[Intro — Near silence, deep underwater sub-bass pulse] [Center: distant female breath, almost inaudible] [Sudden isolated shakuhachi note from far left] [Dry ritual percussion enters, then heavy repetitive kick] [No continuous traditional instruments] [Verse 1 — Soft, cold female vocal, close-miked center] はめ殺しの紅い窓 鋭利な三日月 銀の色 帯に番の蝶が舞う 私の蝶はもういない 蒼き羽も羽ばたかぬ 今は深い水の底 [Instrumental — Hypnotic kick and sub-bass] [Short shakuhachi fragment, hard-panned right, abruptly cut] [Dry percussion grows denser; no melodic build] [Verse 2 — Vocal slightly distant, subtle double tracking L/R] 愛しい蝶はもういない コポコポ沈んだ水の底 自由な蝶はもういない 他のどこへも飛び立てぬ 私が深く沈めたから 光さえも届かぬ場所へ [Beat strips down to kick and sub-bass] [Brief silence] [A single suzu bell rings directly in the center] [Full ritual groove returns without a conventional EDM drop] [Verse 3 — Intimate, restrained, almost matter-of-fact] ただ引き留めたかっただけ 他へ飛んでいけぬように 私を置いていけぬように 逃げようとした蝶が悪い 裏切ろうとした蝶が悪い [After the final line: abrupt vocal cut] [One beat of silence] [Residual voice fragment drifts from left to far right] 残像だけが たゆたう水面 [Instrumental Break — Ritual Techno at full intensity] [Heavy kick, rolling sub-bass, dry tribal percussion] [Sudden piercing hichiriki phrase, close and unnaturally loud] [Hichiriki cuts off; groove continues unchanged] [Whispered vocal fragments circulate around the stereo field] [No crowd, no conventional riser, no EDM drop] [Verse 4 — Female vocal returns, distant and beckoning] 毎夜 毎夜 現れる お前も来いと現れる 深い底から 呼んでいる ヒラヒラ羽で 手招きしてる [Beat intensifies; layered whispers move L to R] [Shakuhachi appears briefly behind the vocal] [All percussion suddenly cuts] [Final Refrain — Exposed female voice, far away] 曼珠沙華が咲き乱れる あの湖の深い底から… [Long empty pause] [One isolated hichiriki note, distant and distorted] 曼珠沙華が咲き乱れる あの湖の深い底から… [Final line: close whisper, centered, almost dry] 深い深い水の底から… [Outro — Complete beat cut] [Single koto pluck, short natural decay] [Sub-bass fades into silence] [No resolution, no final chord]
