[Open with shimmering violins and harp outlining a gentle Belgian-flavoured melody in flowing 6/8] [Allow solo alto saxophone to enter after sixteen bars as though joining an ongoing conversation] [Keep the saxophone warm and lyrical rather than jazz-orientated] [Use clarinets and flutes to echo short fragments of the saxophone theme] [Introduce soft trombones and horns only as supportive cushions beneath the melody] [Feature a second theme carried by strings while saxophone supplies elegant countermelodies] [Suggest the landscape around Dinant through graceful woodwind movement and light harp figures] [Maintain a steady lilting television-orchestra pulse throughout] [Permit brief tenor sax responses to the principal alto sax statements] [Write descending string passages that appear to wrap around the saxophone line] [Use vibraphone sparingly to add sparkle and mid-century studio character] [Keep percussion restrained with brushed snare and delicate suspended cymbal colours] [Create a central section where saxophone and oboe exchange phrases in friendly dialogue] [Allow the brass section a broad Geoff Love-style statement of the main theme near the four-minute mark] [Return immediately to a more intimate orchestral texture led by reeds and strings] [Build the final minute through expanding harmonies rather than increased volume] [Present the principal melody one last time on soaring strings with saxophone weaving around it] [Conclude with a sustained saxophone note above warm orchestral chords and a gentle harp cadence]
