[Intro] [Spoken Word] [bare, flat, no music] Pen and a notebook Nothing else on me Haruka [Verse 1] [Rap] [on the beat, clipped, lowest of the three] rank stays fixed, came quick, they took my bars apart in front of me and named it, stayed still, same week, they asked me what I'd heard this week and then they played it, one play, and if I can't take it apart, they say it, they told me it comes early, it never comes later, there's a survey every week of names I should know and I don't, so they say it, they walk, they speak, a senior just put a record on and watched my face and left the question waiting, and they say it, the same speech Bought, they laughed at the mic, the cheapest one that everybody's taking, I tie white silk on, the rest put crew stickers on theirs, and a ribbon is not what they gave me, I put my own mark, no crew's claiming, I paid for it once, they let me in the room but not in the circle, where they made it [Pre-Chorus] [chanted, level] Pen and a notebook And one thing more on me Haruka [Chorus] [half sung, laboured, correcting itself mid line] Whose is the line Whose is the hand. No. Whose is the hand that laid it down You may keep the thing you added. You may keep it. You may You may not keep it on its own. It does not come off The part that is yours is nothing without the rest of it Whose. Whose is the line [Verse 2] [Rap] [on the beat, harder than verse one, pushing forward] I read first, checked once, they tell me the thesis and the bars will not get done, kept one, said