[P1 Point | 20 bars | Beat A | Cm9 pedal] [Instrumental. No semantic vocals.] [One centered sine-sub tone and a slow FM pulse.] [P2 First Motion | 20 bars | Beat A grows] [Asymmetric downtempo bass movement enters.] [Synthetic percussion only; no tribal or acoustic hand drums.] [P3 Two Motions | 16 bars | Beat B] [Second low-mid rhythm enters against the first.] [Rhodes stays sparse.] [P4 Deep Cycle | 24 bars | Beat B | C pedal] [Instrumental. Build a hypnotic synthetic polyrhythm without increasing hat density.] [Pedal steel remains distant.] [P5 Zero Point | 24 bars | exact centre | Beat C] [All drums and moving bass disappear.] [One sine tone plus one open Rhodes interval.] [No vocal texture.] [P6 Five-Step | 20 bars | new Beat C2] [New five-step bass phrase begins cycling against the 4/4 bar.] [Do not reintroduce the first-half rhythm yet.] [P7 Arcs | 24 bars | Beat C2] [Slow pedal-steel arcs move across the five-step bass cycle.] [Psychedelic guitar delay answers at different depths.] [P8 Full Centre | 20 bars | Beat D] [First-half low-mid pulse returns beneath the five-step bass cycle.] [Sub remains completely centered and unchanged.] [No semantic vocals.] [P9 Point Again | 20 bars | Beat A thins] [Remove percussion, then moving bass, then steel, then FM.] [Original sine tone remains alone.]
