[P1 Opening State | 12 bars | Beat A | Cm9 pedal] [Sub and Rhodes only. No kick. The three vocal channels are already separated and barely audible.] [Female, distant] Did you feel that... [P2 First Movement | 14 bars | Beat A | Cm9-Abmaj7-Eb-Bb] [Kick and rolling bass enter. R channel dry and centred, G and B beginning to drift.] [Cm9] Did the room get wide [Abmaj7] Did the whole thing shift [Eb] Nobody had to tell you [Bb] You already knew [P3 First Commitment | 16 bars | Beat A | Eb-Bb/D-Cm7-Abmaj9] [E-flat lift. Full chromatic separation across the hook. Steel opens wide behind it.] [Eb] Now that you see it [Bb/D] Are you going back? [Cm7] You don't have to [Abmaj9] Stay as long as you want [Male ghost, low] (stay as long as you want...) [P4 Pressure | 18 bars | Beat A | Cm pedal with Ab/C upper movement] [Instrumental. R, G and B drift to their widest offset. Delay guitar answers the steel.] [Female, distant] As long as you want... [P5 Centre | 10 bars | exact centre | Beat C] [Kick out. Sub only. All three vocal channels collapse into one dry unsplit voice.] Now that you see... [Male ghost] You don't have to go... [P6 The Turn | 18 bars | new Beat B | Cm9-Abmaj7-Eb-Bb] [Shuffle displacement, second clap layer. Channels begin separating again from centre.] [Cm9] Ask me how I found it [Abmaj7] I didn't, it found me [Eb] Same door you're standing in [Bb] It was always open [P7 Consequence | 16 bars | Beat B | Fm7-Cm9-Abmaj7-Bb] [Bass-led. Ghost drifts across the field.] It was always open... [Male ghost, low] (always open...) [P8 Full Release | 16 bars | Beat D | Eb-Bb/D-Cm7-Abmaj9] [Maximum chromatic separation with a clean centre. Full sub, full width, steel at full swell.] [Eb] Now that you see it [Bb/D] Are you going back? [Cm7] Nobody's asking you to [Abmaj9] Stay as long as you want [Male ghost, low] (stay as long as you want...) [P9 What Remains | 10 bars | Beat A thins | Cm9-Ab/C-Cm9] [B channel removed first, then G. The dry centred R voice is the last thing left.] Did you feel that... Stay...
