🎊《suno非洲部落節慶-陽光》🎊
喵喵亞洲音樂限定｜主題音樂創作競賽歌單
🔥[正在投稿中~~]
🐱官方群組簡介https://sunoleaderboard.github.io/MeowMusicAsia/
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41 songs
3:59
Sacred tribal trance, Spiritual African ritual with deep trance-like percussion, Ancient, cinematic, shamanic, Layered call-and-response chants, Emphasis on foot stomps, body slaps, breath, whispers, Maasai horn calls, No melodic instruments, Earthy, raw, godlike, ‑Spoken RnB Rap
3:56
immersive ambient choir, Deep Shaman drum, Percussion Heavy, African Tribal, Call and Response, Jungle Groove, Heart-shaking rhythm, Epic Chant, steady tempo, African musical instruments
3:18
🎧 Genre:
[Funk Rock], [Neo-Soul], [Afro-Urban Pop], [Afro Percussion], [Tribal Groove]
🎤 Vocal:
[Playful Falsetto], [Talk-Sing Flow], [Seductive Whispers], [Rhythmic Chanting], [Percussive Vocal Phrasing]
🎼 Mood:
[Sexy and Ridiculous], [Groovy and Hypnotic], [Confidently Unhinged], [Percussion-Driven], [Primal and Danceable]
[Include lion roar SFX at key points:
- growl in intro
- Loud roar at first chorus drop
- Distant echoing roar after bridge
- Final reverb-heavy roar on outro
Roar FX should sound raw, cinematic, not overprocessed, ]
2:11
Experimental, Industrial Tribal Hardstyle, Glitch Afrobeat, studio quality
2:22
This upbeat afrobeats track in C# major at 160 bpm opens with layered djembe, talking drum, and ceremonial shekere, driving an earthy, tribal percussive groove, Bright, punchy synth leads interplay with avant-garde glitch textures and ambient cinematic layers, Confident female vocals alternate between striking melodies and call-and-response, while the unconventional structure pulses with dynamic energy, The polished mix blends punchy drums, clean bass, and surreal atmospheric noise, maintaining an organic-yet-futuristic sound throughout
4:54
Live Concert, Live Festival, [Retro‑Futuristic Synth Opera × Hyper J‑Electro Anthem × Symphonic Digital Pop Rock × Tribal Festival EDM × Percussive Electro House], [Incorporating African tribal percussion (djembe, udu, marimba), synthesized orchestral layers, and male African‑accented rap], [BPM: 126 → breakdown at 70 → build to 140], [Key: E Lydian shifting to G minor bridge], [Atmosphere: radiant tribal celebration under blazing sun, futuristic ritualistic grandeur], [Production emphasizes high‑resolution mastering with vibrant low‑end, crisp percussion, wide dynamic contrast], [Sound design includes choral synth pads, Saw‑lead stabs, vocal chops, and field recordings of African festival ambience], [Live Audience FX: crowd stomps, cheers, clap loops, layered chant segments]
3:09
[[Sultry Female Vox]], resonant acoustics, tribal drums, caveman, raw vocals, feral, bamboo flute, primitive
[Afrobeats × Amapiano × Smooth R&B × African Percussion Fusion] [Jersey Club]
[Sensual log drum groove + syncopated djembe layers + airy vocal fx + minimalistic synths]
[Shekere shimmer, soft kalimba textures, and clay udu pulses echoing like water drops]
[Bouncy low-end rhythm meets laid-back melody; intimate female vocals with breathy auto-tuned flair]
[Spacious Afro-club vibe, floating between dance and dream; smooth, hypnotic, warm and wet]
[Like late-night dancing in the rain, bare feet on warm ground, body swaying to ancestral drums]
I put this shit on everything, [high fashion], soulful, atmospheric, post-nightcore
4:06
Afro Tribal Percussion, lo-fi blues chant, foot-stomp rhythm, call-and-response groove, slide guitar blues, cinematic harmonica scream, Zulu cadence, ghost triplet waltz, granular chant echo, ambient fire textures, reversed string swells, fading stomp loops, tribal swing decay, breath pulse delay, shadow chant fadeout
3:31
ceremonial call chant, clean male vocal lead, stereo female answer FX, rhythmic rap drop, electro kick-snap, crowd energy burst, jungle bird FX loop, shout repeat hook, shaman drone vocal blend, clap-clap FX echo, thunder tom rolls, 3D panned tribal harmony, hi-fi voice mix, spiritual bounce pop
4:03
