2:57

TREMORIA
v4.5-all
Female lead vocal, Clear and transparent tone, Slightly thinner vocal weight, Higher vocal range with stable, controlled high notes, Strong vowel articulation, Clean Japanese pronunciation, Confident but light delivery, Vocal-forward mix with lead vocal clearly on top, Lead vocal presence prioritized over instruments, Melodic punk mixed with pop-punk, Tempo around 100 BPM, Fast and tight drum grooves with a strong kick, Distorted electric guitars with energetic downstrokes, Bright, catchy, sing-along choruses, Idol live atmosphere with a punk band feel, Fun, uplifting, and lively mood, Aggressive punk drive with a raw edge, Tight, relentless rhythm guitar attack, Guitars pull back slightly during vocal sections, Technical guitar solo after the chorus, High-speed full picking and aggressive lead guitar, Flashy, precise, and energetic solo section, High-register guitar lines with strong clarity, Over-the-top virtuosic guitar solo, Extreme speed and precision with no restraint
3:34

閃光の境界線
v4.5-all
Fast-paced Japanese punk rock, Very fast tempo, around 180 BPM, Aggressive distorted electric guitars, Relentless, driving punk rhythm, High-speed full-picking guitar solo with sharp, precise notes, Powerful bass with strong low-end presence, Tight, loud drums with strong kick and snare, Female lead vocal, Clear and transparent tone, Slightly thinner vocal weight, Higher vocal range with controlled, powerful high notes, Strong vowel articulation, Clean Japanese pronunciation, Confident but light delivery, Minimal, restrained bridge section, Raw, energetic live band sound, No pop elements
4:48

SUNNOVIA
v4.5-all
Fast-Paced Melodic Punk Rock around 165 BPM, high-speed driving downstroke guitars with warm rounded distortion, tight punchy bass locking with kick drum, energetic live drums with strong snare presence, 16-bar high-energy melodic guitar solo, fast alternate picking runs, ascending lead phrases, brief half-time before final chorus, harmonized twin-guitar climax, Female lead vocal, Clear, transparent tone, Slightly thin but focused weight, High vocal range with controlled, sharp high notes, Strong vowel articulation for fast delivery, Clean Japanese pronunciation, Confident yet light forward delivery, No growls, no rasp, no shouting, Driving verses, melodic lift pre-chorus, fast anthemic chorus, minimal bridge, expanded final chorus (no key change)
2:21

Be Your No.1
v4.5-all
Brisk melodic pop-punk at 146 BPM in a bright major key, Verses use palm-muted guitars with breathing room, underscored by bass tightly synced to defined kick, Drums keep tight 8th hi-hats, crisp dry snare, and minimal fills, with restrained cymbals, B-melody gradually lifts with fuller guitar voicings, Choruses burst into open downstroke power chords, guitars slightly beneath a prominent female vocal—clear, bright, with upper-mid focus and precise articulation, No synths or piano, Before the final chorus, a short dynamic drop sets up an energized extended last chorus, preserving tempo but pushing intensity, The band stops on the final line for a tight, resolute ending
4:26

Falselia
v4.5-all
Fast-paced Japanese punk rock around 170 BPM, minor key with emotional tension, Electric guitar with tight palm-muted verses and powerful open choruses, melodic emotional guitar solo with rising phrasing, Punchy bass guitar with clear low-end drive, locked tightly with the drums, Energetic acoustic drum kit, fast driving beat, strong snare presence, dynamic fills into chorus, Atmospheric keyboard layers, subtle pads in verses, wider sustained chords in chorus, soft support under the final section, High clean female vocal with transparent tone, controlled strong high notes, clear vowel articulation, forward in the mix, no growls, no rasp, no shouting, Dynamic build from restrained verses to soaring chorus, brief instrumental drop before final line, near a cappella ending, tight stop ending without fade, Atmosphere of quiet strength, hidden vulnerability, protective love, determined restraint
3:45

Unreturnia
v4.5-all
Deep, Oppressive Atmosphere With Emotional Tension, 7-String Or Drop-Tuned Distorted Guitars, Thick Low-End Riffs, Minimal Yet Crushing, Bass Reinforces Low Frequencies With Slight Grit, Heavy, Slow Drum Groove With Deep Kick And Dry Snare, Wide Space, No Synth, No Piano, Pure Band Sound, Female Lead Vocal, Clear And Warm Tone With Transparent High Register, Stable Pitch, Minimal Vibrato, Slight Breath Texture In Verses, Straight, Controlled Delivery In Chorus, High Notes Sustained, Non-Screamed, Emotional But Restrained, Structure:
No Intro, Immediate Vocal, Verse → Verse → Pre-Chorus → Chorus → Bridge → Final Chorus → Outro, Bridge Nearly Silent, Final Note Lower, Calm, Last Phrase Soft, Straight, Fading Into 2–3 Sec Silence
4:46

What Remains
v4.5-all
Melodic Emotional Pop-Punk Around 140 BPM In A Bright Major Key, Electric Guitar, Bass, Drums Only, No Synth, No Piano, Clean Bright Guitar In Verses, Light Palm-Mute Under Vocals, B-Melody Slight Lift, Chorus With Open Downstroke Power Chords, Controlled Energy, Warm Bass Locked With Kick, Steady 8th Hi-Hat, Dry Snare, Minimal Fills, 8-Bar Melodic Guitar Solo After Second Chorus, Sustained Notes, Expressive Bends, No Shredding, Ends With Short Drop, Brief Silence Before Bridge, Bridge Vocal-Forward, Minimal Backing, Final Chorus Wider, Not Louder, Band Stop Before Last Line, Female Lead Vocal:
Clear Japanese Voice, Thin Yet Strong Core, Bright Tone, Controlled High Notes, No Shouting, Honest Delivery, Lead Vocal Slightly Above Instrumental, Final Line Almost A Cappella, Structure:
Intro → Verse → B → Chorus →
Verse → B → Chorus →
Solo → Bridge →
Final Chorus → Stop → End
4:46

光の方へ
v4.5-all
Punk × Ballad around 140 BPM in A Major, Emotional dynamic contrast, Instruments: Electric Guitar, Bass, Drums only, No synth, no piano, Intro: Clean arpeggio guitar, light ambient pick noise, vocal intimate and close, Verse: Half-time feel, rimshot snare, sustained bass, restrained clean tone, Pre-Chorus: Gradual build, tighter hi-hat, rising guitar texture, Chorus: Full band explosion, Open downstroke power chords, wide stereo guitars, Punchy 8th-note bass locked with kick, Bright but controlled cymbals, Bridge: Drop to half-time, Space and air, Clean guitar with slight drive swell, Vocal emotional peak on “溶けていく”, long sustain, Final Chorus: Full energy, Add octave guitar layer and backing vocals, No key change, Big but warm ending, Female Lead Vocal:
Clear, transparent Japanese tone, Light yet strong upper-mid presence, Controlled high notes, emotional but not over-sung, Lead vocal 1–2 dB above instrumental
