2:32

sample collage, plunderphonics, spoken word cadence, radio static chops, ad jingle fragments, broadcast voice samples, vinyl crackle loop, tape splice edits, sidechain ducking, mono center punch, dub delay throws, spring reverb, distorted kick-snare, chopped breakbeats, off-kilter groove, cynical swagger, weary resolve, 92 BPM, bass-heavy low end
3:21

Hello!
v5.5
plunderphonics, sample collage, spoken word refrains, chopped micro samples, mono drum break, tape splice edits, swung halftime groove, sparse arrangement, abrupt dropouts, dub delay, plate reverb, bittersweet nostalgia, unresolved longing, microhouse, dark folk undertones, call and response, vocal chop hooks
2:27

Over Here, There
v5.5
plunderphonics, sample collage, spoken word refrains, chopped micro samples, mono drum break, tape splice edits, swung halftime groove, sparse arrangement, abrupt dropouts, dub delay, plate reverb, bittersweet nostalgia, unresolved longing, microhouse, dark folk undertones, call and response, vocal chop hooks
4:05

Remembered
v5.5
[Warm Tape Stereo โข Old-Lens Mastering โข Cinematic Low-End Sculpt]
[Microhouse Filigree โข Irregular Offbeats โข Whispered Rim-Codes]
[Thick Root-Note Sub โข Bowed Metal Overtones โข Granular Air Particles]
[Ghost Choir Fragments โข Worn Piano Motifs โข Memory-Loop Decay]
[Archive Hiss โข Time-Softened Transients โข Museum of Breath โข Quiet Cataclysm]
3:56

Miss Molly
v5.5
[Warm Tape Stereo โข Old-Lens Mastering โข Cinematic Low-End Sculpt]
[Microhouse Filigree โข Irregular Offbeats โข Whispered Rim-Codes]
[Thick Root-Note Sub โข Bowed Metal Overtones โข Granular Air Particles]
[Ghost Choir Fragments โข Worn Piano Motifs โข Memory-Loop Decay]
[Archive Hiss โข Time-Softened Transients โข Museum of Breath โข Quiet Cataclysm]
3:23

Lost & Found
v5.5
microhouse, sample collage, spoken-word refrains, bowed metal overtones, worn piano motifs, thick root-note sub, whispered rim-clicks, irregular offbeats, ghost choir fragments, granular air particles, archive hiss, time-softened transients, warm tape stereo, old-lens mastering, cinematic low end, memory-loop decay, brittle suspense, quiet cataclysm, 92 BPM, loose breakdowns
3:52

Rebar Lullaby
v5.5
deep house, USSR 90s nostalgia, 122 BPM, microhouse bass movement, detuned synth stabs, Soviet choir sample chops, spoken-word hook snippets, tape-worn drum machine, low-pass filter automation, dub delay tails, plate reverb, sidechain pumping, minor-key progression, restless defiance, bittersweet momentum
3:16

plunderphonics, sample collage, spoken word hook, cutup vocal phrasing, restless melancholy, urban memory, spoken word, melancholy, vocal
2:39

Goodnight
v5.5
This trip-hop track opens with vinyl crackle over deep, tight drum breaks, Moody sampled guitar and lush Rhodes chords create warmth, while warped vocal cuts meld into the instrumentation, Playful synth hooks and distinctive sample stabs define the chorus, with evolving turntable FX and shifting textures keeping the groove mesmerizing and fresh throughout
3:43

Crackle
v5.5
This trip-hop track opens with vinyl crackle over deep, tight drum breaks, Moody sampled guitar and lush Rhodes chords create warmth, while warped vocal cuts meld into the instrumentation, Playful synth hooks and distinctive sample stabs define the chorus, with evolving turntable FX and shifting textures keeping the groove mesmerizing and fresh throughout
3:34

Granddaddy Love
v5.5
trip hop deep voice, lagging vocals, vocal chops, old radio samples, 60s ads, fake commercials, spoken-word fragments, chopped dialogue, filtered disco, warm bassline, hypnotic groove, nostalgic, surreal, catchy, loop-based
2:23

One More Song
v5.5
trip-hop, 92 BPM, brushed drums, warm bassline, filtered disco guitar, old radio samples, chopped dialogue, spoken-word fragments, tape splice edits, lo-fi vinyl crackle, dub delay, spring reverb, hypnotic groove, offbeat syncopation, surreal nostalgia, loop-based arrangement
3:01

Groove With Us
v5.5
trip-hop, 92 BPM, brushed drums, warm bassline, filtered disco guitar, old radio samples, chopped dialogue, spoken-word fragments, tape splice edits, lo-fi vinyl crackle, dub delay, spring reverb, hypnotic groove, offbeat syncopation, surreal nostalgia, loop-based arrangement
2:11

I'm Chillin'
v5.5
plunderphonics, sample collage, spoken word refrains, chopped micro samples, mono drum break, tape splice edits, swung halftime groove, sparse arrangement, abrupt dropouts, dub delay, plate reverb, bittersweet nostalgia, unresolved longing, microhouse, dark folk undertones, call and response, vocal chop hooks
4:37

