Silver Point

math rock, J-rock, noise rock; 120 BPM taut and angular, 7/8 verses and 4/4 choruses at a constant pulse, F# minor; vocaloid, miku vocal, synthetic female vocal, high-pitched robotic voice, auto-tuned harmonics, vocoder effect, staccato verses on the 7/8 accents, high sustained legato chorus, fortissimo hook in layered sixths, close-mic sotto voce ending; bowed electric guitar with no pick attack, swells and harmonic glissandi in the upper register, distortion on the chorus, feedback on the hook, clean electric guitar two-hand tapped add9 arpeggios mid-register, picked electric bass locked to the kick, fuzz on the hook only, tight drum kit with odd-meter accents, dead stops between sections, crash cymbals on 4/4 downbeats; raw tube amp grit, dry close room acoustics, vocal centered up front, tapped guitar panned wide, bowed electric guitar alone holding one high note, cut off mid-sustain to instant silence with no decay, ‑natural singing, ‑warm human voice, ‑male vocal, ‑screaming, ‑distorted vocals, ‑metalcore, ‑blast beats, ‑pop punk, ‑tremolo picking, ‑glockenspiel, ‑piano, ‑synth pads, ‑gradual fade out, ‑long decay