2:38

Klein. Dumm. Direkt.
v4.5-all
Fast punk-pop energy, German female vocals with bratty attitude, tight distorted guitars and simple bouncy bass, dry punchy drums, Verses clipped and almost spoken, choruses explode with gang shouts and octave doubles, Short breakdown bridge drops to just drum groove and vocal sneer before a final shout-along hook pileup
3:54

3:33

dreamy, soft piano with shimmering strings, ethereal, atmospheric and flowing
3:14

3:28

Splitter meiner Wahrheit
v4.5-all
Ethereal German art-pop, female vocals; airy pads and reverse piano textures under intimate verses, then drums bloom into a wide, anthemic chorus, Sub-bass stays warm and round, with distant choirs on the hook and a reverb-drenched bridge that briefly strips to voice and a single synth before the final lift
3:19

3:10

Wir sind nicht allein
v4.5-all
Cinematic electro-pop, mid-tempo groove with spacious synth pads and tight electronic drums; verses intimate and speech-like over pulsing bass, chorus explodes with wide vocoder harmonies and soaring lead female vocals; subtle reversed piano and filtered arps in the bridge, final chorus lifts with octave-doubled topline and bright cymbal swells
3:29

Schmacht ohne Macht
v4.5-all
Dark German pop ballad, mid-tempo pulse and moody synth pads, Intimate male vocals start close and dry over sparse piano; low bass swells enter in the pre-chorus, Chorus hits with wider reverb, stacked harmonies, and a steady kick, then drops back to fragile keys and distant pads in the bridge, Subtle reverse effects and filtered percussion keep tension simmering under the vocal
1:57

Anti-Pömpel
v4.5-all
Playful Deutschrap-Pop, midtempo bounce mit trockenen Kicks und perkussivem Bass, Humorvoller Sprechgesang in den Strophen, eingängige Sing-Hook im Refrain, Leichte Synth-Akzente, kurze Call-and-Response-Backings im Chorus, alles sehr tight und pointiert gemixt
3:13

Warm, organic indie-pop; male vocals, Light swung drums, round bass, jangly guitars, Verses intimate and conversational, close-mic vocal, Chorus blooms with airy synth pad, doubled hook line, and subtle gang shouts on key words, Bridge strips to vocal and rim clicks before a final, louder hook and a playful rhythmic tag-out
2:48

Familienzimmer
v4.5-all
featuring gentle guitar plucking and atmospheric strings for an intimate, emotional feel, soft acoustic ballad with a minimalist arrangement
3:52

Maps & Guardrails
v4.5-all
Sparse indie-folk bed with fingerpicked acoustic guitar and soft male vocals; verses intimate and close-mic’d, subtle room reverb, Pre-chorus adds warm bass swells and brushed snare to lift into a chant-like, harmony-heavy chorus, Bridge strips back to near a cappella before a final, fuller chorus with gang vocals and gentle tambourine for a communal, anthemic close
3:39

Minimalist German art-pop ballad, intimate male vocals; soft piano ostinato and subtle analog pads building from sparse, vulnerable verses into a wider, emotionally surging chorus with stacked harmonies and warm bass swells; gentle brushed drums enter on the second chorus to lift the groove, ending on a stripped-back last line in near a cappella
3:28

Du bist kein Risiko
v4.5-all
Warm acoustic indie-pop, midtempo groove; nylon-string guitar and soft brushed drums carry a playful sway, Male vocals close and intimate; kids’ choir doubles key chorus phrases on second hook, Subtle glockenspiel and handclaps add lightness, Dynamics bloom in the chorus with airy pads and a round bass, then tuck back into an intimate bridge before a final, lifted refrain
3:07

Ton für Ton
v4.5-all
Intimate German pop ballad, male vocals; soft piano arpeggios with warm pads and subtle acoustic guitar, First verse carried by close-mic vocal and sparse chords; chorus blooms with layered harmonies and a gentle, steady kick, Second verse adds light percussion and atmospheric delay on ad-libs, bridge strips back to near a cappella before a final, uplifting chorus reprise
3:17

4:45

Selbstreferenz im Labor
v4.5-all
Glitchy electro-art pop, deutschsprachiger Sprechgesang trifft halbgesungene Hooks; kalte Synth-Arpeggios und klickende Percussion, später breiter, schimmernder Refrain mit verhallten Chorstimmen, Energie baut sich von nüchterner Beobachtung zu hypnotischer, leicht übersteuerter Ekstase auf, Bass pulsiert wie ein Herzschlag, kurze Breaks lassen einzelne Wörter im Echo stehen
3:19