The Way You Do
v5.5
trip-hop, 92 BPM, brushed drums, warm bassline, filtered disco guitar, old radio samples, chopped dialogue, spoken-word fragments, tape splice edits, lo-fi vinyl crackle, dub delay, spring reverb, hypnotic groove, offbeat syncopation, surreal nostalgia, loop-based arrangement
3:54

Dababytron
v5.5
experimental hip-hop, sample collage, 94 BPM, dusty breakbeat loop, chopped vocal stabs, spoken-word fragments, rubbery bassline, detuned synth hooks, retro game bleeps, public access samples, tape splice edits, lo-fi texture, call and response hooks, abrupt breakdowns, drop cuts, awkward humor, surreal chaos, deadpan delivery
5:09

Bootsy Baby
v5.5
trip-hop, 92 BPM, brushed drums, warm bassline, filtered disco guitar, old radio samples, chopped dialogue, spoken-word fragments, tape splice edits, lo-fi vinyl crackle, dub delay, spring reverb, hypnotic groove, offbeat syncopation, surreal nostalgia, loop-based arrangement
2:01

experimental hip-hop, meme-core absurdism, sample collage, cut-up vocal chops, dusty breaks, rubbery bassline, detuned synth hooks, retro game motifs, public-access television weirdness, awkward humor, surreal chaos, lo-fi texture, catchy but unhinged
2:45

plunderphonics, sample collage, spoken word refrains, chopped micro samples, mono drum break, tape splice edits, swung halftime groove, sparse arrangement, abrupt dropouts, dub delay, plate reverb, bittersweet nostalgia, unresolved longing, microhouse, dark folk undertones, call and response, vocal chop hooks
2:24

Bing Bong Bingo
v5.5
plunderphonics, sample collage, spoken word refrains, chopped micro samples, mono drum break, tape splice edits, swung halftime groove, sparse arrangement, abrupt dropouts, dub delay, plate reverb, bittersweet nostalgia, unresolved longing, microhouse, dark folk undertones, call and response, vocal chop hooks
3:02

I Am Gone, When
v5.5
plunderphonics, sample collage, spoken word refrains, chopped micro samples, mono drum break, tape splice edits, swung halftime groove, sparse arrangement, abrupt dropouts, dub delay, plate reverb, bittersweet nostalgia, unresolved longing, microhouse, dark folk undertones, call and response, vocal chop hooks
2:12

Honey
v5.5
microhouse, sample collage, spoken word refrains, chopped micro samples, mono drum break, tape splice edits, swung halftime groove, sparse arrangement, abrupt dropouts, dub delay, plate reverb, field recordings, accordion drones, bowed psaltery, whispered narration, call and response, bittersweet nostalgia, unresolved longing
3:42

Our First Fight
v5.5
microhouse, sample collage, spoken word refrains, chopped micro samples, mono drum break, tape splice edits, swung halftime groove, sparse arrangement, abrupt dropouts, dub delay, plate reverb, field recordings, accordion drones, bowed psaltery, whispered narration, call and response, bittersweet nostalgia, unresolved longing
2:29

Biscuit Town
v5.5
microhouse, plunderphonics, sample collage, spoken word refrains, chopped micro samples, mono drum break, tape splice edits, swung halftime groove, sparse arrangement, abrupt dropouts, dub delay, plate reverb, lo-fi saturation, deadpan delivery, call and response, vocal chop hooks, bittersweet nostalgia, unresolved longing
3:21

deep house plunderphonics, sample collage, spoken word refrains, chopped micro samples, mono drum break, tape splice edits, swung halftime groove, sparse arrangement, abrupt dropouts, dub delay, plate reverb, bittersweet nostalgia, unresolved longing, microhouse, dark folk undertones, call and response, vocal chop hooks
3:01

72 BPM, dark folk, trip-hop, spoken word loops, chopped vocal samples, detuned acoustic guitar, brushed snare, sub-bass pulses, tape splice edits, radio fragment collage, field recordings, dry close-mic, lo-fi saturation, half-time groove, sparse arrangement, intimate unease
2:30

72 BPM, dark folk, trip-hop, spoken word loops, chopped vocal samples, detuned acoustic guitar, brushed snare, sub-bass pulses, tape splice edits, radio fragment collage, field recordings, dry close-mic, lo-fi saturation, half-time groove, sparse arrangement, intimate unease
2:24

As We Get It
v5.5
dark electronic, haunted synthwave, 92 BPM, detuned analog pads, tape-worn drum machine, gated snare, sub-bass drones, glitched radio fragments, whispered spoken word, chorus-drenched electric piano, filtered noise risers, spring reverb, vinyl crackle, claustrophobic groove, deadpan protest, minor key
2:15

On The Side
v5.5
dark electronic, haunted synthwave, 92 BPM, detuned analog pads, tape-worn drum machine, gated snare, sub-bass drones, glitched radio fragments, whispered spoken word, chorus-drenched electric piano, filtered noise risers, spring reverb, vinyl crackle, claustrophobic groove, deadpan protest, minor key
2:40

