26 — 地狱的婚礼 | Salamanca Mandarin

Alternative rock, indie rock, Spanish wedding fandango

[Sung entirely in Mandarin Chinese. Natural Mandarin pronunciation; all narrative lines sung, never spoken.]

[TITLE: 地狱的婚礼]
[EL ESTUDIANTE DE SALAMANCA]
[ACT III — MOVEMENT 26 OF 28]
[MANDARIN CHINESE ADAPTATION INSPIRED BY ESPRONCEDA]
[ZEMFIRA DE GRANADA — SOLO FEMALE LYRIC-SPINTO SOPRANO]
[144 BPM — 6/8 — D PHRYGIAN]
[GROTESQUE SUPERNATURAL WEDDING FANDANGO]
[3/4 WALTZ INTERRUPTION — 96 BPM]
[FINAL ACCELERANDO TO 192 BPM]
[PPP–FFFF DYNAMICS — EXTREME CONTRAST]
[ONE FEMALE SINGER — NO CHARACTER SWITCHING]
[ALL SPANISH TEXT SUNG — NEVER SPOKEN]
[NO MALE VOCALS — NO CLARINETS]

[RECURRING MOTIFS]
[FELIX: E–F–G#–B–A–G#]
[LADY: D–F–E–A–G–F]
[DIEGO: D–C#–Bb–A]
[ELVIRA: DESCENDING FOUR-NOTE LAMENT]
[SHADOW DANCE: D–F–A–Ab–E–D]
[MIDNIGHT BELLS: D–A–Eb–Bb–D]
[THEMES INTERWEAVE THROUGHOUT]

[BARS 1–12 — THE INFERNAL WEDDING]
[PPP — THE PREVIOUS WALTZ CONTINUES]
[SOLO HARP, CELLO AND NYLON GUITAR]
[VIOLIN PLAYS THE LADY'S BEAUTIFUL THEME]
[LOW STRINGS INTRODUCE A CHROMATIC PASSACAGLIA]
[THE HARMONY DARKENS]
[THREE DISTANT BELL STROKES]
[SUDDEN FFFF FANDANGO TUTTI]

[BARS 13–28 — INSTRUMENTAL WEDDING DANCE]
[144 BPM — 6/8]
[VIRTUOSO FLAMENCO GUITAR — RAPID RASGUEADO]
[ROMANI VIOLIN — BRILLIANT DOUBLE-STOPS]
[PIANO — CHROMATIC OCTAVE CASCADES]
[CELLO — DESCENDING PASSACAGLIA]
[HEAVY PALMAS, TABLA, BENDIR, CASTANETS]
[CYMBAL ACCENTS AND TUNED BELLS]
[THE GAMBLER THEME BECOMES A WEDDING DANCE]

[VERSE 1 — THE DEAD CELEBRATE]
[ZEMFIRA — BRIGHT, RHYTHMIC, ALMOST JOYFUL]

深渊的大门敞开，
丧礼的火焰燃烧；
死者在大理石上起舞，
婚礼的舞会开始！

无头的王冠闪闪发光，
酒杯碰撞却没有声响；
千重影子举起双臂，
迎接蒙特马尔。

[INSTRUMENTAL — 16 BARS]
[VIOLIN AND GUITAR EXCHANGE THE SHADOW DANCE THEME]
[PIANO PLAYS FELIX'S MOTIF IN INVERSION]
[STRINGS — CHROMATIC COUNTERPOINT]
[HEAVY RHYTHMIC DRIVE]

[PRE-CHORUS — THE INVITATION]
[ACCENTS SHIFT BETWEEN 6/8 AND 3/4]
[VOICE GROWS MORE PASSIONATE]

让国王和乞丐都来吧！
让全城的人都来吧！
死神邀请它的朋友：
这场婚礼将持续到永远！

[CHORUS — THE WEDDING OF HELL]
[POWERFUL, MEMORABLE SPANISH MELODY]
[IDENTICAL MELODY EACH RETURN]
[VIOLIN ANSWERS THE VOCAL PHRASES]

地狱的婚礼！
让钟乐永不停息！
死神捧着鲜花，
新娘要跳舞！

地狱的婚礼！
让狂风旋转！
那嘲弄上天的人，
已经无法回还。

[INSTRUMENTAL — 24 BARS]
[FANDANGO VARIATIONS]
[GUITAR — FEROCIOUS PICADO]
[VIOLIN — PAGANINI-LIKE RAPID DOUBLE-STOPS]
[CELLO PLAYS DIEGO'S THEME]
[PIANO ANSWERS WITH ELVIRA'S LAMENT]
[ALL FOUR THEMES IN COUNTERPOINT]
[MODULATE D PHRYGIAN TO F MINOR]
[GRADUAL CRESCENDO TO FFF]

