(Intro - Sufi Msytical, chiftetelli rhythm 8/4 with mystical flute intro flourish, and slow hammered dulcimers & zithers) [Doumbek/Darbuak drum flourish] [Verse 1] (Female vocal -Mezzo-Soprano in E Minor , young, full of wonder and awe) Dar shabestan-e khayal, joghde-e moqaddas amad... [Style: Mystical Persian Sufi music. The vocal is clear but dreamlike. The daf rhythm is slow and meditative. A santur hammered dulcimer plays a sparkling, subtle melody in the background, representing the "sparks" of the owl's arrival.] [Chorus - Female vocal Mezzo-Soprano in E Minor] Dar shabestan-e khayal, joghde-e moqaddas amad... در شبستان خیال، جغد مقدس آمد پر زد و نقش بست، بر دیوار جانم با نگاهش نوشت، اسرار سهروردی در فضای بی‌مکان، گشود یک جهانم (Chorus - Peygham-e Joghde) [Chorus - Female vocal Mezzo-Soprano in E Minor, more powerful and soaring, with a sense of journey and revelation, Style: The music swells, daf drum becomes more pronounced, ney flute plays a melodic line that soars, background choir for a mystical effect.] ای جغد ایزدى، راهنماى من از جهان نور شد، پیغام تو رسید نشانه‌های تو را، در رؤیاها دیدم به سوى شهر نور، دلم را تو بردی [Verse 2] [Chorus - Female vocal Mezzo-Soprano in E Minor] از درگاه نور، به شهر اشراق رفتم با رنگهای بی نام، با موجودات نور هر قدم یک راز، هر نفس یک حکمت در آن جهان گم گشتم، در آن جهان پیدا (Chorus - Peygham-e Joghde) [Chorus - Female vocal Mezzo-Soprano in E Minor - now with a sense of awe and exploration, Style: Music becomes more dreamy, daf rhythm continues, but maybe with more reverb to give a sense of vast space.] Ey joghd-e izadi, rahnamā-ye man... ای جغد ایزدى، راهنماى من از جهان نور شد، پیغام تو رسید نشانه‌های تو را، در رؤیاها دیدم به سوى شهر نور، دلم را تو بردی (Repeat from above) (Bridge - Yaqoot-e Asemani) (Vocals are reverent, and filled with luminous wonder) [Chorus - Female vocal Mezzo-Soprano in E Minor - Vocals become more powerful and yearning, filled with divine connection, Style: The music swells. The ney returns, playing a more melodic and guiding line, representing the owl. The daf rhythm becomes more pronounced, like wings beating. Use the tag "Ishraqi music" to hint at the Illuminationist theme.] [Style: The daf stops. The music becomes sparse and crystalline. Focus on a clear, resonant santur and sustained ney notes. The voice should sound like it's beholding a miracle. Creates a moment of profound revelation. Then add in hammered dulcimer] Dar kaf-e dast-e khayal, yāghuti gozāshti... [Chorus - Female vocals Mezzo-Soprano in E Minor] در کف دست خیال، یاقوتى گذاشتی آبی آسمانی، از ملکوت اعلی این گوهری نیست که، از معدن خاک آید نور است جامد شده، در دل کوه ظلمت [Chorus - Female vocal Mezzo-Soprano in E Minor - Style: Music slowly fades. The ney plays the main melodic theme one last time, softly. The daf returns for a few final, fading heartbeats. Play some Hammered Dulcimer & Zithers. Ends with a sense of peaceful integration and lasting transformation. Vocals are peaceful, resolved, and imbued with a new, internal light] Aknoon bā man ast in yāghut-e roshanāi... [Chorus - Female vocals Mezzo-Soprano in E Minor] اکنون با من است این یاقوت روشنایی گوهرى از آن سوی، پرده‌هاى هستی جغد رخت بربست، اما نورش ماند در رگهای من جاری، این اکسیر جان‌افزا (Outro - Bazgasht)