Blood for Love
v5.5
microhouse, 112 BPM, chopped vocal fragments, sub-bass throb, syncopated kick snare, off-grid hi-hats, dusty sample collage, radio detritus, tape splice edits, spring reverb snare, sidechain pumping, lo-fi drum machine, dark folk drones, frame drum accents, bowed psaltery, chant hooks, bittersweet nostalgia, defiant pulse
2:23

microhouse, 112 BPM, chopped vocal fragments, sub-bass throb, syncopated kick snare, off-grid hi-hats, dusty sample collage, radio detritus, tape splice edits, spring reverb snare, sidechain pumping, lo-fi drum machine, dark folk drones, frame drum accents, bowed psaltery, chant hooks, bittersweet nostalgia, defiant pulse
2:59

microhouse, 112 BPM, chopped vocal fragments, sub-bass throb, syncopated kick snare, off-grid hi-hats, dusty sample collage, radio detritus, tape splice edits, spring reverb snare, sidechain pumping, lo-fi drum machine, dark folk drones, frame drum accents, bowed psaltery, chant hooks, bittersweet nostalgia, defiant pulse
3:19

Salt
v5.5
microhouse, 112 BPM, chopped vocal fragments, sub-bass throb, syncopated kick snare, off-grid hi-hats, dusty sample collage, radio detritus, tape splice edits, spring reverb snare, sidechain pumping, lo-fi drum machine, dark folk drones, frame drum accents, bowed psaltery, chant hooks, bittersweet nostalgia, defiant pulse
2:43

124 BPM, deep house, sample collage, chopped spoken word, radio detritus, irregular offbeats, syncopated bassline, four-on-the-floor kick, swung percussion grid, sidechained sub-bass, warped vinyl loops, tape splice edits, old-school club sheen, plate reverb, filtered drum bus, defiant release
2:49

I'm In My Zone
v5.5
124 BPM, deep house, sample collage, chopped spoken word, radio detritus, irregular offbeats, syncopated bassline, four-on-the-floor kick, swung percussion grid, sidechained sub-bass, warped vinyl loops, tape splice edits, old-school club sheen, plate reverb, filtered drum bus, defiant release
3:03

Want Me
v5.5
124 BPM, deep house, sample collage, chopped spoken word, radio detritus, irregular offbeats, syncopated bassline, four-on-the-floor kick, swung percussion grid, sidechained sub-bass, warped vinyl loops, tape splice edits, old-school club sheen, plate reverb, filtered drum bus, defiant release
2:15

124 BPM, deep house, sample collage, chopped spoken word, radio detritus, irregular offbeats, syncopated bassline, four-on-the-floor kick, swung percussion grid, sidechained sub-bass, warped vinyl loops, tape splice edits, old-school club sheen, plate reverb, filtered drum bus, defiant release
2:22

124 BPM, deep house, sample collage, chopped spoken word, radio detritus, irregular offbeats, syncopated bassline, four-on-the-floor kick, swung percussion grid, sidechained sub-bass, warped vinyl loops, tape splice edits, old-school club sheen, plate reverb, filtered drum bus, defiant release
2:17

Let Me Go
v5.5
124 BPM, deep house, sample collage, chopped spoken word, radio detritus, irregular offbeats, syncopated bassline, four-on-the-floor kick, swung percussion grid, sidechained sub-bass, warped vinyl loops, tape splice edits, old-school club sheen, plate reverb, filtered drum bus, defiant release
4:14

The Feeling
v5.5
124 BPM, deep house, sample collage, chopped spoken word, radio detritus, irregular offbeats, syncopated bassline, four-on-the-floor kick, swung percussion grid, sidechained sub-bass, warped vinyl loops, tape splice edits, old-school club sheen, plate reverb, filtered drum bus, defiant release
2:26

Reason to Love
v5.5
dark 90s MPC underground HipHop Beat looped from a 50s hazy soul with vinyl cracking and deep resonant voice with a Brooklyn/New York Accent
2:41

Reunion Dinner
v5.5
dark 90s MPC underground HipHop Beat looped from a 50s hazy soul with vinyl cracking and deep resonant voice with a Brooklyn/New York Accent
3:27

dark 90s MPC underground HipHop Beat looped from a 50s hazy soul with vinyl cracking and deep resonant voice with a Brooklyn/New York Accent
2:09

dark 90s MPC underground HipHop Beat looped from a 50s hazy soul with vinyl cracking and deep resonant voice with a Brooklyn/New York Accent
2:09

Go With Me
v5.5
dark boom bap, 90s MPC sampling, 50s soul loop chops, vinyl crackle, radio detritus, chopped spoken word, upright bass stabs, brushed snare ghosts, detuned Rhodes, tape splice edits, bass first groove, offbeat kick pattern, call and response hooks, sparse verses, dense chorus lift, gritty mono mix, lo fi collage, defiant swagger
3:09

With Me
v5.5
dark boom bap, 90s MPC sampling, 50s soul loop chops, vinyl crackle, radio detritus, chopped spoken word, upright bass stabs, brushed snare ghosts, detuned Rhodes, tape splice edits, bass first groove, offbeat kick pattern, call and response hooks, sparse verses, dense chorus lift, gritty mono mix, lo fi collage, defiant swagger






