[INTRO “Wick & Breath” — airy ambient-jazz dust; solo felt piano (single-note phrases), distant room tone, soft breath foley.] [HALL “Gold Shadow” — 3D space opens; binaural candle crackle, bowed psaltery halos, muted upright bass pulses like a heartbeat.] [HAND ON KEYS “Confession” — piano motif in open fifths/dyads (no triads); slow rubato; reverb tail like velvet curtains.] [MEMORY FLASH “Frames Return” — granular synth glints, reverse-choir swells, tiny music-box ticks; piano repeats, sharper each pass.] [WALTZ GHOST “Almost Remembered” — implied dance via brushed snare + frame drum; bass walks minimally; piano stays naked, intimate.] [HER IMAGE “White Lantern” — bright minimalist electronica: soft side-chain shimmer, sine-pad warmth; piano sings above like a vow.] [UNSPOKEN HOPE “Knee to the Light” — strings (viola da gamba) hold long tones; piano climbs in small intervals, restrained tremble.] [TOUCH OF OCCULT “Sigil in Silk” — whispered choir fragments, ritual bell hits, stereo-spun chimes; piano becomes hypnotic, circular.] [POST-ROCK LIFT “Heart Learns Volume” — e-bow guitar drones bloom; toms roll far away; piano stays lead, striking single notes harder.] [CLIMAX “I Didn’t Know I Could Feel” — 3D crescendo: widening stereo, sub-bass wave, snare like distant thunder; piano relentless.] [BREAK “He Forgets, Then Remembers” — everything drops; only pedal resonance + one piano note repeating; silence becomes a character.] [FINAL WALTZ “Ballroom in Ashlight” — soft return of pulse; bass + brushes; piano resolves by resting, not by “closing” with chords.] [OUTRO “Candle Ends, Love Stays” — fade to room tone; last piano note held; granular sparkles drift upward like smoke into dark.]