A grandiose film score in the style of Hans Zimmer and Lebo M, featuring a powerful Zulu male chant intro, building into an epic African gospel choir, supported by sweeping orchestral strings, powerful tribal percussion, and a deep, resonant bassline, Majestic, hopeful, and powerfully emotional
2:44
(Verse 1)(Verse 2)(Verse 3)[lyrics] --Genre:Instruments: Prominent piano (with arpeggios and gentle melodies), lush strings (sweeping, warm, soaring), delicate woodwinds (flute, oboe), subtle brass (French horn for warmth), light and soft percussion (celesta, glockenspiel for magical touch)
3:07
Language: Chinese & English
Genre: World Fusion, Afrobeat x Cinematic Urban
Instruments: Djembe, talking drum, udu, ambient synth, bass, industrial percussion, city sound samples (subway, traffic, footsteps)
Vocal Style: Male vocal, deep and rhythmic with chant-like delivery; Chinese-English switch with natural flow
Mood: Primal, cinematic, introspective, raw and spiritual
Prompt:
A powerful fusion of traditional African tribal percussion (djembe, talking drum, udu) with ambient urban soundscape — echoing city noises, subway rumbles, and industrial textures, Rhythmic, primal, cinematic, and deeply emotional, Vocals blend Chinese and English with call-and-response elements, Represents the heartbeat of a concrete city reconnecting with ancient roots
3:29
［# GENRE: Tribal Psychedelic Trance, Experimental Afrobeat］
［# MOOD: Shamanic, Playful, Hypnotic, Powerful］
［# LANGUAGES: English, Vocal Chants］
［# BPM: 128 (Triplet Groove)］
［# KEY: C minor］
［# VOCALS: Female Shamanic Chants, Chopped Voice FX, Whispered Spells］
［# INSTRUMENTS: Djembe, Kalimba, Balafon, Shekere, Talking Drum, Deep Bass Synth, Organic Percussion FX］
4:13
Very fast tempo fusion of African ritual drumming and hyperpop chaos, Core rhythm built on tribal stomp beats, polyrhythmic hand percussion, and synthetic calabash layers, fused with glitch-clap FX, distorted delay trails, and pitch-bent percussive accents, Lead vocals are delivered by a rough, deep-voiced female elder in aggressive chant form, woven with overlapping spirit responses, throat fragments, and granular breath loops, Each chorus erupts into distorted group chanting over hyperpop sub-bass pulses, chopped syllabic echoes, and synthetic vocal shreds, Ritual interludes feature cybernetic drum spirals and ghost-delay FX, while bridges collapse into slow-motion chant glitches wrapped in harmonic noise beds, The full track is a sonic ancestral summoning—earthcore spirit ritual driven through a broken data stream: sacred, terrifying, and neon-lit, ‑Noise, ‑noises, ‑gain, ‑gains
2:58
Upbeat African tribal music with a comedic, story-telling feel, Prominent djembe drums, marimba, shakers, and joyful call-and-response chants, The main vocal is an effeminale male vocal, contrasted with a deep, booming voice for the Chief
3:25
This track combines traditional Yunnan folk melodies with African percussion to create a whimsical breakfast skit song, Vocal style is semi-sung, semi-spoken, switching between melodic folk phrases and rhythmic chant-raps, Instruments include kalimba (melodic fills), djembe (groove foundation), and shekere (percussive color), Some lyrics are in Chinese with light English insertion to match rhythmic phrasing, The tone is playful, absurd, and charmingly awkward, Tempo: ~95–100 BPM
2:38
Powerful a cappella celebration song inspired by African tribal traditions, performed entirely with human voices, Features layered call-and-response chanting, body percussion (foot stomps, hand claps, chest thumps), rhythmic vocal shouts ("Ayee!", "Ashé!", "Ubuntu!", "Thank you, Sun!"), and harmonic group singing, Begin with soft humming and whispered "Ubuntu, " to represent sunrise, gradually introducing voice-driven rhythm (vocal percussion and breath-based beats), Build toward a joyful explosion of layered chants, polyrhythmic clapping, and stomping, Lead vocalist (strong, expressive) calls out phrases like:
"The harvest has come!"
