All In On You

Infectious dance-pop | 116 BPM | memorable two-bar syncopated piano hook | elastic bass groove | tight kick, dry claps, crisp percussion | deep warm male lead with playful grit and clipped rhythmic phrasing | smoky female counterpoint with intimate, almost spoken delivery | male is certain and fully committed, female carries doubt and gradually begins to trust | male solo through first chorus, female enters verse two | immediate vocal and piano, no instrumental intro | restrained first chorus, bass and percussion open fully in post-chorus | short punchy call-and-response | space around the title hook | stripped four-line bridge | explosive final chorus | warm, sensual, emotionally sincere | no choir, no theatrical belting, no musical-theatre gloss

[Intro — male, close vocal over syncopated piano]
All in, all in on you
Yeah, the whole of you

[Verse 1 — male, rhythmic and playful]
You leave a little space beside the door
Keep your coat where you can reach
Smile whenever I say “forever”
Like I’ll change my mind next week

You let me close, then change the subject
Ask me why I’m sticking round
I pull you closer in the kitchen
Let the record drown us out

[Pre-Chorus — male, building]
You don’t have to say it back
You don’t have to get there fast
Take your time, I’m staying
Hear what I’m saying

[Chorus — male, rhythmic and assured]
All in, all in on you
Good days, bad days, same truth
I didn’t fall for half of you
I’m all in, all in on you

You keep waiting for the catch
Waiting for me to take it back
Nothing you’ve got to prove
I’m all in, all in on you

[Post-Chorus — male, full bass and percussion]
All in, all in
All in on you
All in, all in
Yeah, the whole of you

[Verse 2 — female, low and almost spoken]
I leave my coat beside the doorway
Even when I want to stay
Turn your kindness into questions
Till I scare myself away

You’ve already seen me angry
Seen me quiet, seen me scared
Still you reach across the table
Like my hand belongs right there

[Pre-Chorus — alternating vocals, building]
[Female]
You’ve seen the parts I try to hide
How can you still be so sure?
[Male]
You don’t have to hide a thing
You’re the one I’m here for

[Chorus — male lead, female wordless harmonies]
All in, all in on you
Good days, bad days, same truth
I didn’t fall for half of you
I’m all in, all in on you

You keep waiting for the catch
Waiting for me to take it back
Nothing you’ve got to prove
I’m all in, all in on you

[Post-Chorus — full bass, punchy call-and-response]
[Female]
You sure?
[Male]
All in
[Female]
Still me?
[Male]
Still you

[Female]
My worst?
[Male]
That too
[Male — hook lands]
All in, all in on you

[Instrumental break — two-bar piano hook, bouncing bass]

[Bridge — stripped piano, intimate]
[Female]
Will you stay on Sunday morning
When the music leaves the room?
[Male]
Put the coffee on, I’m staying
Save a little space for two

[Final Chorus — male lead, full groove]
All in, all in on you
Good days, bad days, same truth
I didn’t fall for half of you
I’m all in, all in on you

You keep waiting for the catch
Waiting for me to take it back
Nothing you’ve got to prove
I’m all in, all in on you

[Final Post-Chorus — alternating vocals, playful and warm]
[Female]
You sure?
[Male]
All in
[Female]
Still me?
[Male]
Still you

[Female]
My worst?
[Male]
That too
[Male]
All in, all in on you

[Outro — piano, close vocals]
[Female — soft, beginning to trust]
I’m starting to believe you
[Male — warm and certain]
All in, all in on you

2723/7500

[Intro — male, close vocal over syncopated piano] All in, all in on you Yeah, the whole of you [Verse 1 — male, rhythmic and playful] You leave a little space beside the door Keep your coat where you can reach Smile whenever I say “forever” Like I’ll change my mind next week You let me close, then change the subject Ask me why I’m sticking round I pull you closer in the kitchen Let the record drown us out [Pre-Chorus — male, building] You don’t have to say it back You don’t have to get there fast Take your time, I’m staying Hear what I’m saying [Chorus — male, rhythmic and assured] All in, all in on you Good days, bad days, same truth I didn’t fall for half of you I’m all in, all in on you You keep waiting for the catch Waiting for me to take it back Nothing you’ve got to prove I’m all in, all in on you [Post-Chorus — male, full bass and percussion] All in, all in All in on you All in, all in Yeah, the whole of you [Verse 2 — female, low and almost spoken] I leave my coat beside the doorway Even when I want to stay Turn your kindness into questions Till I scare myself away You’ve already seen me angry Seen me quiet, seen me scared Still you reach across the table Like my hand belongs right there [Pre-Chorus — alternating vocals, building] [Female] You’ve seen the parts I try to hide How can you still be so sure? [Male] You don’t have to hide a thing You’re the one I’m here for [Chorus — male lead, female wordless harmonies] All in, all in on you Good days, bad days, same truth I didn’t fall for half of you I’m all in, all in on you You keep waiting for the catch Waiting for me to take it back Nothing you’ve got to prove I’m all in, all in on you [Post-Chorus — full bass, punchy call-and-response] [Female] You sure? [Male] All in [Female] Still me? [Male] Still you [Female] My worst? [Male] That too [Male — hook lands] All in, all in on you [Instrumental break — two-bar piano hook, bouncing bass] [Bridge — stripped piano, intimate] [Female] Will you stay on Sunday morning When the music leaves the room? [Male] Put the coffee on, I’m staying Save a little space for two [Final Chorus — male lead, full groove] All in, all in on you Good days, bad days, same truth I didn’t fall for half of you I’m all in, all in on you You keep waiting for the catch Waiting for me to take it back Nothing you’ve got to prove I’m all in, all in on you [Final Post-Chorus — alternating vocals, playful and warm] [Female] You sure? [Male] All in [Female] Still me? [Male] Still you [Female] My worst? [Male] That too [Male] All in, all in on you [Outro — piano, close vocals] [Female — soft, beginning to trust] I’m starting to believe you [Male — warm and certain] All in, all in on you

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