once, one order in the room, the same one in the set, once, the ones before decide what gets to count as best work, and no one says it out loud, everybody's guessing, and then it lands on me that nobody had called it a survey till I stepped up, said this, went first and it turns on me, the survey was not theirs, I brought it in, and that's the method, and it gets done, I checked first, Brought, they name a track and watch me and I have not heard it yet, lesson, I go and I learn, somebody asks me if I'm still sitting the exam and it is next month, I take the whole thing, take the credit, I keep what I read, it's put to me that maybe I am the one who brought it, next word [Chorus] [half sung, steadier, still working it out] Whose is the line Whose is the hand that laid it down and held it in place You may keep the thing you added. You may not keep it alone It does not come off. I have tried it, and it does not What is yours is the difference, and it sits on something Whose is the line [Interlude] [Spoken Word] [brisk and clinical, almost bare] A note on the criteria. An original contribution is not required to be good. It is required to be new, and small, and defensible. Two of those can be checked by somebody else. The third one cannot. So here it is in the form that can be checked. I took a borrowed specification. It measures how a phrase lands, and how long it is, and where the stress falls. It does not measure who is doing it. I added that column. That is the whole of the contribution. [Rap] [double time, on top of the beat] one column, that is the size of it, now watch what it does, they built the whole thing out of how it sounds and not once asked who was standing in it, I put a name inside the machinery and now the machinery can tell you when the name is not mine, and it said it about me first, that is the part I did not plan for, and I am keeping it [Verse 3] [Rap] [on the beat, hardest of the three, full force] I take it, claim it, I took the shape they built and put one thing in, made it, paid it, weighed it, they count the way it lands, and I go count who made this, they left no column for the one who does it, made it, I wrote the column in and measured what I'd taken, it comes back to me that most of this was never mine, the shape was theirs, they made this, take stock, named it and the part that will not move is that the mass that it sits on is not mine, basic, and I take this, I say it, Speak, it is just one column in a spec that nobody is taking, I sign the front page, there is no board and there's no seal and there is no one who can just say it, I hand it in now, I'm still waiting, I keep the one thing, the room is full, the date is set, and there's nobody to say it [Pre-Chorus] [chanted, level] Pen and a notebook And one thing more on me Haruka [Chorus] [half sung, level and exact, the question formed] Whose is the line Whose is the hand, and whose is the shape it was laid in You may keep the difference. You may never keep it alone It does not come off the thing