"We dance for the sun!"
"Ayee! Ashé!"
With group vocal response and harmonised echo, Emphasise raw human energy, unity, and celebration, Emotions: sacred → euphoric → grounded, Inspired by Ladysmith Black Mambazo, African spiritual choral music, and contemporary a cappella traditions
3:59
Southern Soul, Smooth Jazz foundation blended with African tribal rhythms, Lead melodies performed by African Bamboo Flute, supported by traditional African instruments like djembe, talking drum, shekere, and balafon, replacing conventional jazz brass, Afro-jazz fusion with slow tempo, deep emotional space, and experimental tribal grooves, Operatic soprano female lead vocals, expressing heartbreak and sorrow with gospel-inspired belting and melismatic phrasing, The arrangement features layered polyrhythms, atmospheric sound design, and subtle call-and-response elements, creating a soulful, avant-garde African soundscape filled with longing and emotional depth
3:44
It combines the epic tribal style of electronic rock and symphonic synthesis experimental rock, Tension and depth of emotion style of Sawano, with heavy rhythm and bright paragraph transitions, Using a lot of string music and electronic rhythms, the mood gradually progresses from mysterious and calm to explosive, The prelude uses Kora and the ambient sound of the African rainforest to create a sacred feeling, The chorus and ritual sections are sung by the tribal choir, Use Kora, strings (cello, viola), electric guitar (distorted), bass synthesizer, electronic drums, African hand drum (Djembe), bass drum, choir vocals (male low voice and female high voice), The lead singer is a deep and magnetic male voice with ethnic pronunciation and emotional ups and downs, The chorus is accompanied by an ethereal high-pitched female voice, and the spell section uses a low-frequency chanting style tribal male chorus, The atmosphere is mysterious → repressed → erupted → redeemed, Electronic sound mixing design
5:00
Taiwanese, traditional choral performance accompanied by African percussion and Kora, The full choir sings together throughout with no solo voice, creating rich, rhythmic harmonies filled with joyful energy, Call-and-response vocal patterns alternate between groups, Hand drums, djembe, and light shaker accents drive the groove with organic, earthy texture, The Kora adds gentle, melodic phrases that weave through the vocal layers, The mood is celebratory, communal, and uplifting, resembling a traditional song shared at a cultural festival or village gathering, Natural reverb and open spatial feel evoke an outdoor setting
3:11
An atmospheric, experimental Afrobeats-inspired track with traditional African percussion (djembe, balafon, kalimba), ambient textures, and organic rhythm, Male vocals in Pidgin English flow like poetry, without pop hooks or synth beats, The mood is earthy, ceremonial, and meditative, blending sunrise themes with ancestral resonance, No autotune, no electronic pop sounds—just breath, wood, skin, and spirit, ‑no autotune, ‑no trap, ‑no synth-heavy EDM, ‑no dark mood, ‑no robotic vocals
2:26
A pop song with a driving beat and a melancholic yet hopeful tone, The instrumentation features a prominent acoustic drum kit, a clean electric guitar playing arpeggiated chords, a warm bass guitar, and a subtle synth pad providing atmospheric backing, The song is in a major key, with a tempo of approximately 120 BPM, The male lead vocal is clear and expressive, with a slight reverb, The song structure includes verses, a pre-chorus, and a chorus, with a bridge section that introduces a more reflective mood before returning to the main theme, Production elements include a balanced mix with the vocals prominent, and a clean, polished sound
3:13
Genre: Tribal Transcendence (Afro-Shamanic Trance + Ritual Ambient)
Vocal Techniques:
Kargyraa Throat Singing (sub-bass vibration)
Xhosa Uhadi Mouth Bow (harmonic plucking rhythm)
!Kung San Click Percussion (ǁxoe, ǀʼa – tongue snaps)
Maasai Oliwayo Warrior Chants (jumping polyrhythm)
Pygmy Yodeling (high-pitched forest echoes)
Instrumentation:
Djembe & Talking Drum (heartbeat pulse)
Rainstick & Thunder Sheet (weather simulation)
