3:09

Call Me Primrose
Studio
J-pop-rock, neo-baroque cabaret, gothic cabaret, Vocaloid/Utaite
2:35

indie folk, chamber pop, neo-folk, whispered female vocal, breath-soft harmonies, fingerpicked acoustic guitar, sparse piano chords, brushed snare kit, upright bass, glockenspiel accents, harmonized choir, close-mic intimacy, plate reverb, tape saturation, rubato intro, mid-tempo sway, crescendo lift, bittersweet longing
3:23

Maschinenkathedrale
Custom
EBM-driven Neue Deutsche Härte instrumental, Allegro marziale, 4/4 machine-stomp groove, cold sequencer bass, rigid industrial kick-grid, clipped snare impacts, distorted low-string chug layers, metallic percussion, minor-key synth hooks, black-steel atmosphere, acid-green neon ambience, gothic-industrial scale, controlled aggression, hard mechanical cadence ending, ‑muddy mix, ‑spectral smear
3:58

A punchy pop-electropop hybrid built on upbeat, driving beats and tight bass interplay, this track hooks instantly with chantable call-and-response phrases that feel both heroic and playful, Harmonically it pivots from tense minor pulses into bright major resolutions, creating a satisfying lift that mirrors confrontation turning into control, The groove stays mid-fast and kinetic, with crisp drums, syncopated accents, and subtle eerie textures tucked behind clean synth stabs for contrast, Vocals shift between confident lead lines, stacked harmonies, and crowd chants, balancing intimacy and scale, The arrangement evolves through dynamic arcs—stripped verses, rising pre-choruses, explosive choruses, and a half-time bridge reset—keeping replay value high, Its originality lies in reframing craving as purpose, while cohesion is maintained through recurring command motifs, The overall feel is triumphant, addictive, and empowering without losing clarity or accessibility, ‑slow ballad, ‑ambient drift, ‑lo-fi chill, ‑acoustic folk, ‑heavy metal aggression, ‑industrial noise, ‑jazz swing, ‑classical minimalism, ‑country twang, ‑reggae groove, ‑trap minimalism, ‑drill beats, ‑horrorcore darkness, ‑gothic rock weight, ‑orchestral-only scoring, ‑opera vocals, ‑experimental glitch excess, ‑avant-garde abstraction, ‑downtempo lounge, ‑bedroom pop softness, ‑indie melancholy, ‑grunge distortion, ‑psychedelic haze, ‑deep house repetition, ‑techno minimal pulse, ‑trance euphoric wash, ‑vaporwave nostalgia, ‑funk retro groove, ‑disco revival, ‑soul ballad phrasing, ‑blues shuffle patterns, ‑ska bounce, ‑latin pop rhythms, ‑afrobeat swing, ‑k-pop maximal layering, ‑j-pop sparkle bias, ‑eurodance nostalgia, ‑80s synthwave dominance, ‑cinematic-only scoring, ‑post-rock crescendos, ‑metalcore breakdowns, ‑hardcore punk speed, ‑ambient drone textures, ‑spoken word focus, ‑ASMR intimacy, ‑choir-only arrangements, ‑instrumental-only format
5:27

Answering Machine
Studio
lo-fi hip hop, spoken word, chillhop, hard rock, heavy metal, instrumental rock
4:53

3:34

Golden Cage
v5.5
punk rock, post-hardcore, 168 BPM, frantic downstroke guitars, jagged power chords, picked bass octave runs, tom-heavy drum fills, clipped snare transients, tape saturation, spring reverb, room mic grit, wide stereo guitars, gang shouts, shout-along chorus, breathless urgency, unstable arrangement, stop-start breakdowns
3:44

3:10

4:12

deepest bass, deeper than Mariana trench, heavy drops, glitchcore, 120 BPM, metallic percussion, distorted sub-bass, sawtooth lead synth, punchy snare, deep bass kicks, sidechain pumping, bright plate reverb, stutter edits, syncopated drop, build-up release, chopped vocal FX, hard-hitting energy, call-and-response hooks
4:06

