# TRAIN ME [BPM: 186] [Time Signature: 4/4] [Key: C# Minor] [Tuning: Standard EADGBe] [Song Type: Classic grunge anthem with explosive dynamics] [Musical Direction: Guitar: Heavy distortion with chorus effect during verses, thicker fuzz during chorus. Use power chords with occasional palm muting. The solo should feature feedback, dive bombs, and aggressive string bending. Bass: Root notes following guitar power chords with occasional melodic fills during pre-chorus sections. Drums: Insane, explosive drumming with delayed kick buildup entering chorus. Heavy use of crash cymbals, powerful snare hits, and aggressive fills. The drumming should feel like it's barely holding together. Dynamics: Start relatively quiet in verse, build intensity in pre-chorus, explode in chorus, then drop back down for verse 2. Second chorus even more explosive. Solo section should be chaotic but controlled.] [INTRO] [Guitar plays distorted C# minor power chord riff with heavy chorus effect, repeated 4 times] [Drums enter with simple beat, building intensity] [VERSE 1] [Guitar: C#m - A - E - B progression with palm muting] [Drums: Steady beat with hi-hat] [Bass: Following root notes] I'm alone again [C#m] This is where I fit in [A] Every doorway caves me in [E] Every finish starts again [B] I'm alone again [C#m] This is my only friend [A] I wear a face I never meant [E] Every message dies unsent [B] [CHORUS] [Guitar: Heavier distortion, same progression but with open chords] [Drums: Explosive with delayed kick buildup] [Bass: More aggressive with octave jumps] TRAIN ME! [C#m] MARK THE SKIN! [A] DRAW THE LINE! [E] STITCH IT IN! [B] TRAIN ME! [C#m] FILE THE TEETH! [A] CALL IT LOVE! [E] CALL IT RELIEF! [B] [VERSE 2] [Guitar: Back to palm-muted chords, slightly more aggressive] [Drums: More fills and cymbal work] [Bass: Adding more melodic elements] I've got lust in my sin [C#m] This is where I've always been [A] Kick the lock, don't let you in [E] I lose before the coin can spin [B] I'm the bruise beneath the skin [C#m] This is where I cave in [A] Every first step wears me thin [E] Every finish starts again [B] [CHORUS] [Guitar: Even heavier distortion, more aggressive playing] [Drums: More explosive with additional fills] [Bass: More driving and intense] TRAIN ME! [C#m] MARK THE SKIN! [A] DRAW THE LINE! [E] STITCH IT IN! [B] TRAIN ME! [C#m] FILE THE TEETH! [A] CALL IT LOVE! [E] CALL IT RELIEF! [B] [SOLO / INTERLUDE] [Guitar: Chaotic but melodic solo with feedback, dive bombs, and aggressive string bending] [Drums: Insane drumming with fills and crashes] [Bass: Driving root notes with occasional fills] [Guitar solo in C# minor using pentatonic and blues scales with occasional chromatic passages] [Builds in intensity with feedback and noise] [FINAL CHORUS] [Guitar: Maximum distortion and aggression] [Drums: Most explosive performance yet] [Bass: Most aggressive and driving] TRAIN ME! [C#m] MARK THE SKIN! [A] DRAW THE LINE! [E] STITCH IT IN! [B] TRAIN ME! [C#m] FILE THE TEETH! [A] CALL IT LOVE! [E] CALL IT RELIEF! [B] [OUTRO] [Guitar: Repeating C#m power chord with increasing distortion and feedback] [Drums: Becoming more chaotic and less structured] [Bass: Repetitive C# note with increasing distortion] TRAIN ME! [C#m] MARK THE SKIN! [C#m] TRAIN ME! [C#m] STITCH IT IN! [C#m] TRAIN ME! [C#m] FILE THE TEETH! [C#m] CALL IT LOVE! [C#m] CALL IT RELIEF! [C#m] TRAIN ME! [C#m] TRAIN ME! [C#m] [Guitar feedback screams upward] TRAIN— [Final crash cuts the word off]
