ROCK

An energetic, satirical 90s power-pop / alt-rock anthem in the style of Weezer's's Blue, The song needs a strong dynamic structure: steady verses building into an explosive, catchy, and anthemic chorus, It features a charismatic but slightly arrogant male lead vocal, The production should sound like a clean, powerful studio recording of a live band, - Vocal Style: Charismatic but arrogant male lead, Think of a 90s rock frontman who fully believes his own hype, The attitude is more important than technical perfection, - Guitar Tone: Use a classic 90s "crunch" tone, not heavy metal distortion, The main riff should be clear and catchy, - Rhythm Section: The bassline should be audible and driving, especially in the bridge where it takes the lead, Drums should sound like a real kit, powerful and dynamic, Production: Aim for a clean but powerful studio sound, Vocals must be front and center, The dynamic range is crucial: quiet verses and loud, explosive choruses

70s glam rock, boogie rock, T, Rex's style, Marc Bolan's style male vocals, breathy and vibrating, simple groovy guitar riff, Gibson Les Paul sound, hand claps, string section, fun, sexy, psychedelic lyrics, BPM: 125-150 (A classic, mid-tempo, infectious boogie groove) - Key: A major or E major (Bright, simple, and perfect for rock and roll) - Time signature: 4/4 - Duration: 3:30-4:00 minutes The production should have a warm, rich, and slightly "saturated" 70s analog sound, - The mix should be simple and direct: driving riff, powerful beat, and the unique vocals right in the center, - The strings should sound grand and epic, contrasting with the raw, simple rock and roll band, Guitar: The heart of the song, A simple, unforgettable, blues-based boogie riff played on a Gibson Les Paul with a slightly fuzzy, overdriven tone, - Rhythm Section: A simple, powerful, and groovy drum beat with prominent hand claps, The bassline is simple, following the root notes of the riff

A loud, stomping, and incredibly catchy Glam Rock, Glam Metal, modern sound, anthem in the signature style of Slade's, The song is driven by a simple, powerful, foot-stomping drum beat and a raw, crunchy, blues-based guitar riff, The lead vocal is a powerful, raspy, and anthemic shout, just like Noddy Holder, The chorus features massive, rowdy gang vocals, perfect for a stadium sing-along, The mood is pure, uncomplicated, beer-soaked, working-class rock 'n' roll fun

An unhinged, chaotic Schockabilly's deconstruction of The Beatles's "A Hard Day's Night" in the style of Eugene Chadbourne, It's a frantic blend of punk rock energy, atonal free-jazz improvisation, and noisy rockabilly, The track should feature jagged, dissonant guitar; lurching, unstable rhythms; and manic, half-shouted vocals, It must sound like a beloved classic being gleefully torn apart and reassembled in a humorous, lo-fi, and completely unpredictable way

Progressive rock, alternative metal, male vocals, mysterious, conspiracy lyrics, complex time signatures, driving bassline, atmospheric guitars, intellectual, dark, Tool's meets A Perfect Circle's

70s glam rock, boogie rock, T, Rex's style, Marc Bolan's style male vocals, melancholic, nostalgic, groovy guitar riff, Gibson Les Paul sound, hand claps, string section, congas, spacey, BPM: 100-110 (A slower, more mid-tempo "stroll" groove, not a fast boogie) - Key: A minor (Melancholic and romantic) - Time signature: 4/4 - Duration: 4:00-4:30 minutes Vocal Style Instructions: - The Marc Bolan vocal style is still essential: breathy, sensual, with that signature vibrato, However, the delivery should be more melancholic and full of longing, rather than pure, upbeat energy, - The lyrics are still surreal and poetic, but now focus on themes of loss and transient beauty, - The production should still have that warm, 70s analog feel, but with more space and atmosphere, - The mix should be very lush, with the strings and vocals at the forefront, - Use of reverb and echo can enhance the feeling of space and "cosmic loneliness"

Industrial rock, horror soundtrack, John Carpenter's style, dark, atmospheric, minimalist synthesizer arpeggio, cold drum machine, unsettling, spoken word narration, building tension, terrifying climax, BPM: 70-80 (A very slow, deliberate, "stalking" tempo) - Key: C minor or G minor (Dark, ominous, and classic for horror) - Time signature: 4/4 - Duration: 4:00-5:00 minutes (To properly build the atmosphere of dread)The production must be minimalist, cold, and atmospheric, - The "less is more" approach is critical, The horror comes from the space between the notes, - The mix should be very clean, with the narrator's voice front and center, as if they are whispering directly in your ear, - The dynamic build-up and the sudden, shocking ending are the most important parts of the arrangement, Vocal Style Instructions: - The lead vocal should be a deep, male, spoken-word narration, The delivery is key: it must be calm, cold, and emotionless, like a detached observer or the voice of fate

