Where are you?

deep house, bass house, club-oriented dancefloor, talkbox-led electro-funk

+ Show full styles

V5.5

[ **85–90 BPM**—heavy enough to feel like industrial techno, but with enough swing to keep it "funky."]
### **Track Structure & Lyrics**
**[Intro]**
*(Atmospheric white noise, a distant 4/4 kick pulse. A thick, wet sub-bass slides in. Minimalist.)*
**[Verse 1]**
The strobe light’s catching emerald strands,
Static electricity in the palm of my hands.
Ink like a map on your porcelain skin,
Tracing the places where the shadows begin.
You’re a glitch in the system, a ghost in the room,
Scent of vanilla and heavy perfume.
**[Build-Up 1]**
*(Tempo stays slow, but the snare starts doubling. Pitch-shifting risers begin to climb. The wobble bass gets grittier.)*
I’m looking for the curve of that neon smile...
Searching the floor for another mile...
**Where are you?**
**[DROP 1: The Seduction]**
*(Heavy, rhythmic wobble bass. Thick "u-wump, u-wump" movement. Very bouncy, lots of negative space between hits.)*
**[Verse 2]**
Those eyes are a storm, a deep shade of grey,
Pulling me under, wash me away.
Tattooed stories from your neck to your wrist,
A vision of chaos I can’t quite resist.
The crowd is a sea and I’m losing the trail,
But the memory of you is a shimmering veil.
**[Build-Up 2]**
*(Faster percussion. High-frequency "chirps" and frantic techno stabs. The bass starts to "growl" in anticipation.)*
I saw you once in the laser light...
Don’t let the rhythm take you tonight...
**Hold it.**
**[DROP 2: The Filth]**
*(The bass gets "crunchier" with more distortion. The rhythm is syncopated and "filthy." Think underground warehouse vibes.)*
**[Bridge]**
*(Everything drops out except a pulsing low-end and a whispered vocal)*
Green hair, ink-stained, lost in the sound...
I’ll find you again... somewhere underground.
*(The build starts immediately—no warning. High-speed snares, sirens, and a rising "shepard tone" that feels like it’s going to break.)*
**[The Final Build-Up]**
*(Maximum tension. Everything is vibrating. The vocals loop and distort: "Green-green-green-green...")*
**HERE IT COMES.**
**[DROP 3: The Explosive Finale]**
*(Ultra-deep, wall-shaking bassline. The "funky" swing is replaced by a relentless, heavy techno-funk drive. 808 slides and high-intensity wobble.)*
**[Outro]**
*(The heavy bass fades into a simple, sexy "walking" bassline. One last glimpse of a green-haired girl in the distance. Fade to silence.)*
### **Production Notes**
 * **The Bass:** Use a "Wobble" LFO synced to 1/4 or 1/8 notes for the verses, then switch to 1/16 and 1/32 triplets during the build-ups to create that "frantic" feeling.
 * **The "Filth":** Layer a distorted sine wave over a clean sub-bass to ensure it hits hard in the chest without losing the low-end clarity.
 * **The Vibe:** Keep the vocals slightly "behind the beat" to emphasize that seductive, slow-motion feel.

2799/7500

[ **85–90 BPM**—heavy enough to feel like industrial techno, but with enough swing to keep it "funky."] ### **Track Structure & Lyrics** **[Intro]** *(Atmospheric white noise, a distant 4/4 kick pulse. A thick, wet sub-bass slides in. Minimalist.)* **[Verse 1]** The strobe light’s catching emerald strands, Static electricity in the palm of my hands. Ink like a map on your porcelain skin, Tracing the places where the shadows begin. You’re a glitch in the system, a ghost in the room, Scent of vanilla and heavy perfume. **[Build-Up 1]** *(Tempo stays slow, but the snare starts doubling. Pitch-shifting risers begin to climb. The wobble bass gets grittier.)* I’m looking for the curve of that neon smile... Searching the floor for another mile... **Where are you?** **[DROP 1: The Seduction]** *(Heavy, rhythmic wobble bass. Thick "u-wump, u-wump" movement. Very bouncy, lots of negative space between hits.)* **[Verse 2]** Those eyes are a storm, a deep shade of grey, Pulling me under, wash me away. Tattooed stories from your neck to your wrist, A vision of chaos I can’t quite resist. The crowd is a sea and I’m losing the trail, But the memory of you is a shimmering veil. **[Build-Up 2]** *(Faster percussion. High-frequency "chirps" and frantic techno stabs. The bass starts to "growl" in anticipation.)* I saw you once in the laser light... Don’t let the rhythm take you tonight... **Hold it.** **[DROP 2: The Filth]** *(The bass gets "crunchier" with more distortion. The rhythm is syncopated and "filthy." Think underground warehouse vibes.)* **[Bridge]** *(Everything drops out except a pulsing low-end and a whispered vocal)* Green hair, ink-stained, lost in the sound... I’ll find you again... somewhere underground. *(The build starts immediately—no warning. High-speed snares, sirens, and a rising "shepard tone" that feels like it’s going to break.)* **[The Final Build-Up]** *(Maximum tension. Everything is vibrating. The vocals loop and distort: "Green-green-green-green...")* **HERE IT COMES.** **[DROP 3: The Explosive Finale]** *(Ultra-deep, wall-shaking bassline. The "funky" swing is replaced by a relentless, heavy techno-funk drive. 808 slides and high-intensity wobble.)* **[Outro]** *(The heavy bass fades into a simple, sexy "walking" bassline. One last glimpse of a green-haired girl in the distance. Fade to silence.)* ### **Production Notes** * **The Bass:** Use a "Wobble" LFO synced to 1/4 or 1/8 notes for the verses, then switch to 1/16 and 1/32 triplets during the build-ups to create that "frantic" feeling. * **The "Filth":** Layer a distorted sine wave over a clean sub-bass to ensure it hits hard in the chest without losing the low-end clarity. * **The Vibe:** Keep the vocals slightly "behind the beat" to emphasize that seductive, slow-motion feel.

0/500