic song structure, ‑loop-based arrangement, ‑repetitive 4-bar phrasing, ‑predictable buildups or drops, ‑copy-paste sectional repetition, ‑mechanical dynamics, ‑unnatural symmetry, ‑sterile or emotionless delivery, ‑algorithmic melodic patterns, ‑overly smooth pitch transitions, ‑folk, ‑default
2:22

Sophisticated-House-Warm-Slowed-Dubstep-Scattered-Rumba, ‑robotic timing, ‑quantized feel, ‑perfect grid alignment, ‑metronomic precision, ‑repetitive rhythmic loops, ‑sterile, ‑overly clean timing, ‑predictable chord progressions, ‑repetitive four-chord loops, ‑simplistic harmony, ‑generic pop chord formulas, ‑harmonic symmetry, ‑plastic or synthetic timbres, ‑generic electronic presets, ‑overly polished digital instruments, ‑overly smooth synth textures, ‑MIDI-like sounds, ‑formulaic song structure, ‑loop-based arrangement, ‑repetitive 4-bar phrasing, ‑predictable buildups or drops, ‑copy-paste sectional repetition, ‑mechanical dynamics, ‑unnatural symmetry, ‑sterile or emotionless delivery, ‑algorithmic melodic patterns, ‑overly smooth pitch transitions, ‑folk, ‑default
2:17

2:55

Fable
v5
Drum and bass
unconventional
sparse
layers, Drum
realistic
unique
melody, Groove
rhythm-syncopation
off-beat
optimized
vibrant
enjoyable, Goabient
Lowave
Dnbient, ‑robotic timing, ‑quantized feel, ‑perfect grid alignment, ‑metronomic precision, ‑repetitive rhythmic loops, ‑sterile, ‑overly clean timing, ‑predictable chord progressions, ‑repetitive four-chord loops, ‑simplistic harmony, ‑generic pop chord formulas, ‑harmonic symmetry, ‑plastic or synthetic timbres, ‑generic electronic presets, ‑overly polished digital instruments, ‑overly smooth synth textures, ‑MIDI-like sounds, ‑formulaic song structure, ‑loop-based arrangement, ‑repetitive 4-bar phrasing, ‑predictable buildups or drops, ‑copy-paste sectional repetition, ‑mechanical dynamics, ‑unnatural symmetry, ‑sterile or emotionless delivery, ‑algorithmic melodic patterns, ‑overly smooth pitch transitions, ‑folk
4:54

Drum and bass
unconventional
sparse
layers, Drum
realistic
unique
melody, Groove
rhythm-syncopation
off-beat
optimized
vibrant
enjoyable, Goabient
Lowave
Dnbient
Digitalwave
Plunderbient, ‑robotic timing, ‑quantized feel, ‑perfect grid alignment, ‑metronomic precision, ‑repetitive rhythmic loops, ‑sterile, ‑overly clean timing, ‑predictable chord progressions, ‑repetitive four-chord loops, ‑simplistic harmony, ‑generic pop chord formulas, ‑harmonic symmetry, ‑plastic or synthetic timbres, ‑generic electronic presets, ‑overly polished digital instruments, ‑overly smooth synth textures, ‑MIDI-like sounds, ‑formulaic song structure, ‑loop-based arrangement, ‑repetitive 4-bar phrasing, ‑predictable buildups or drops, ‑copy-paste sectional repetition, ‑mechanical dynamics, ‑unnatural symmetry, ‑sterile or emotionless delivery, ‑algorithmic melodic patterns, ‑overly smooth pitch transitions, ‑folk








