3:11

We want Freedom
v5.5
Iranian Protest Rap, Street Poetry, Political Hip-Hop, Rap for Peace, Emotional, verzweifelt und doch voller Hoffnung, Langsamer, schwerer Beat (70-75 BPM), 808 Drums gemischt mit persischer Perkussion (Daf, Tombak, Dayereh), Samples von Straßenprotesten: Rufe („Zan, Zendegi, Azadi!“), Klatschen, Schritte, Gesang: weibliche Hauptstimme (rau, flüsternd, manchmal schreiend), männliche Begleitstimme, wilde Background-Chöre wie auf der Straße, Kein Autotune, roh, menschlich, Entschlossen, kämpferisch für Frieden und Freiheit, hard rock
3:57

Duck Noir
v4.5-all
a cinematic jazz noir anthem from the perspective of an unbreakable duck detective marching through endless rain with twelve ducklings behind her Jazz, Bebop, Cool jazz, Modal jazz, Fusion inspired muted trumpet and smoky female alto vocals blend unexpectedly with traditional maori rhythmic elements powerful stamping chant like breath pulses and resonant belly slaps bauchklatschen that punctuate the duck s determination the song rises from cold asphalt despair into warm rhythmic resilience a saxophone fights through dissonance a duckling choir whispers in the bridge by the final chorus rain stops truth wins and twelve tiny heartbeats drum the rhythm of survival
4:12

Not made for us
v4.5-all
1970's funk
Instruments: Retro funk guitar; groovy funk baseline; looping funk guitar riffs; Horn section, brass stabs; Hammond organ; Soulful strings; Congas; Orchestral soul
Vocals: Soulful male falsetto; Playful vocal delivery; Breathy whispers; Low Register; Soaring, layered harmonies
Production details: Vinyl sound, Vintage production; Warm production
Tempo and rhythm: Gritty, syncopated drumbeats, slow tempo
5:41

Leave us alone!
v5.5
Rainer Kristuf
soul gospel orchestral hip hop core aggressive male vocal desperate and hopeless delivery heavy sub bass haka war chant rhythm 1970s funk guitar riffs with wah wah pedal and fuzz distortion cinematic piano intro spoken word verses explosive choir chorus slow burning bridge with organ police siren like synth pads raw and gritty production room reverb vinyl crackle texture tempo 70 80 bpm with sudden tempo lifts in chorus confrontational atmosphere soul, R&B, blues, Southern soul meets Alternative Metal, Rap Metal, Funk Metal meets brass band funeral march dark soul with martial drum patterns double bass drops sampled breakbeats Funk, Soul, R&B, Rock and Roll on barricades gil scott heron spoken anger massive attack bass weight public enemy chaos mournful horn stabs tremolo guitar whispered outro with lone piano hopeless but unbroken
4:17

Mvto Mvto
v4.5-all
Wide, expansive guitar riffs echo across an open sonic landscape, blending earthy groove with spiritual undertones, Inspired by Native American jazz phrasing in the spirit of Jim Pepper, the music flows with organic, ceremonial movement, subtly
recalling
the hypnotic essence of “Witchi Tai To, ” Multiple voices enter and exit—different perspectives, different storytellers—interweaving chants, spoken fragments, and melodic lines, Saxophones roam freely, untamed and expressive, drifting between structure and improvisation, Rhythms are grounded yet fluid: deep drums pulse like a heartbeat, while flutes weave airy, ancestral textures above, As the piece evolves, all elements dissolve into an unexpected fusion—a new, undefined genre emerges, where ritual, jazz, and folk from Inuit, and some genre from French Chanson converge into something entirely original and forward-looking
4:14

4:23

This World is not made for us
v4.5-all
1970's funk
Instruments: Retro funk guitar; groovy funk baseline; looping funk guitar riffs; Horn section, brass stabs; Hammond organ; Soulful strings; Congas; Orchestral soul
Vocals: Soulful male falsetto; Playful vocal delivery; Breathy whispers; Low Register; Soaring, layered harmonies
Production details: Vinyl sound, Vintage production; Warm production
Tempo and rhythm: Gritty, syncopated drumbeats, slow tempo
4:06

Alan Kurdi or the matter of life
v4.5-all
rock, hard rock, dynamic, 70s-inspired, opera, soul, punk
3:49

5:54

Groovy rap song, old school hip-hop vibe, male rapper with playful and energetic delivery, Instrumentation includes funky accordion, whistling melody, hand claps, and a tight drum beat, Lyrical theme: octopuses from outer space invading Earth, absurd and humorous sci-fi story, Background: street vibe, light crowd noise, occasional coin drops (guitar case style), Tempo: 90-100 BPM, major key, funky and bouncy, Mood: silly, groovy, weird, danceable
