4:27

Warm emotional live rock, a song of the early '70s, Classic Rock, Jazz-Rock / Fusion, Psychedelic Rock, Progressive Rock, Brass Rock, hammond organ with leslie driving the rhythm, pregnant guitar riffs, brass section playing jazz riffs, guitar solo long drawn-out strings and feedback and sustain and distortion, male voice + female voice
5:31

High‑energy progressive hard rock with tight punchy drums, overdriven rhythm guitars, melodic lead lines and a steady deep bass, Clear emphasis on odd‑meter grooves (5/8, 7/8, 5/4, 7/4) with sharp transitions, Vocals powerful and projected with a strong live presence, Everything wide, warm and controlled with short instrumental breaks and a defined ending, no ambient pads and no cinematic build
4:29

Time (live)
v5.5
Pop, edm, Postpunk, dreamy, drones, female voice, groovy, syncopatic drums, rhythm breaks, percussion, Atmospheric live, wide festival ambience, everything wide, clear and controlled, not overly long
5:23

High‑energy progressive hard rock with tight punchy drums, overdriven rhythm guitars, melodic lead lines and a steady deep bass, Clear emphasis with sharp transitions, Vocals powerful and projected with a strong live presence, Everything wide, warm and controlled with short instrumental breaks and a defined ending, no ambient pads and no cinematic build
4:42

breathy female voice, emotional male voice chorus, distorted guitar solo with long sustain and wah-wah, High‑energy progressive hard rock with tight punchy drums, overdriven rhythm guitars, melodic lead lines and a steady deep bass, Clear emphasis with sharp transitions, Vocals powerful and projected with a strong live presence, Everything wide, warm and controlled with short instrumental breaks and an outro defined ending, no ambient pads and no cinematic build
3:43

reflexivo, deep male vocals, pirate metal, punk rock, chorus female voice
4:02

reflexivo, deep female vocals, pirate metal, Raw intimate live rock with tight close drums, gritty overdriven guitars, saturated bass and vocals slightly overdriven and very close to the mic, Everything punchy, warm and energetic with a sweaty club feel, tight groove and a sharp cut ending
3:22

Warm emotional live rock with tight drums, clean and lightly overdriven guitars, steady bass and soft piano, Vocals powerful and projected, harmonies warm and supportive, Everything wide but controlled with clear transitions between the two parts, short intro and a defined ending, no ambient pads and no cinematic build
4:14

High‑energy progressive hard rock with tight punchy drums, overdriven rhythm guitars, melodic lead lines and a steady deep bass, Clear emphasis on odd‑meter grooves (5/8, 7/8, 5/4, 7/4) with sharp transitions, Vocals powerful and projected with a strong live presence, Everything wide, warm and controlled with short instrumental breaks and a defined ending, no ambient pads and no cinematic build
4:24

High‑energy progressive hard rock with tight punchy drums, overdriven rhythm guitars, melodic lead lines and a steady deep bass, Clear emphasis on odd‑meter grooves (5/8, 7/8, 5/4, 7/4) with sharp transitions, Vocals powerful and projected with a strong live presence, Everything wide, warm and controlled with short instrumental breaks and a defined ending, no ambient pads and no cinematic build
5:01

Waiting (live)
v5.5
High‑energy live rock, prog rock, Canterbury scene, krautrock song in a minor key, featuring a male vocalist with a deep, resonant voice projected across a large outdoor stage, The instrumentation includes a Hammond organ playing a melodic lead, an electric guitar, a bass guitar providing a walking bass line, and drums with a shuffle rhythm, The song structure consists of verses and a chorus, The chord progression is a standard blues progression with minor chords, The production is clean with a slight reverb on the vocals and guitar, creating a spacious feel, Everything wide, warm and controlled with clear peaks, crowd energy and a tight punch‑out ending
5:33

Raw intimate unplugged folk‑rock finale with close acoustic guitars, soft finger‑picking, gentle hand percussion and optional soft cello, Vocals very close and emotional with subtle harmonies, Everything natural, dry and controlled with short instrumental moments and a sharp cut ending, no ambient elements
5:43

Raw intimate progressive hard rock with close tight drums, gritty overdriven guitars, saturated bass and vocals very close and energetic, Strong emphasis on odd‑meter grooves (5/8, 7/8, 5/4, 7/4) with sharp transitions, Everything warm, dry and controlled with short instrumental moments and a sharp cut ending, no ambient elements
4:23

High‑energy live rock with tight punchy drums, wide overdriven rhythm guitars, melodic lead hooks and a strong driving bass, Vocals powerful and projected across a large outdoor stage, Everything wide, warm and controlled with clear peaks, crowd energy and a tight punch‑out ending
4:26

rock, acoustic 12-string rhythm guitar, distorted single coil lead guitar with fuzz, driving bass and drums with frequent cymbal crashes, +celtic pipes; the lead vocal is a male baritone, delivered with a raw, slightly strained quality, clear female voice, duet
2:42

Any God (live1)
v5.5
Raw live alternative rock with a sharp, dry organ‑and‑guitar stab right at the start, very upfront and without reverb, Immediately followed by a tight, punchy stomp‑groove snare pattern, rough and aggressive like a sweaty club show, Female gritty spoken‑word vocals with a sloppy, bitchy, sarcastic attitude in the verses and shouted female vocals in the chorus, Fuzzy, dirty grunge guitars with rough edges, unpolished garage‑like energy, dry punchy snare, loud room bleed, and a saturated bass growl, No glossy production, raw 90s‑grunge vibe, chaotic live feel, socially critical and dark, 145 BPM, 4/4
2:55

slow blues, female and male voices
3:24

distorted harmonica, live club atmosphere, crowd interacting with the band and shouting and singing along
4:21

Raw intimate live rock ballad with close drums, warm clean guitars, soft piano and a deep saturated bass, Vocals very close and emotional with subtle harmonies, Everything natural, dry and controlled with clear transitions between the two parts and a sharp cut ending, no ambient elements