Mbira (Kalimba) (metallic sparkle)
Lion Roar (Vocal Distortion FX) (final climax)
Atmosphere: A sacred fire ceremony in the Serengeti at midnight, where the boundary between human and animal voices disappears
2:58
Dark Eerie Zaouli Jungle Industrial Africa Afro Circus Beat, Intensive Male vocal, Dark Kazakh metal, Progressive Rapid Drums, Brutality Dreamy World Ambient, Experimental Acid djembe, Prog Alternative Emo-Hop, Studio build, Sci-fi cinematic storytelling, Spiritual J-Anime Dystopian Trap, Lossless audio, Chaotic circus, Modern indie metal, Industrial emo guitars, Ritualistic tremolo guitars, professional slapping bass jam, Dark Kazak metal
2:44
Create a traditional African war chant with powerful Zulu vocals, deep drums, call and response structure, and rhythmic foot stomps, Strong warrior energy, ceremonial and epic atmosphere, djembe, ngoma
2:07
Aerial dogfight music, cinematic and intense, fast-paced rhythm, heavy percussion, distorted synths, dramatic string stabs, pulsating bassline, adrenaline-charged atmosphere, hybrid orchestral style
2:30
Epic Middle Eastern, Oud melody, Darbuka drums, cinematic strings, mysterious, desert, dramatic, instrumental, fast tempo, mood is adventurous, mysterious, and tense
4:42
[Artcore Tribal Pop × K-pop Experimental Latin Fusion], [BPM: 122 (Main), sections modulate to 150 and 95 for rhythm breaks], [Key: A minor with modal interchange (Phrygian Dominant × Lydian highlights)], [Instrumentation: Djembe, talking drums, kalimba, shakers, Brazilian cuíca and surdo, layered with Latin horns, reggaeton sub-bass, syncopated electric guitar stabs, bright synth flares], [Female-Male Dual Vocal Lead: female soprano (K-pop clarity with head-voice flips), male tenor-rap hybrid with rhythmic phrasing and emotional crescendo capability], [Vocal phrasing uses Japanese primary, with occasional Swahili & Spanish interjections for cultural unity], [Mix: stereo percussion panning, deep-body sub bass center, wide-open chorus vocals, minimal FX but high clarity], [Hooks are polyrhythmic and addictive, using chant-like call-response], [Vibe: solar ritual, joyful resistance, dancing in unity across continents]
2:47
963Hz, Lo-Fi, Ambient, Ethereal, Experimental, African Beat, Djembe, Shamanic, Samadhi, Futuristic, Healing, Retro Chords, Lush Ambience, Clean Sub Bass, Bass boosted, Therapy, Mindful, Chakra, Reiki, Nature, Soothing, Calming, Spiritual, Dreamy, Warmth, Uplifting, New Age, Chillwave, Awakening, Ambience, Ambient House, Meditation, Mindfulness, Male Humming, Female Humming, Ethereal Female Vocals, Soft Male Background Vox
2:39
African tribal instrumental music, drums, harps, j-pop, rap
4:21
An experimental world fusion piece combining Balinese gamelan and African percussion, layered with whispered and chanted vocals in Indonesian and Swahili, Metallic gamelan tones form a dreamlike, cyclical soundscape, while djembe rhythms pulse from beneath like earth-quakes, Shekere textures fall like shimmering particles of light, simulating a sun-rain ritual, Ambient design includes reversed bells, granular wind textures, distant temple echoes, and subtle distortion of time, Multilingual chants repeat rhythmically, including call-and-response Swahili mantras and Indonesian poetic whispers, The track should move between trance-like stillness and intense percussive awakenings, evoking a sacred dance where light rains down and time collapses, The mood is mystical, hypnotic, ceremonial, and rhythmically complex
3:44
[Hi-Res Japanese Festival Rock × Tribal Percussion Psychedelia × Anthemic Fire-Dance Pop], [BPM: 140, mixed 4/4 with occasional 6/8 interjections], [Key: E minor → final modulation to A major for uplifting outro], [Lead Vocal: expressive female vocal, mezzo-soprano range with powerful dynamic drive and whisper-falsetto transitions], [Core instrumentation: electric shamisen, festival taiko, African djembe & udu, marimba, handclaps, analog-simulated fireworks FX via tuned percussions], [Sound atmosphere: bright but nostalgic, evocative of ephemeral beauty and summer night intoxication], [Mastering: spacious stereo field, tight low-end for drums, sparkling mid-highs for percussive impact, subtle chorus FX on vocals for magic shimmer], [Hook designed for crowd chant and emotional climax], [Fireworks theme illustrated rhythmically in the percussion explosion patterns and emotional lift of final chorus]
3:32
[Japanese rap hip-hop female voice], [j-metal lolita core + African electronic rock, African new dance, African Savannah rhythm + adventure movie soundtrack + tribal drums, instruments: African drums, kalimba, elephant trunk piano], full of adventure and excitement, the powerful chorus is fascinating, the emotional driving force of the synthesizer rhythm, the delicate and weird storm emotional core, full of explosive power, hip-hop rap
3:03
[New Jack Swing Intro × Afro-Tribal × Chinese Club Anthem], [Male Vocal Lead: husky but fluid, artisan-level phrasing with slight breath grain; voice carries intimacy like hand-carved wood, yet strong as sunrise flare], [BPM: 120 with syncopated rhythmic deviation and sudden claps], [Key: E minor (verses) → modulates to G major (chorus climax)], [Intro: slick funk guitar, gated reverb snare, call-and-response style brass drops], [Verse sections layered with Djembe, Talking Drum, and Kalimba over deep sub-bass], [Chorus erupts into hi-energy synth stabs, crowd chant echoes, and bouncing four-on-the-floor], [Bridge includes spoken-word prayer over shifting tribal polyrhythm and synth drone], [Break section features sunray-style synthwave lead solo with filtered vocal loops], [Mastered with HI-RES standards—crisp stereo punch, warm harmonic balance, deep low-end impact], [Atmosphere: vibrant ritual of modern celebration, ancient sun veneration inside neon-lit temples]
3:45
3:43
African tribal groove, rock-pop fusion, epic journey feel, adventure soundtrack, djembe drums, electric guitar, kalimba melodies, storytelling vocal, cinematic build-up, uplifting and humorous tone, Afrobeat rhythm, jungle ambience, world percussion, emotional and powerful chorus, warrior spirit, catchy chant-like hooks, taiwanese
4:40
(Verse 1)(Verse 2)(Verse 3)[lyrics] --Genre: Instruments: Grand pipe organ, sweeping strings, resonant brass, deep choral pads, subtle chimes or bells for a "holy" feel, Avoid harsh percussion or overly modern sounds
3:10
A vibrant, upbeat West African folk song from the savanna, fused with four sections of Mandarin Chinese rap, The main vocal is a passionate, soulful male African voice using call-and-response style, with occasional joyous ululation (li-li-li), The rap has a smooth, rhythmic flow that rides the traditional African polyrhythmic beat, The music *exclusively* uses traditional African instruments throughout all sections: lead Kora (21-string harp), accompanying African wooden flute, prominent and complex polyrhythmic Djembe and Dunun drums, with a hypnotic Balafon (wooden xylophone) providing the melodic foundation, A cross-cultural fusion, joyous, earthy, spiritual, and deeply rhythmic, ‑Lead singer, ‑soloist, ‑duet, ‑verse, ‑chorus, ‑bridge, ‑cinematic, ‑film score, ‑epic score, ‑polished, ‑clean, ‑studio recording, ‑modern, ‑pop, ‑rock, ‑electronic, ‑synth, ‑piano, ‑guitar, ‑autotune, ‑perfect pitch, ‑western harmony, ‑smooth, ‑arranged, ‑composed, ‑song structure, ‑clear vocals
4:39
Ritual ambient afro-percussion at 96 BPM featuring layered djembe & dundun polyrhythms, call-and-response tribal chants, shimmering kalimba ostinato, deep sub drones, and psychedelic echo-washed pads that rise into a spacious electronic drop before fading to a lone kalimba motif
4:18
Afro-house × Deep House × EDM Pop; BPM 138; Instruments: Djembe, Talking Drum, Shakers, Electronic Percussion; Arrangement: deep bassline, ethereal string pads, synth lead, dynamic transition FX; Vocals: alternating cool low-register tone and female high-register with electronic extension effects; Mood keywords: aurora glow, futuristic tribe, rhythmic liberation, pulsating beats, Industrial glitch FX vibes, Mandarin Language, Peking Opera Coloratura style
4:07
Afrobeat fusion, Epic Tribal Cinematic, Raw and Triumphant, Djembe drums × Kora harp × Lightning sound effects, Sunrise over Kilimanjaro, Passionate polyphonic chanting in Zulu/Xhosa with low male growls