A country rock song in a major key, featuring a male vocalist with a clear, slightly raspy baritone voice, The tempo is moderate, with a driving rhythm section of drums and bass, The instrumentation includes acoustic guitar, electric guitar, and a prominent harmonica, The song structure follows a typical verse-chorus format, with an instrumental break and a bridge, The chord progression is diatonic and largely follows a I-IV-V pattern, creating a familiar and accessible sound, The melody is singable and memorable, with a clear vocal lead throughout, Production elements include a clean mix with a slight reverb on the vocals and guitars, giving a spacious feel, The electric guitar provides melodic fills and a solo with a clean, slightly overdriven tone, The harmonica plays a prominent melodic role, particularly in the instrumental sections, The song builds in intensity towards the end, with more prominent electric guitar and a fuller vocal delivery

Industrial rock, male vocals, dark, aggressive, cynical lyrics, driving electronic beat, distorted bass, heavy syncopated guitar riffs, atmospheric synthesizers, social commentary, paranoia, Nine Inch Nails's meets Tool's

70s blues rock, classic rock, Free's and Bad Company's style, powerful soulful male vocals (Paul Rodgers style), groovy, minimalist, powerful guitar riff, melodic bassline, Hammond organ, cowbell, positive, freedom anthem, BPM: 90-100 (A slow, powerful, "stomp" groove) - Key: A major or G major (Classic, bluesy rock keys) - Time signature: 4/4 - Duration: 4:30-5:30 minutes (Needs space for the groove and the solo to breathe) A powerful, soulful, and bluesy male voice in the style of the legendary Paul Rodgers is essential, The production must sound raw, warm, and organic, like a band playing live in a studio in the 70s, - This is NOT a polished, multi-layered sound, The space between the notes is as important as the notes themselves, The mix should be centered around the powerful vocals and the groovy interplay between the bass and drums, The "Less is More" philosophy is crucial, This is about space and groove, Guitar: The riffs should be simple, powerful, and based on big, open chords

Male vocals, Southern Gothic, dark country blues, Louisiana swamp blues, atmospheric, haunting, slide guitar, harmonica, deep South, mysterious, noir, storytelling, gravelly voice, delta blues influence, Musical Structure: - BPM: 65-75 (slow, ominous tempo) - Key: E minor or D minor (dark, haunting) - Time signature: 4/4 - Duration: 4:30-5:00 minutes Vocal Style - Deep, gravelly Southern voice - Storytelling delivery with dark undertones - Weathered, experienced vocal character - Slight Louisiana/Southern accent - Mysterious, noir-like narration - Haunting, atmospheric delivery - Slide guitar: Prominent, eerie melodies - Harmonica: Wailing, atmospheric accents - Acoustic guitar: Fingerpicked, sparse - Bass: Deep, ominous low end - Drums: Minimal, brushes, swamp feel - Ambient sounds: Swamp atmosphere, distant thunder - Dark, atmospheric production - Reverb for haunting space - Southern Gothic/swamp blues sound - Focus on mood and atmosphere - Cinematic, noir-like quality

Create epic rock opera in Queen's style with Freddie Mercury-inspired vocals, Start with intimate piano ballad building to full arena rock grandeur, Feature operatic male lead vocals with incredible range, dramatic delivery, and theatrical flair, Include multi-layered vocal harmonies, Brian May-style melodic guitar solos, and gospel-influenced backing vocals, Structure: piano intro, building verses, explosive choruses with full band, Tempo changes from 70 BPM ballad to 120 BPM rock sections, Think 'Bohemian Rhapsody' meets 'We Are The Champions' - theatrical, emotional, and musically sophisticated, Pristine production with orchestral elements and dramatic dynamics, "