[VERSE 2 — THE IMPOSSIBLE CEREMONY]
[ZEMFIRA — COOL, BEAUTIFUL, SLIGHTLY MOCKING]

一个没有面孔的牧师，
举起水晶圣杯；
新郎四处寻找门口，
门槛却早已消失。

新娘低下骷髅的头，
面纱开始放光；
冰冷的双手围住他，
他再也无法退后。

[THE WEDDING WALTZ — 96 BPM — 3/4]
[SOLO HARP, CELLO AND GUITAR]
[RETURN OF MOVEMENT 24'S BEAUTIFUL WALTZ]
[ELVIRA'S THEME IN SOLO VIOLIN]
[THE MUSIC BECOMES SUDDENLY TENDER]

[BRIDGE — THE LOST GIRL]
[ZEMFIRA — PURE, INTIMATE LEGATO]

曾有一个姑娘等候，
曾有一个声音说爱；
如今长夜记得她，
披着白衣，披着悲哀。

[INSTRUMENTAL — 16 BARS]
[CELLO EXPANDS ELVIRA'S THEME]
[VIOLIN PLAYS THE LADY'S THEME IN UNISON]
[HARP — FLOATING ARPEGGIOS]
[ONE DISTANT BELL]
[THE FANDANGO RETURNS IN LOW GUITAR]

[CHORUS — THE DEAD REJOICE]
[156 BPM — 6/8]
[SAME CHORUS MELODY]
[PASSIONATE, INCREASINGLY UNSTABLE]

地狱的婚礼！
让钟乐永不停息！
死神捧着鲜花，
新娘要跳舞！

地狱的婚礼！
让狂风旋转！
那嘲弄上天的人，
已经无法回还。

[GRAND INSTRUMENTAL FINALE — 32 BARS]
[ACCELERANDO 156 TO 192 BPM]
[FLAMENCO GUITAR: FURIOUS RASGUEADO AND PICADO]
[ROMANI VIOLIN: VIRTUOSIC CHROMATIC VARIATIONS]
[CELLO: DESCENDING PASSACAGLIA]
[PIANO: RAPID CONTRARY-MOTION CASCADES]
[STRINGS: FUGATO ON GAMBLER AND LADY THEMES]
[HARP AND QANUN: BRILLIANT ORNAMENTS]
[HEAVY TABLA, BENDIR, PALMAS, CASTANETS]
[TUNED BELLS REPEAT]()