Papier ist zu flach
v4.5-all
Schwebende Electronica mit male vocals, warme Synth-Flächen und subtil versetzten Arpeggios, Strophen intim gesprochen-gesungen im Nahmikrofon, Refrain mit breiteren Harmonien und leicht anziehendem Groove, Dezente Percussion, weicher Subbass, kurze Hallräume, die im Refrain etwas weiter aufgehen
4:02

Gewebe aus Fluss
v4.5-all
Minimalistischer Electronica-Track, schwebende Pads, dezente Puls-Kicks, sanfte Arpeggios, Männliche, nah aufgenommene Vocals, fast gesprochen, mit geflüsterten Doppeln im Refrain, Langsamer Aufbau, in der Hook öffnen sich breite Chöre und ein warmer Sub, Letzter Chorus halbiert die Drums, dafür mehr Reverb und Delays auf der Stimme
3:46

Asymptotisch Du
v4.5-all
Minimalist electro-artpop, German male vocals; dry drum machine pulse, rubbery synth bass, icy pads, Verses stay spoken-word and close-mic, pre-chorus adds rising arpeggios and whispered doubles, Chorus widens with reverb, octave vocals, and a subtly detuned lead, Bridge strips to ticking percussion and a droning synth, then everything blooms back for a final, mantra-like hook
3:57

Unterwegs in deinem Lärm
v4.5-all
Intimate German pop ballad, female vocals, Soft piano and warm pads under the verses, close-mic, almost whispered, Chorus opens with wide reverb, subtle strings, and a lifted vocal harmony on the key lines, Light electronic pulse appears in the second chorus for momentum, then everything strips back to piano and voice on the final line for a quiet, glowing resolve
4:29

Mitspieler Im Auronaschka-Vers
v4.5-all
folk, Warm, bouncing neo-soul groove mit federndem Bass und geschmeidigen Drums, Rhodes-Akkorde und dezente Synth-Arps, später subtile Streicherflächen, Refrain mit breiten, gestapelten Harmonien und Call-and-Response-Adlibs; Strophen intimer, nah am Mikro, viel Luft um die Worte, Female vocals, leicht rau, sehr präsent im Mix, sanftes Tape-Sättigungsfeeling
4:48

Unterwegs in deinem Lärm
v4.5-all
Intimate German pop ballad, female vocals, Soft piano and warm pads under the verses, close-mic, almost whispered, Chorus opens with wide reverb, subtle strings, and a lifted vocal harmony on the key lines, Light electronic pulse appears in the second chorus for momentum, then everything strips back to piano and voice on the final line for a quiet, glowing resolve
3:59

Das lebendige Dazwischen
v4.5-all
Intimate German art-pop; dry close-mic female vocals over hushed piano and brushed snare, subtle upright bass, Verses almost spoken, words hanging in space; chorus blooms with soft synth pad, faint glockenspiel, and stacked whispers, Dynamics rise from fragile to quietly triumphant by the final hook, leaving a lingering, shimmering tail
2:51

Glitchy alt-pop electronica, soft male vocals over airy synth pads and warm sub, stuttering percussion with granular glitches, Verses stay intimate and whispered; chorus widens with wide stereo plucks, stacked harmonies, and a steady pulse, Bridge dips into a dreamy half-time float with filtered vocal echoes before a bright final hook
3:01

Kombinatorische Eskalation
v4.5-all
German industrial-tinged hyperpop, male vocals, Metallic percussion and detuned synth arps build like a machine booting up; verses ride a tight, clipped rhythm with bitcrushed drums and glitchy vocal chops, Chorus explodes with distorted leads, stacked shouts, and a stomping four-on-the-floor kick, Bridge drops to a cold digital drone, then slams back with a pitched-up hook and aggressive sidechain pump
3:22

Kontrollpunkte
v4.5-all
Dark electronic art-pop, German male vocals, Minimal pulsing bass and distant percussion in the verses, almost spoken delivery; chorus widens with haunting synth pads, stacked harmonies, and a steady mid-tempo groove, Subtle glitch FX on select words, last chorus lifts with brighter top line and a saturated vocal delay tail
3:32

Falsche Frage
v4.5-all
Minimalist alt-pop ballad, German male vocals; intimate close-mic verse over soft piano and distant pads, then a wider, pulsing chorus with subtle electronic drums and warm bass; bridge strips back to almost spoken-word intensity, final hook blooms with stacked harmonies and a lingering synth tail

