[Intro: 8 Bars. Sharp, nervous staccato violins set a fast pace. A heavy piano chord crashes. The Saxophone plays a low, dangerous growl. A tremolo guitar echoes in the background.] [Verse 1] [Vocals: Deep, smoky contralto, singing with a cynical smirk] I read it on the web this week, not that I wanted to Usually I trust nothing there, but I just thought of you Five signals to determine if this love is fully true Now I can't deny the doubts I feel when I lie next to you [Pre-Chorus] [Violins play faster, swirling around the voice. Saxophone plays short, punchy blasts] Because every time I ask you what you want from me You say nothing more, you leave it open, wait and see... [Chorus] [Music explodes - Heavy drums, crashing cymbals, and full orchestra] [Vocals: Powerfully belting, full chest voice, commanding] It's all or nothing, now or nevermore We wasted so much time, we kept the score Is it better here, or better that you go? It's all or nothing, time to end the show Who am I to you? Who are you to me? Is it better here, or better that you flee? [Verse 2] [Music drops back to just the Piano and a moody Bass. The Saxophone weaves around the lyrics] [Vocals: Lower volume, but intense and soulful] Everything I had, I bet, because I wanted to But according to that article, it's all up to you In other words: I know what I heard, and you know what you said So don't tell me you have doubts when thoughts of me are in your head [Pre-Chorus] [Guitar tremolo gets louder] Because every time I ask you what you want from me You say nothing more, you leave it open... [Vocals: A long, soulful run] Wo-ow... [Chorus] [Full Orchestral texture. The Saxophone screams a high note] It's all or nothing, now or nevermore We wasted so much time, we kept the score Is it better here, or better that you go? It's all or nothing, time to end the show Who am I to you? Who are you to me? Is it better here, or better that you flee? [Bridge] [Rhythmic breakdown. Drums play a heavy tribal beat. Violins play pizzicato plucks] [Vocals: Sass and attitude, almost spoken] Give me all or nothing, all or nothing, a-all or nothing Give me all or nothing, all or nothing, oh [Vocals: Building up to a scream] Give me all or nothing, all or nothing, a-all or nothing Give me all or nothing... mm-hm [Saxophone Solo] [Saxophone Feature: 8 Bars. The sax takes center stage with a bluesy, crying solo, fighting against aggressive orchestral hits.] [Chorus] [Maximum volume. Grandiose and tragic. Vocals are soaring] It's all or nothing, now or nevermore We wasted so much time, we kept the score Is it better here, or better that you go? It's all or nothing, time to end the show Who am I to you? Who are you to me? Is it better here, or better that you flee? [Outro] [The instruments drop out one by one. The Saxophone plays a final, dying trill] [Vocals: A final deep, resonant whisper] Is it better here... Or better that you go? [Piano: Final low, dark chord that rings out]