4:49

Extreme happy 90s/early-2000s Eurodance anthem, 145 BPM, D major, brighter and more explosive sequel to “Neon Never Dies, ” Female powerhouse lead choruses, male energetic rap verses, huge hook “Raise the sunrise, ” callback “Neon never dies, ” Punchy 4-on-the-floor kick, driving Eurodance bassline, bright supersaw synths, piano stabs, claps, snare fills, big risers, prominent violin lead hook and violin drop, emotional bridge, explosive final chorus, clean high-energy club mix, euphoric and legendary
2:37

Still Attached
Custom
Key: E♭ minor / G♭ Major
Tempo: 94–100 BPM
Genre: KR&B × Soft Trap × Airy Pop × Alt K-Pop
A soft, intimate KR&B instrumental built on a warm 808 glide, tight rim/snare accents, and minimal hat movement that leaves space for breath and phrasing, Muted Rhodes chords and airy pads create a close, late-night atmosphere, while subtle textures — including reversed piano and a breathy daegeum layer — drift in and out like passing thoughts, The groove stays restrained and steady, prioritizing emotional space over rhythmic drive, Female vocals are close-mic, soft, and slightly vulnerable, with natural phrasing, light hesitation, and preserved imperfections, Hooks land gently without strong lift, maintaining awareness rather than release, Reverb is warm and controlled, with short plate on vocals and airy tails on background elements, The track feels intimate and reflective with quiet tension — detached on the surface, but not fully untouched
2:54

euphoric seal hardstyle, seal euphoric nu-style, euphoric seal rawphoric, euphoric nu-style seals, seal euphoric rawstyle, seal hardstyle, clean, flac, seals
3:09

Poison (독)
v5.5
K-pop boy group, dark villain concept, heavy synth bass, cinematic production, punchy percussion, male ensemble vocals, powerful English chorus, Korean verses, rap bridge aggressive fast-paced, whispered outro, cold and seductive energy
2:59

6:33

Gentle Decay (µ 011)
v4.5-all
Silence, ASMR, gentle, minimal glitch microsound, signal decay aesthetic, isolated digital clicks and soft bursts, ultra sparse timing, long gaps of silence, ultra sparse, isolated clicks, long silence, no rhythm, quiet liminal atmosphere, no continuous sound, no rhythm, no groove, no loops, fading micro-events, restrained dynamics, liminal ritual space, extreme low density, minimal information rate, avoid pads, avoid drones, avoid dense textures
7:05

[IS_MAX_MODE: MAX] (Max)
[QUALITY: MAX] (Max)
[REALISM: MAX] (Max)
[REAL_INSTRUMENTS: MAX] (Max)
Blackened Death Metal, Extreme Metal Vocals, Harsh Metal Growls, Screaming Vocals, Chanting Vocals
3:05

3:04

6:05

experimental atonal noise, arrhythmic soundscape, no BPM, no pulse, no repeating structure, continuous temporal drift, frequency smearing across 100Hz–10kHz, unstable amplitude envelopes, non-repeating transient clusters, random density fluctuations, no groove, no beat alignment, no kick-snare patterns, purely abstract sonic motion, dry clinical mix, no reverb, no melody, no harmony, chaotic but restrained spectral motion;
harsh chaotic atonal random noise
2:51

5:09

Kill The Ego
v5.5
post punk indie rock spoken word alternative tense mechanical basslines angular delayed guitars driving live drums anxious corporate dystopian atmosphere cinematic existential mood half spoken verses with emotional melodic choruses gradual build into cathartic hooks dark art rock energy hypnotic repetition slightly raw and imperfect production dramatic dynamics moody reverb late night city feeling anti corporate tension introspective but explosive echoing baritone saxophone solo with noir urban loneliness anxious phrasing smoky late night atmosphere emotional restraint instead of virtuoso shredding somewhere between radiohead interpol punk rock, post-punk, hardcore punk lcd soundsystem and morphine
3:09

5:27

Non Nobis
v5.5
Epic cinematic power metal with orchestral elements, choir, and dark medieval atmosphere, Strong intro with Latin choir (Non nobis, Domine), no narration, slow atmospheric build, Heavy guitars and drums with heroic melodies, Verses use deep, controlled male vocals, Pre-chorus builds tension, Chorus is powerful, anthemic, with layered choir, Bridge is slow, dark, emotional, Final chorus is massive and cinematic, Themes: Knights Templar, faith, sacrifice, inner conflict, duality (faith vs violence), rise and fall, betrayal, Mood: epic, dark, emotional, tragic, heroic
3:59

