[CONTROL PRODUCTION: DO NOT SING THESE INSTRUCTIONS] [STYLE: JUNGLE BEAT + DRUM’N’BASS + SWINGING FUNK GUITAR FUSION] [INTRO: START IMMEDIATELY WITH A TIGHT JUNGLE RHYTHM. ESTABLISH A FAST BREAKBEAT, ACTIVE PERCUSSION AND SYNCOPATED FUNK GUITAR CUTTING. KEEP THE INTRO SHORT AND RHYTHMIC.] [DRUMS: USE FAST, INTRICATE BREAKBEATS WITH MANY GHOST NOTES, QUICK FILLS, SYNCOPATED ACCENTS AND DRUM’N’BASS MOMENTUM. KEEP THE RHYTHM SECTION CONSTANTLY ACTIVE WITHOUT LOSING THE GROOVE.] [PERCUSSION: USE MANY SMALL RHYTHMIC DETAILS, SYNCOPATED HITS AND RAPID FILL-INS. PERCUSSION SHOULD INTERLOCK WITH THE DRUMS AND GUITAR RATHER THAN SIMPLY FOLLOWING THEM.] [BASS: TIGHT, PUNCHY AND RHYTHMIC. LOCK CLOSELY WITH THE KICK DRUM AND GUITAR CUTTING. EMPHASIZE FUNK-LIKE SYNCOPATION.] [GUITAR: BRIGHT, AGGRESSIVE MODERN HIGH-GAIN ELECTRIC GUITAR TONE. TIGHT LOW END, CRISP UPPER-MID ATTACK AND CLEAR SUSTAIN.] [GUITAR RHYTHM: USE SHARP MUTED CUTTING, SYNCOPATED CHORD STABS AND SHORT RHYTHMIC PHRASES. THE GUITAR MUST SWING AGAINST THE JUNGLE BEAT WHILE REMAINING TIGHTLY SYNCHRONIZED WITH BASS AND DRUMS.] [GUITAR OBLIGATO: ADD DISTINCTIVE SHORT OBLIGATO PHRASES BETWEEN VOCAL LINES. MAKE THEM RHYTHMIC, UNEXPECTED AND EDGY. SYNCHRONIZE THEIR ACCENTS WITH DRUM FILLS, BASS MOVEMENT AND PERCUSSION.] [VERSE: KEEP THE ARRANGEMENT TIGHT AND GROOVE-FOCUSED. DO NOT LET THE GUITAR BECOME A CONSTANT WALL OF SOUND. LEAVE SPACE FOR THE VOCAL.] [VOCAL: UNIQUE, EDGY, CRISP HIGH-TONE MALE VOCAL. CLEAR AND CENTERED WITH A STRONG CORE. KEEP THE LEAD VOCAL FORWARD AND DISTINCT FROM THE INSTRUMENTS.] [BACKING VOCAL: USE HARMONICALLY RICH BACKING VOCALS TO ADD DEPTH AND COLOR. SUPPORT THE LEAD WITHOUT COVERING IT.] [CHORUS: INCREASE RHYTHMIC DENSITY AND ENERGY. OPEN THE STEREO FIELD. STRENGTHEN THE GUITAR CUTTING, BREAKBEATS, PERCUSSION AND BACKING VOCALS WHILE KEEPING THE LEAD VOCAL CLEAR.] [INSTRUMENTAL BREAK: LET GUITAR, BASS, DRUMS AND PERCUSSION EXCHANGE SHORT RHYTHMIC PHRASES. FEATURE SYNCOPATED GUITAR OBLIGATO AND RAPID DRUM’N’BASS FILLS. KEEP THE FUNK SWING PRESENT.] [SPATIAL FX: USE FAST MOVING SOUND EFFECTS AS A MUSICAL RHYTHMIC ELEMENT. MOVE SELECTED EFFECTS ACROSS LEFT TO RIGHT, RIGHT TO LEFT, FRONT TO BACK, NEAR TO FAR AND THROUGH VERTICAL SPATIAL MOTION.] [SPATIAL FX RULE: KEEP THE LEAD VOCAL STABLE IN THE CENTER. DO NOT LET MOVING EFFECTS MASK THE VOCAL, KICK, BASS OR MAIN GUITAR GROOVE.] [MIX: CLEAR SEPARATION BETWEEN VOCAL, GUITAR, BASS, DRUMS, PERCUSSION AND EFFECTS. WIDE STEREO IMAGE WITH DEEP FRONT-TO-BACK DEPTH. TIGHT LOW END, CRISP TRANSIENTS AND CLEAN HIGH FREQUENCIES.] [FINAL CHORUS: MAXIMUM RHYTHMIC ENERGY. COMBINE THE STRONGEST GUITAR CUTTING, BUSIEST PERCUSSION, POWERFUL BREAKBEATS AND RICH BACKING VOCALS. USE CONTROLLED SPATIAL MOVEMENT WITHOUT SACRIFICING CLARITY.] [ENDING: FINISH WITH A TIGHT SYNCHRONIZED RHYTHMIC HIT OR STOP. AVOID A LONG FADE.] [DO NOT SING OR SPEAK ANY TEXT INSIDE BRACKETS. TREAT ALL BRACKETED TEXT AS PRODUCTION INSTRUCTIONS ONLY.]