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[Sung entirely in Mandarin Chinese. Natural Mandarin pronunciation; all narrative lines sung, never spoken.] [TITLE: 地狱的婚礼] [EL ESTUDIANTE DE SALAMANCA] [ACT III — MOVEMENT 26 OF 28] [MANDARIN CHINESE ADAPTATION INSPIRED BY ESPRONCEDA] [ZEMFIRA DE GRANADA — SOLO FEMALE LYRIC-SPINTO SOPRANO] [144 BPM — 6/8 — D PHRYGIAN] [GROTESQUE SUPERNATURAL WEDDING FANDANGO] [3/4 WALTZ INTERRUPTION — 96 BPM] [FINAL ACCELERANDO TO 192 BPM] [PPP–FFFF DYNAMICS — EXTREME CONTRAST] [ONE FEMALE SINGER — NO CHARACTER SWITCHING] [ALL SPANISH TEXT SUNG — NEVER SPOKEN] [NO MALE VOCALS — NO CLARINETS] [RECURRING MOTIFS] [FELIX: E–F–G#–B–A–G#] [LADY: D–F–E–A–G–F] [DIEGO: D–C#–Bb–A] [ELVIRA: DESCENDING FOUR-NOTE LAMENT] [SHADOW DANCE: D–F–A–Ab–E–D] [MIDNIGHT BELLS: D–A–Eb–Bb–D] [THEMES INTERWEAVE THROUGHOUT] [BARS 1–12 — THE INFERNAL WEDDING] [PPP — THE PREVIOUS WALTZ CONTINUES] [SOLO HARP, CELLO AND NYLON GUITAR] [VIOLIN PLAYS THE LADY'S BEAUTIFUL THEME] [LOW STRINGS INTRODUCE A CHROMATIC PASSACAGLIA] [THE HARMONY DARKENS] [THREE DISTANT BELL STROKES] [SUDDEN FFFF FANDANGO TUTTI] [BARS 13–28 — INSTRUMENTAL WEDDING DANCE] [144 BPM — 6/8] [VIRTUOSO FLAMENCO GUITAR — RAPID RASGUEADO] [ROMANI VIOLIN — BRILLIANT DOUBLE-STOPS] [PIANO — CHROMATIC OCTAVE CASCADES] [CELLO — DESCENDING PASSACAGLIA] [HEAVY PALMAS, TABLA, BENDIR, CASTANETS] [CYMBAL ACCENTS AND TUNED BELLS] [THE GAMBLER THEME BECOMES A WEDDING DANCE] [VERSE 1 — THE DEAD CELEBRATE] [ZEMFIRA — BRIGHT, RHYTHMIC, ALMOST JOYFUL] 深渊的大门敞开，丧礼的火焰燃烧；死者在大理石上起舞，婚礼的舞会开始！无头的王冠闪闪发光，酒杯碰撞却没有声响；千重影子举起双臂，迎接蒙特马尔。 [INSTRUMENTAL — 16 BARS] [VIOLIN AND GUITAR EXCHANGE THE SHADOW DANCE THEME] [PIANO PLAYS FELIX'S MOTIF IN INVERSION] [STRINGS — CHROMATIC COUNTERPOINT] [HEAVY RHYTHMIC DRIVE] [PRE-CHORUS — THE INVITATION] [ACCENTS SHIFT BETWEEN 6/8 AND 3/4] [VOICE GROWS MORE PASSIONATE] 让国王和乞丐都来吧！让全城的人都来吧！死神邀请它的朋友：这场婚礼将持续到永远！ [CHORUS — THE WEDDING OF HELL] [POWERFUL, MEMORABLE SPANISH MELODY] [IDENTICAL MELODY EACH RETURN] [VIOLIN ANSWERS THE VOCAL PHRASES] 地狱的婚礼！让钟乐永不停息！死神捧着鲜花，新娘要跳舞！地狱的婚礼！让狂风旋转！那嘲弄上天的人，已经无法回还。 [INSTRUMENTAL — 24 BARS] [FANDANGO VARIATIONS] [GUITAR — FEROCIOUS PICADO] [VIOLIN — PAGANINI-LIKE RAPID DOUBLE-STOPS] [CELLO PLAYS DIEGO'S THEME] [PIANO ANSWERS WITH ELVIRA'S LAMENT] [ALL FOUR THEMES IN COUNTERPOINT] [MODULATE D PHRYGIAN TO F MINOR] [GRADUAL CRESCENDO TO FFF] [VERSE 2 — THE IMPOSSIBLE CEREMONY] [ZEMFIRA — COOL, BEAUTIFUL, SLIGHTLY MOCKING] 一个没有面孔的牧师，举起水晶圣杯；新郎四处寻找门口，门槛却早已消失。新娘低下骷髅的头，面纱开始放光；冰冷的双手围住他，他再也无法退后。 [THE WEDDING WALTZ — 96 BPM — 3/4] [SOLO HARP, CELLO AND GUITAR] [RETURN OF MOVEMENT 24'S BEAUTIFUL WALTZ] [ELVIRA'S THEME IN SOLO VIOLIN] [THE MUSIC BECOMES SUDDENLY TENDER] [BRIDGE — THE LOST GIRL] [ZEMFIRA — PURE, INTIMATE LEGATO] 曾有一个姑娘等候，曾有一个声音说爱；如今长夜记得她，披着白衣，披着悲哀。 [INSTRUMENTAL — 16 BARS] [CELLO EXPANDS ELVIRA'S THEME] [VIOLIN PLAYS THE LADY'S THEME IN UNISON] [HARP — FLOATING ARPEGGIOS] [ONE DISTANT BELL] [THE FANDANGO RETURNS IN LOW GUITAR] [CHORUS — THE DEAD REJOICE] [156 BPM — 6/8] [SAME CHORUS MELODY] [PASSIONATE, INCREASINGLY UNSTABLE] 地狱的婚礼！让钟乐永不停息！死神捧着鲜花，新娘要跳舞！地狱的婚礼！让狂风旋转！那嘲弄上天的人，已经无法回还。 [GRAND INSTRUMENTAL FINALE — 32 BARS] [ACCELERANDO 156 TO 192 BPM] [FLAMENCO GUITAR: FURIOUS RASGUEADO AND PICADO] [ROMANI VIOLIN: VIRTUOSIC CHROMATIC VARIATIONS] [CELLO: DESCENDING PASSACAGLIA] [PIANO: RAPID CONTRARY-MOTION CASCADES] [STRINGS: FUGATO ON GAMBLER AND LADY THEMES] [HARP AND QANUN: BRILLIANT ORNAMENTS] [HEAVY TABLA, BENDIR, PALMAS, CASTANETS] [TUNED BELLS REPEAT]()

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