[Sung entirely in Mandarin Chinese. Natural Mandarin pronunciation; all narrative lines sung, never spoken.] [TITLE: 亡灵的行列] [EL ESTUDIANTE DE SALAMANCA] [ACT III — MOVEMENT 20 OF 28] [MANDARIN CHINESE ADAPTATION] [ZEMFIRA DE GRANADA — SOLO FEMALE SOPRANO] [SPANISH SUPERNATURAL DANCE-PASSACAGLIA] [96 BPM — 3/4 — D MINOR] [FANDANGO AT 144 BPM — 6/8] [FINAL ACCELERANDO TO 176 BPM] [MAJESTIC, SEDUCTIVE, GROTESQUE, BEAUTIFUL] [ONE FEMALE VOICE THROUGHOUT] [NO SPOKEN WORDS — NO MALE SINGERS] [NO CLARINETS] [THEMES] [SHADOW DANCE: D–F–A–Ab–E–D] [PROCESSION GROUND: D–C#–C–Bb–A] [LADY: D–F–E–A–G–F] [FELIX: E–F–G#–B–A–G#] [ELVIRA: FOUR-NOTE DESCENDING LAMENT] [INTRO — 12 BARS] [PPP — DISTANT TUNED BELLS] [LOW CELLO BEGINS PROCESSION GROUND] [NYLON GUITAR PLAYS DELICATE TRIPLE-METER ARPEGGIOS] [ROMANI VIOLIN INTRODUCES SHADOW DANCE THEME] [HARP AND QANUN ADD SHIMMERING ORNAMENTS] [VELVETY STRINGS ENTER ONE BY ONE] [GRADUAL CRESCENDO — NO ABRUPT ATTACK] [VERSE 1 — THE DEAD APPEAR] [INTIMATE, WONDERING, LYRICAL] 在石砌的拱门下， 阳光到不了的地方， 古老的影子走过， 没有心跳，没有声音。 他们带着枯萎的花冠， 穿着往日的衣裳； 仿佛在长夜中寻找 永远得不到的东西。 [INSTRUMENTAL — 16 BARS] [VIOLIN DEVELOPS SHADOW DANCE THEME] [CELLO CONTINUES DESCENDING PASSACAGLIA] [GUITAR PLAYS ORNAMENTED COUNTERPOINT] [PIANO ADDS LUMINOUS CHROMATIC HARMONIES] [THE PROCESSION BEGINS TO SWAY] [CHORUS — DANCE OF SHADOWS] [MEMORABLE ASCENDING SOPRANO MELODY] [STRINGS SWELL UNDER THE VOICE] 跳吧，影子，跳吧！ 长夜还没有尽头！ 跳吧，影子，跳吧！ 在银色月光之下！ 失去过心的人， 回来寻找生命； 挑衅过爱情的人， 伴着诀别起舞。 [INSTRUMENTAL — 24 BARS] [TRANSFORM 3/4 PROCESSION INTO 6/8 FANDANGO] [144 BPM — VIRTUOSO FLAMENCO GUITAR] [ROMANI VIOLIN PLAYS FIERY VARIATIONS] [HEAVY PALMAS, TABLA, BENDIR AND CASTANETS] [PIANO INTRODUCES CHROMATIC COUNTERPOINT] [CELLO KEEPS THE PASSACAGLIA AUDIBLE] [BRILLIANT STRING FIGURATIONS] [GRADUAL BUILD TO FFF] [VERSE 2 — THE LADY LEADS] [VOICE SEDUCTIVE, ALMOST SPELLBOUND] 前面走着一位女子， 面纱仿佛在发亮； 死者为她让出道路， 却没有谁愿意看她。 唐费利克斯微笑着跟随， 带着征服者的神情； 却不知正踏着旧日 爱人的足迹前行。 [INSTRUMENTAL — 16 BARS] [LADY THEME ON SOLO VIOLIN] [ELVIRA THEME APPEARS IN CELLO] [THE TWO THEMES INTERTWINE] [FELIX MOTIF ENTERS ON FLAMENCO GUITAR] [ITS FINAL NOTE ARRIVES TOO LATE] [HARMONY DARKENS INTO Bb MINOR] [BRIDGE — THE RECOGNITION] [72 BPM — 3/4] [SOLO HARP, CELLO AND GUITAR] [SOFT LUMINOUS SOPRANO] 那些目光属于谁？ 为何像昨日重现？ 为何洁白面纱之下， 藏着一双女人的眼？ [INSTRUMENTAL — 24 BARS] [CELLO PLAYS ELVIRA'S LAMENT] [VIOLIN ANSWERS WITH LADY THEME] [HARP WEAVES DELICATE ARPEGGIOS] [PIANO ADDS BEAUTIFUL MINOR-NINTH HARMONIES] [THE THEMES NEARLY BECOME IDENTICAL] [THE FANDANGO RHYTHM RETURNS DISTANTLY] [FINAL CHORUS — THE DEAD REJOICE] [144 BPM — 6/8] [SAME CHORUS MELODY] [PASSIONATE SOPRANO — FULL ENSEMBLE] 跳吧，影子，跳吧！ 长夜还没有尽头！ 跳吧，影子，跳吧！ 在银色月光之下！ 失去过心的人， 回来寻找生命； 挑衅过爱情的人， 伴着诀别起舞。 [GRAND INSTRUMENTAL — 32 BARS] [ACCELERANDO 144 TO 176 BPM] [SHADOW DANCE THEME IN ROMANI VIOLIN] [LADY THEME IN HIGH STRINGS] [ELVIRA THEME IN CELLO] [FELIX THEME IN FLAMENCO GUITAR] [PROCESSION GROUND IN ACOUSTIC BASS] [ALL THEMES DEVELOP IN COUNTERPOINT] [PIANO PLAYS BRILLIANT CHROMATIC CASCADES] [HEAVY CASTANETS, PALMAS, TABLA, CYMBALS] [MAJOR-MINOR HARMONIES COLLIDE] [EXUBERANT SUPERNATURAL FANDANGO] [REACH MONUMENTAL CLIMAX] [SUDDEN COMPLETE SILENCE] [CODA — THE PROCESSION DISAPPEARS] [72 BPM — SOLO CELLO AND GUITAR] [VOICE SOFT, ALMOST UNACCOMPANIED] 女子继续向前， 长夜开始颤动。 唐费利克斯追着她的影子…… 她会把他带向何方？ [FINAL 8 BARS] [THE SHADOW THEME RETURNS VERY SLOWLY] [VIOLIN HOLDS AN UNRESOLVED HIGH NOTE] [CELLO DESCENDS THROUGH FIVE CHROMATIC STEPS] [ONE DISTANT TUNED BELL] [COMPLETE SILENCE] [END]