Anthemic 1970s British rock in Slade, Sweet, Susi Quarto style with frustrated, defiant energy, Male vocals with working-class grit, building from bitter verses to triumphant, shouty chorus, Heavy drums with stomping beat, crunchy power chord guitars, driving bass, The phrase 'pearls before swine' should be the main hook with crowd-chant potential, Raw, slightly distorted production, Tempo around 130 BPM, Emotional arc from frustration to empowerment, Think rebellious pub rock meets glam stomp with attitude and social commentary, "

Like Krokus "Down the Drain" Australian Rock, Arena Rock, Raspy Male Vocals, High Pitch Male Vocals, Bluesy Guitar Riffs, Crunchy Electric Guitars with a slow, ominous guitar riff and pounding drums, Australian hard rock, The song begins with tolling bells (deep resonant bell sounds) for several seconds before the riff and drums enter, Male vocal is dirty raspy raw, Brian Johnson commanding, slightly menacing, Lyrics evoke images of bells, fire, chains, storms, fate, and rising from darkness, Mood is powerful, epic, suitable for opening a stadium rock concert, Crowd chants like 'yeah!' or 'na-na-na' are used sparingly for emphasis, Features a slow, melodic, dark guitar solo, Song ends with bells tolling and guitar feedback fading out, Gitara: low E riff — open string chugs + power chords — dark tone, slow and heavy

rockabilly, hard rock, dark punk, blues strong guitar, funny, female vocal, raspy and aggressive, punk style, like Wendy O, Williams”, She’s got a raspy, snarling voice that cuts through the mix like a buzzsaw, " "Her vocals are gritty snarling roaling and raw, with that rebellious edge – like a female on fire, "

Create a progressive rock track inspired by early Kansas, combining elements of "Stand Beside Me" song should feature rich vocal harmonies, dynamic tempo changes, melodic electric guitar riffs, expressive violin or synth melodies, and thoughtful, philosophical lyrics about unity, division, and awakening, Begin with a haunting or reflective intro (acoustic guitar or clean electric), build into powerful, layered choruses, and include a soaring instrumental break, The mood should blend sorrow with hope — a call for brotherhood in a divided world

Create a progressive rock track inspired by early Kansas, combining elements of "Carry On Wayward Son", "Dust in the Wind", The song should feature rich vocal harmonies, dynamic tempo changes, melodic electric guitar riffs, expressive violin or synth melodies, and thoughtful, philosophical lyrics about unity, division, and awakening, Begin with a haunting or reflective intro (acoustic guitar or clean electric), build into powerful, layered choruses, and include a soaring instrumental break, The mood should blend sorrow with hope — a call for brotherhood in a divided world

"Create a gritty southern rock track with heavy country influences, The mood is nostalgic, frustrated, and reflective, with themes of unemployment, lost hopes, emigration, and longing for the old spirit of America, Include emotional male vocals, slide guitar, deep bass, and steady, slow drums, The lyrics should revolve around the question: 'Where did America go?' with a storytelling style and a haunting, bluesy melody, "

rock, 70, blues, like Status Quo’s “Whatever You Want, ”

A cool, defiant, and groovy Polish alternative rock track with a strong 80s/90s vibe, in the style of Maanam's or early Hey's, The song is driven by a prominent, melodic, and slightly menacing bassline and a tight, steady drum beat, The electric guitars are clean in the verses and become crunchy and powerful in the choruses, The female vocal is cool, detached, and assertive, shifting from a rhythmic, almost spoken delivery in the verses to a powerful, anthemic declaration in the chorus, The mood is one of confident independence and rejection of social pressure

70s Psychedelic Rock, Jam Rock, Grateful Dead's style, male vocals (Jerry Garcia style), clean melodic electric guitar, Hammond organ, groovy bassline, relaxed drumming, storytelling, folk rock, mellow, improvisational feel, BPM: 80-95 (A very slow, relaxed, "loping" country-rock groove) - Key: G Major or D Major (Classic, warm, and folksy keys) - Time signature: 4/4 - Duration: 7-9 minutes (Crucial for allowing the instrumental "jam" section to develop naturally), The production should sound warm, organic, and have the feel of a live band playing together in a room, - Avoid a modern, overly compressed sound, The dynamics and space in the music are very important, - The mix should be balanced, with all instruments clearly audible in the musical "conversation, The "Jam Band" feel is everything, The music should feel loose, breathing, and improvisational, - **Lead Guitar (Jerry Garcia style):** This is the main voice, The sound should be clean, bright, and slightly "twangy, " with a lyrical