[Intro] [Soft, dreamy Fender Rhodes piano. A single nylon-string guitar plays a classic Bossa Nova chord. A deep, warm house bass subtly enters with a steady 4/4 kick.] Two... Two... Two... Two... Two... Two... [Whispering voice] Touches. [Verse 1] [The beat becomes more defined but maintains its smooth swing. The vocals are cool and almost indifferent.] Så du rörde det inte en gång? No. Fuck off. [Short rhythmic guitar strums] Two... Two... Two... Touches on the stone. Det var inte jag, it was E.T. Phoning home. [Chorus (The Hook)] [The energy lifts. A stylish jazzy bassline takes center stage and hi-hats begin to roll. The vocals become more pronounced and sassy.] I didn’t touch it once, I touched it twice. Touché. [Brass stabs/Trumpets punctuate the beat] FUCK OFF, YOU CAN FUCK OFF! FUCK OFF, YOU CAN FUCK OFF! Nej, jag gjorde det inte en gång, You can fuck off. [Verse 2] [The music strips back, the beats become more minimalistic. Focus on the rhythmic bassline.] Det var före hogline. I can do the fuck I want, Before the hogline. [Rhythmic pause] Two... Two... Two... Det är du som fuskar, With your tricky camera. You set me up. Fuck off. [Bridge] [The drums almost completely disappear. Only spacious jazz chords and a floating echo on the vocals remain.] Two... Two... Two... You can fuck off. Two... Two... Two... Det är bara is och spel... [Short pause] Touché. [Final Chorus] [Full energy with the jazzhouse beat. Congas are added for extra drive.] I didn’t touch it once, I touched it twice. Touché. FUCK OFF, YOU CAN FUCK OFF! FUCK OFF, YOU CAN FUCK OFF! [Outro] [The beat fades out gradually. Only the acoustic guitar and soft piano remain.] Two... Two... Two... Fuck off. Two... Two... Two... [Long exhale] ...Touché.