that it was added to That is the whole of the question. Answer it or do not Whose is the line [Outro] [Spoken Word] [bare, unhurried, no music under] February has not happened. I have not sat it. There is no board for the other one. Nobody confers it. I put one column where there was none, and I signed the front page, and it is in. The rest of it is not mine to say. [End] # โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ” # โœฆ ๆ—ฅๆœฌ่ชž่จณ โœฆ # โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ” [Intro] ใƒšใƒณใจใƒŽใƒผใƒˆใ€‚ ไป–ใซใฏไฝ•ใ‚‚ๆŒใฃใฆใ„ใชใ„ใ€‚ ใƒใƒซใ‚ซใ€‚ [Verse 1] ๅบๅˆ—ใฏๅ‹•ใ‹ใชใ„ใ€‚ใ‚ใŸใ—ใฏๆ—ฉใใซๆฅใŸใ€‚ๅฝผใ‚‰ใฏใ‚ใŸใ—ใฎใƒใƒผใ‚นใ‚’็›ฎใฎๅ‰ใงๅˆ†่งฃใ—ใฆใ€ใใ‚Œใซๅๅ‰ใ‚’ใคใ‘ใŸใ€‚ใ‚ใŸใ—ใฏใ˜ใฃใจใ—ใฆใ„ใŸใ€‚ ๅŒใ˜้€ฑใ€ไปŠ้€ฑใฏไฝ•ใ‚’่ดใ„ใŸใฎใ‹ใจ่จŠใ‹ใ‚Œใ€ใใ‚Œใ‹ใ‚‰ๅฝผใ‚‰ใŒใƒฌใ‚ณใƒผใƒ‰ใ‚’ใ‹ใ‘ใŸใ€‚ ไธ€ๅบฆใ‹ใ‘ใฆใ€ใใ‚Œใ‚’ๅˆ†่งฃใงใใชใ‘ใ‚Œใฐใ€ๅฝผใ‚‰ใฏใ‚‚ใ†็ญ”ใˆใ‚’ๅฃใซใ™ใ‚‹ใ€‚ ใใฎๅ ดใงๅˆ†ใ‹ใ‚‰ใชใ„ไบบ้–“ใฏใ€ใ‚ใจใ‹ใ‚‰ใ‚‚ๅˆ†ใ‹ใ‚‰ใชใ„ใ€‚ใใ†่จ€ใ‚ใ‚ŒใŸใ€‚ ๆฏŽ้€ฑใ‚ตใƒผใƒ™ใ‚คใŒใ‚ใ‚‹ใ€‚็Ÿฅใฃใฆใ„ใฆๅฝ“็„ถใฎๅๅ‰ใŒใ‚ใฃใฆใ€ใ‚ใŸใ—ใฏ็Ÿฅใ‚‰ใชใ„ใ€‚ใ ใ‹ใ‚‰ๅฝผใ‚‰ใฏใพใŸๅฃใซใ™ใ‚‹ใ€‚ ๅฝผใ‚‰ใฏๆญฉใใ€‚ๅฝผใ‚‰ใฏๅ–‹ใ‚‹ใ€‚ ๅ…ˆ่ผฉใŒใƒฌใ‚ณใƒผใƒ‰ใ‚’ใ‹ใ‘ใ€ใ‚ใŸใ—ใฎ้ก”ใ‚’่ฆ‹ใฆใ€ๅ•ใ„ใ‚’ๅฎ™ใซ็ฝฎใ„ใŸใพใพ้ป™ใฃใฆใ„ใŸใ€‚ ใใ—ใฆใพใŸๅฃใซใ™ใ‚‹ใ€‚ๅŒใ˜่ฉฑใ ใ€‚ ่ฒทใฃใŸใ€‚ ใ„ใกใฐใ‚“ๅฎ‰ใ„ใƒžใ‚คใ‚ฏใ‚’็ฌ‘ใ‚ใ‚ŒใŸใ€‚่ชฐใ‚‚ใŒไฝฟใฃใฆใ„ใ‚‹ใ€ใ‚ใ‚ŒใจๅŒใ˜ใ‚‚ใฎใ ใ€‚ใ‚ใŸใ—ใฏ็™ฝใ„็ตนใ‚’ไธ€ๆœฌๅทปใ„ใŸใ€‚ ไป–ใฎ้€ฃไธญใฏ่‡ชๅˆ†ใฎๆฉŸๆใซใ‚ฏใƒซใƒผใฎใ‚นใƒ†ใƒƒใ‚ซใƒผใ‚’่ฒผใ‚‹ใ€‚ใƒชใƒœใƒณใฏใ€่ชฐใ‹ใซไธŽใˆใ‚‰ใ‚ŒใŸใ‚‚ใฎใงใฏใชใ„ใ€‚ ่‡ชๅˆ†ใฎๅฐใ‚’ใคใ‘ใ‚‹ใ€‚ใ“ใ‚Œใ‚’่‡ชๅˆ†ใฎใ‚‚ใฎใ ใจๅไน—ใ‚‹ใ‚ฏใƒซใƒผใฏใ€ใ„ใชใ„ใ€‚ใใฎไปฃไพกใฏใ€ไธ€ๅบฆๆ‰•ใฃใŸใ€‚ ้ƒจๅฑ‹ใซใฏๅ…ฅใ‚Œใฆใ‚‚ใ‚‰ใˆใŸใ€‚ใŸใ ใ—่ผชใฎไธญใงใฏใชใ„ใ€‚็งฉๅบใ‚’ๆฑบใ‚ใŸใฎใฏใ€ใใฎ่ผชใฎไธญใซใ„ใ‚‹ๅฝผใ‚‰ใ ใ€‚ [Pre-Chorus] ใƒšใƒณใจใƒŽใƒผใƒˆใ€‚ ใใ—ใฆใ€ใ‚‚ใ†ไธ€ใคใ ใ‘ๆŒใฃใฆใ„ใ‚‹ใ€‚ ใƒใƒซใ‚ซใ€‚ [Chorus 1] ใ“ใฎไธ€่กŒใฏใ€่ชฐใฎใ‚‚ใฎใ‹ใ€‚ ๆ‰‹ใฏ่ชฐใฎใ‚‚ใฎใ‹ใ€‚้•ใ†ใ€‚ใใ‚Œใ‚’ๆ›ธใใคใ‘ใŸๆ‰‹ใฏใ€่ชฐใฎใ‚‚ใฎใ‹ใ€‚ ่ถณใ—ใŸๅˆ†ใฏๆŒใฃใฆใ„ใฆใ„ใ„ใ€‚ๆŒใฃใฆใ„ใฆใ„ใ„ใ€‚ๆŒใฃใฆโ€”โ€” ใใ‚Œใ ใ‘ใ‚’ๆŒใคใ“ใจใฏใงใใชใ„ใ€‚ๅ‰ฅใŒใ‚Œใชใ„ใ‚“ใ ใ€‚ ใ‚ใชใŸใฎใ‚‚ใฎใงใ‚ใ‚‹้ƒจๅˆ†ใฏใ€ๆฎ‹ใ‚Šๅ…จ้ƒจใŒ็„กใ‘ใ‚Œใฐใ€ไฝ•ใงใ‚‚ใชใ„ใ€‚ ่ชฐใฎใ€‚ใ“ใฎไธ€่กŒใฏใ€่ชฐใฎใ‚‚ใฎใ‹ใ€‚ [Verse 2] ๅ…ˆใซ่ชญใ‚“ใ ใ€‚ไธ€ๅบฆ็ขบใ‹ใ‚ใŸใ€‚่ซ–ๆ–‡ใ‚‚ใƒใƒผใ‚นใ‚‚ใ€ใฉใกใ‚‰ใ‚‚ไป•ไธŠใŒใ‚‰ใชใ„ใจ่จ€ใ‚ใ‚Œใ‚‹ใ€‚ใใ‚Œใงใ‚‚ไธ€ใคใฏๆ‰‹ๆ”พใ•ใชใ‹ใฃใŸใ€‚ ไธ€ๅบฆใ ใ‘่จ€ใฃใŸใ€‚ใ“ใฎ้ƒจๅฑ‹ใซใฏ็งฉๅบใŒไธ€ใคใ‚ใ‚‹ใ€‚็พๅ ดใฎใ‚ปใƒƒใƒˆใฎไธญใซใ‚‚ใ€ๅŒใ˜ใ‚‚ใฎใŒไธ€ใคใ‚ใ‚‹ใ€‚ใใ‚Œใ ใ‘ใ ใ€‚ ๅ…ˆใซๆฅใŸ่€…ใŸใกใŒใ€ไฝ•ใ‚’ใ€Œๆœ€่‰ฏใ€ใจๆ•ฐใˆใ‚‹ใ‹ใ‚’ๆฑบใ‚ใฆใ„ใ‚‹ใ€‚ ่ชฐใ‚‚ๅฃฐใซๅ‡บใ—ใฆใฏ่จ€ใ‚ใชใ„ใ€‚ใฟใ‚“ใชๅฝ“ใฆๆŽจ้‡ใงใ‚„ใฃใฆใ„ใ‚‹ใ€‚ ใใ—ใฆ่…‘ใซ่ฝใกใ‚‹โ€”โ€”ใ‚ใŸใ—ใŒๅไน—ใ‚Šๅ‡บใ‚‹ใพใงใ€่ชฐใ‚‚ใใ‚Œใ‚’ใ€Œใ‚ตใƒผใƒ™ใ‚คใ€ใจใฏๅ‘ผใ‚“ใงใ„ใชใ‹ใฃใŸใ€‚ ใใ†่จ€ใฃใŸใ€‚ใใ†ๅไป˜ใ‘ใŸใฎใฏใ€ใ‚ใŸใ—ใŒๆœ€ๅˆใ ใฃใŸใ€‚ ใใ—ใฆใ€ๅˆƒใŒใ“ใกใ‚‰ใ‚’ๅ‘ใใ€‚ใ‚ตใƒผใƒ™ใ‚คใฏๅฝผใ‚‰ใฎใ‚‚ใฎใงใฏใชใ‹ใฃใŸใ€‚ๆŒใก่พผใ‚“ใ ใฎใฏใ‚ใŸใ—ใ ใ€‚ใใ‚ŒใŒๆ–นๆณ•ใ ใ€‚ ใใ†ใ‚„ใฃใฆไป•ไธŠใŒใ‚‹ใ€‚ใ‚ใŸใ—ใŒๅ…ˆใซ็ขบใ‹ใ‚ใŸใ€‚ ๆŒใก่พผใ‚“ใ ใ€‚ ๅฝผใ‚‰ใฏๆ›ฒๅใ‚’ๅ‡บใ—ใฆใ‚ใŸใ—ใฎ้ก”ใ‚’่ฆ‹ใ‚‹ใ€‚ใพใ ่ดใ„ใฆใ„ใชใ„ใ€‚ใใ‚Œใง่ฉ•ไพกใฏไธ‹ใ‚‹ใ€‚ใ‚ใŸใ—ใฏ่กŒใฃใฆๅญฆใถใ€‚ ่ฉฆ้จ“ใฏใพใ ๅ—ใ‘ใ‚‹ใฎใ‹ใจ่จŠใ‹ใ‚Œใ‚‹ใ€‚ๆฅๆœˆใ ใ€‚ ๅ…จ้ƒจๅ–ใ‚‹ใ€‚ๅๅฃฐใ‚‚ๅ–ใ‚‹ใ€‚่ชญใ‚“ใ ใ‚‚ใฎใฏๆ‰‹ๅ…ƒใซใ‚ใ‚‹ใ€‚ ๆŒใก่พผใ‚“ใ ใฎใฏใŠๅ‰ใงใฏใชใ„ใ‹ใจใ€ใ“ใกใ‚‰ใธ่ฟ”ใฃใฆใใ‚‹ใ€‚ๆฌกใ€‚ [Chorus 2] ใ“ใฎไธ€่กŒใฏใ€่ชฐใฎใ‚‚ใฎใ‹ใ€‚ ใใ‚Œใ‚’ๆ›ธใใคใ‘ใฆใ€ใใฎไฝ็ฝฎใซ็•™ใ‚ใŸๆ‰‹ใฏใ€่ชฐใฎใ‚‚ใฎใ‹ใ€‚ ่ถณใ—ใŸๅˆ†ใฏๆŒใฃใฆใ„ใฆใ„ใ„ใ€‚ใใ‚Œใ ใ‘ใ‚’ๆŒใคใ“ใจใฏใงใใชใ„ใ€‚ ๅ‰ฅใŒใ‚Œใชใ„ใ€‚่ฉฆใ—ใŸใ‚“ใ ใ€‚ๅ‰ฅใŒใ‚Œใชใ„ใ€‚ ใ‚ใชใŸใฎใ‚‚ใฎใฏๅทฎๅˆ†ใ ใ€‚ๅทฎๅˆ†ใฏใ€ไฝ•ใ‹ใฎไธŠใซไน—ใฃใฆใ„ใ‚‹ใ€‚ ใ“ใฎไธ€่กŒใฏใ€่ชฐใฎใ‚‚ใฎใ‹ใ€‚ [Interlude โ€” ่ชžใ‚Š] ๅˆคๅฎšๅŸบๆบ–ใซใคใ„ใฆใ€ไธ€ใคใ€‚ ใ‚ชใƒชใ‚ธใƒŠใƒซใฎ่ฒข็Œฎใฏใ€ๅ„ชใ‚Œใฆใ„ใ‚‹ๅฟ…่ฆใฏใชใ„ใ€‚ๆ–ฐใ—ใใ€ๅฐใ•ใใ€ๆ“่ญทใงใใ‚‹ใ“ใจใ€‚่ฆไปถใฏใใ‚Œใ ใ‘ใ ใ€‚ ใใฎใ†ใกไบŒใคใฏใ€ไป–ไบบใŒ็ขบใ‹ใ‚ใ‚‰ใ‚Œใ‚‹ใ€‚ไธ‰ใค็›ฎใฏ็ขบใ‹ใ‚ใ‚‰ใ‚Œใชใ„ใ€‚ ใ ใ‹ใ‚‰ใ€็ขบใ‹ใ‚ใ‚‰ใ‚Œใ‚‹ๅฝขใซใ—ใฆ่ฟฐในใ‚‹ใ€‚ ใ‚ใŸใ—ใฏๅ€Ÿใ‚ŠใŸไป•ๆง˜ใ‚’ไฝฟใฃใŸใ€‚ใใฎไป•ๆง˜ใŒๆธฌใ‚‹ใฎใฏใ€ๅฅใŒใฉใ“ใซ็€ๅœฐใ™ใ‚‹ใ‹ใ€ใฉใ‚Œใ ใ‘ใฎ้•ทใ•ใ‹ใ€ๅผทๅ‹ขใŒใฉใ“ใซ่ฝใกใ‚‹ใ‹ใ€‚ ่ชฐใŒใ‚„ใฃใฆใ„ใ‚‹ใฎใ‹ใฏใ€ๆธฌใ‚‰ใชใ„ใ€‚ ใ‚ใŸใ—ใฏใใฎๅˆ—๏ผˆๆธฌใ‚‹้ …็›ฎใ‚’ไธ€ใค๏ผ‰ใ‚’่ถณใ—ใŸใ€‚่ฒข็Œฎใฏใ€ใใ‚Œใงๅ…จ้ƒจใ ใ€‚ [Interlude โ€” ใƒฉใƒƒใƒ—] ไธ€ๅˆ—ใ€‚ๅคงใใ•ใฏใใ‚Œใ ใ‘ใ ใ€‚ไฝ•ใŒ่ตทใใ‚‹ใ‹่ฆ‹ใฆใ„ใ‚ใ€‚ๅฝผใ‚‰ใฏ้Ÿณใฎ้ณดใ‚Šๆ–นใ ใ‘ใงๅ…จ้ƒจใ‚’ๅปบใฆใฆใ€**ใใ“ใซ่ชฐใŒ็ซ‹ใฃใฆใ„ใ‚‹ใฎใ‹ใ‚’ไธ€ๅบฆใ‚‚่จŠใ‹ใชใ‹ใฃใŸใ€‚ใ‚ใŸใ—ใฏใใฎๆธฌใ‚Šๆ–นใฎไธญใซใ€Œ่ชฐใŒใ€ใจใ„ใ†ๆฌ„ใ‚’ๅ…ฅใ‚ŒใŸใ€‚ใ™ใ‚‹ใจๆธฌใ‚Šๆ–นใฎๆ–นใŒใ€ใใฎใ€Œ่ชฐใŒใ€ใŒใ‚ใŸใ—ใงใชใ„ใจใใซๆ•™ใˆใฆใใ‚Œใ‚‹ใ€‚ใใ—ใฆๆœ€ๅˆใซใใ‚Œใ‚’่จ€ใ‚ใ‚ŒใŸใฎใฏใ€ใ‚ใŸใ—ใ ใฃใŸใ€‚**ใใ“ใฏๆƒณๅฎšใ—ใฆใ„ใชใ„ใ€‚ใใ‚Œใงใ‚‚ใ€ใ“ใ‚Œใฏๆ‰‹ๆ”พใ•ใชใ„ใ€‚ [Verse 3] ใ‚ใŸใ—ใŒๅ–ใ‚‹ใ€‚ใ‚ใŸใ—ใŒๅไน—ใ‚‹ใ€‚ๅฝผใ‚‰ใŒๅปบใฆใŸๅฝขใ‚’ๅ–ใฃใฆใ€ไธ€ใคใ ใ‘ๅ…ฅใ‚Œใฆใ€ไฝœใฃใŸใ€‚ๆ‰•ใฃใŸใ€‚ ้‡ใฃใŸใ€‚ๅฝผใ‚‰ใฏ็€ๅœฐใฎไป•ๆ–นใ‚’ๆ•ฐใˆใ‚‹ใ€‚ใ‚ใŸใ—ใฏใ€่ชฐใŒใ‚„ใฃใŸใฎใ‹ใ‚’ๆ•ฐใˆใซ่กŒใใ€‚ ใ‚„ใฃใฆใ„ใ‚‹ๅฝ“ไบบใฎใŸใ‚ใฎๅˆ—ใ‚’ใ€ๅฝผใ‚‰ใฏ็ฉบใ‘ใฆใ„ใชใ„ใ€‚ใ ใ‹ใ‚‰ไฝœใฃใŸใ€‚ ใใฎๅˆ—ใ‚’ๆ›ธใ่พผใ‚“ใงใ€่‡ชๅˆ†ใŒๅ€Ÿใ‚ŠใฆใใŸใ‚‚ใฎใ‚’ๆธฌใฃใŸใ€‚ ่ฟ”ใฃใฆใใ‚‹โ€”โ€”ใ“ใ‚ŒใฎๅคงๅŠใฏใ€ๆœ€ๅˆใ‹ใ‚‰ใ‚ใŸใ—ใฎใ‚‚ใฎใงใฏใชใ„ใ€‚ๅฝขใฏๅฝผใ‚‰ใฎใ‚‚ใฎใ ใ€‚ๅฝผใ‚‰ใŒไฝœใฃใŸใ€‚ ๆ•ฐใˆ็›ดใ™ใ€‚ใใ—ใฆใ€ๅๅ‰ใ‚’ใคใ‘ใŸใ€‚ ใใ—ใฆๅ‹•ใ‹ใชใ„ใ‚‚ใฎใŒไธ€ใคใ‚ใ‚‹ใ€‚ใใ‚ŒใŒไน—ใฃใฆใ„ใ‚‹่ณช้‡ใฏใ€ใ‚ใŸใ—ใฎใ‚‚ใฎใงใฏใชใ„ใ€‚ๅฝ“ใŸใ‚Šๅ‰ใฎใ“ใจใ ใ€‚ ใ‚ใŸใ—ใŒๅ–ใ‚‹ใ€‚ใ‚ใŸใ—ใŒ่จ€ใ†ใ€‚ ่ฉฑใ™ใ€‚ ่ชฐใ‚‚ๆ‰‹ใซๅ–ใ‚‰ใชใ„ไป•ๆง˜ใฎไธญใฎใ€ใŸใฃใŸไธ€ๅˆ—ใ ใ€‚๏ผˆๅคงๅญฆใจๅŒใ˜ใ‚ˆใ†ใซ๏ผ‰่กจ็ด™ใซ็ฝฒๅใ™ใ‚‹ใ€‚ ใ“ใกใ‚‰ใฎไธ–็•Œใซใ€ๅฏฉๆŸปๅง”ๅ“กไผšใฏ็„กใ„ใ€‚ๅฐ็ซ ใ‚‚็„กใ„ใ€‚ใใ‚Œใ‚’ๆŽˆใ‘ใ‚‰ใ‚Œใ‚‹่€…ใฏใ€ใฉใ“ใซใ‚‚ใ„ใชใ„ใ€‚ ไปŠใ€ๆๅ‡บใ™ใ‚‹ใ€‚ใพใ ๅพ…ใฃใฆใ„ใ‚‹ใ€‚ใใฎไธ€ใคใ ใ‘ใฏๆŒใฃใฆใ„ใ‚‹ใ€‚ ้ƒจๅฑ‹ใฏๅŸ‹ใพใฃใฆใ„ใ‚‹ใ€‚ๆ—ฅไป˜ใฏๆฑบใพใฃใฆใ„ใ‚‹ใ€‚ใใ—ใฆใ€ใใ‚Œใ‚’่จ€ใ†่€…ใฏ่ชฐใ‚‚ใ„ใชใ„ใ€‚ [Pre-Chorus] ใƒšใƒณใจใƒŽใƒผใƒˆใ€‚ ใใ—ใฆใ€ใ‚‚ใ†ไธ€ใคใ ใ‘ๆŒใฃใฆใ„ใ‚‹ใ€‚ ใƒใƒซใ‚ซใ€‚ [Chorus 3] ใ“ใฎไธ€่กŒใฏใ€่ชฐใฎใ‚‚ใฎใ‹ใ€‚ ๆ‰‹ใฏ่ชฐใฎใ‚‚ใฎใ‹ใ€‚ใใ—ใฆใ€ใใ‚ŒใŒๆ›ธใ่พผใพใ‚ŒใŸๅž‹ใฏใ€่ชฐใฎใ‚‚ใฎใ‹ใ€‚ ๅทฎๅˆ†ใฏๆŒใฃใฆใ„ใฆใ„ใ„ใ€‚ใใ‚Œใ ใ‘ใ‚’ๆŒใคใ“ใจใฏใ€ๆฑบใ—ใฆใงใใชใ„ใ€‚ ใใ‚ŒใŒ่ถณใ•ใ‚ŒใŸๅฝ“ใฎใ‚‚ใฎใ‹ใ‚‰ใ€ใใ‚Œใฏๅ‰ฅใŒใ‚Œใชใ„ใ€‚ ใใ‚ŒใŒๅ•ใ„ใฎๅ…จ้ƒจใ ใ€‚็ญ”ใˆใ‚‹ใ‹ใ€็ญ”ใˆใชใ„ใ‹ใ€‚ ใ“ใฎไธ€่กŒใฏใ€่ชฐใฎใ‚‚ใฎใ‹ใ€‚ [Outro] ไบŒๆœˆใฏใพใ ๆฅใฆใ„ใชใ„ใ€‚ใ‚ใŸใ—ใฏใพใ ใ€ใใฎ่ฉฆ้จ“ใ‚’ๅ—ใ‘ใฆใ„ใชใ„ใ€‚ ใ‚‚ใ†ไธ€ใคใฎๅญฆไฝใซใฏใ€ๅฏฉๆŸปๅง”ๅ“กไผšใŒ็„กใ„ใ€‚่ชฐใ‚‚ใใ‚Œใ‚’ๆŽˆใ‘ใชใ„ใ€‚ ไฝ•ใ‚‚็„กใ‹ใฃใŸใจใ“ใ‚ใซไธ€ๅˆ—ใ‚’็ฝฎใ„ใฆใ€่กจ็ด™ใซ็ฝฒๅใ—ใฆใ€ๆๅ‡บใ—ใŸใ€‚๏ผˆๆ‰‹็ถšใใฏใ€ใ“ใกใ‚‰ใ‹ใ‚‰ๆŒใก่พผใ‚“ใ ใ€‚๏ผ‰ ๆฎ‹ใ‚Šใฏใ€ใ‚ใŸใ—ใŒ่จ€ใ†ใ“ใจใงใฏใชใ„ใ€‚