148 BPM epic hard rock anthem, heroic tragic defiant, galloping rhythm guitars, double bass drums, male lead vocal, strong male choral backing, orchestral brass and strings, light synth pads, solemn verses, huge pleading chorus, dramatic spoken bridge, final chorus bigger and more anthemic
4:03

2:49

Industrial pop with heavy electronic and metal influences, Distorted, aggressive female vocals alternate between rhythmic spoken-word delivery and high-energy shouting, The instrumentation features a thick, overdriven synth bass, a driving drum machine with a prominent snare on the backbeat, and layers of industrial noise and glitch effects, Distorted electric guitar riffs enter during the chorus sections, The track maintains a high-energy, abrasive texture with frequent use of vocal distortion and saturation, Tempo is 140 BPM in the key of C minor
5:13

Dark romantic gothic metal ballad, sensual vampire duet, 118 BPM, D minor, Male low baritone as Alex, female dramatic soprano/mezzo as Luna; intimate verses, huge emotional choruses, Instruments: heavy guitars, deep bass, slow powerful drums, piano, strings, choir pads, pipe organ accents, violin lead in bridge, Mood: Paris at midnight, vampire romance, desire, consent, transformation, queenly power, Clear duet roles, no voice swapping, cinematic final chorus
4:08

3:34

4:16

3:37

MOLT
v5.5
Ethereal, melodic male vocals with a monastic, haunting quality, Emphasize a "head voice" resonance—breathy and intimate in the verses, transitioning into a powerful, sustain-heavy "belt" in the climax, Avoid gravelly or "raspy" tones, Incorporate subtle vocal layering and a "slapback" delay, The delivery should be fluid and rhythmic, following complex syllabic patterns rather than standard rock shouting, A dark, atmospheric, progressive metal track in the style of experimental-era TOOL, The sound is built on a complex, driving flanger-heavy bass line, tribal-infused percussion with intricate tabla and syncopated tom-tom rhythms, and delay-heavy, atmospheric guitars that slowly build tension, The focus is on a ritualistic, slow-burn energy, Vocals: Crucially, the vocal style must be highly dynamic and layered, It should start as a haunting, intimate, and close-miked whisper-chant that feels almost conversational and direct, This is followed by a precise, geometric, and clean melodic
3:15

synth-pop, space synth jam, 94 BPM, half-time groove, syncopated kick, detuned analog synth lead, arpeggiated Juno chords, sub bass glide, gated snare, tape saturation, spring reverb, wide stereo delays, minor key, smirking menace, nocturnal pulse, French house, disco sample-driven groove, heavily processed and auto-tuned vocals, and a big euphoric dance-floor hook built for celebration
2:58

retro-funk swagger, tight groove, polished punch, party-starting vocal charisma, ‑ambient drift, ‑slowcore minimalism, ‑doom metal distortion, ‑orchestral cinematic scoring, ‑experimental noise collage, ‑abstract glitchcore, ‑dark techno pulse, ‑melancholic balladry, ‑indie folk acoustic softness, ‑progressive rock complexity, ‑trap hi-hat rolls, ‑drill aggression, ‑lo-fi chill beats, ‑avant-garde jazz improvisation, ‑classical chamber restraint, ‑hyperpop saturation, ‑industrial harshness, ‑gothic atmospheres, ‑post-rock crescendos, ‑synthwave nostalgia, ‑dream pop haze, ‑opera dramatics, ‑heavy metal riff dominance, ‑country twang storytelling, ‑reggae offbeat sway, ‑EDM festival drops, ‑trance uplift structures, ‑dubstep wobble bass, ‑psychedelic sprawl, ‑punk rawness, ‑grunge grit, ‑baroque ornamentation, ‑choral sacred textures, ‑medieval tonal palettes, ‑vaporwave detachment, ‑house four-on-the-floor repetition, ‑techno minimal loops, ‑breakcore fragmentation, ‑jazz fusion virtuosity, ‑cinematic epic scoring, ‑emotional piano ballads, ‑acoustic unplugged inti

















