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Celtics word(c) S.Godyna

[BPM:85bpm] [Instruments: Acoustic Guitar, Grand Piano, Drums] [Upright Bass: Kay M1 Bass] [Drums: Gretsch USA Custom kit (brushes on snare, light hi-hat).] [No vocal] [Guitar_1: clean electric, arpeggiated chordal pads with delay, occasional melodic double-stops] [Guitar_2:(Clean amfg_29):(GPP)]:[((BPM)-17) [Intro: Begins with ambient synth pads and reverberated clean guitars, Guitar_1 solo arpeggios] [Instruments: Bowed Acoustic Cello (Kontakt Emotional Cello), Contrabass Synth (u-he Diva), Analog Synth Pads (Juno-60, Prophet-6), Acoustic Vibraphone, Tribal Frame Nordic Drums and Shakers (Spectrasonics Heart of Africa), Ambient Bell Textures (SoundToys FX), Soft White Noise Textures] [Post-Production Effects:] [Stereo widening with 14 Hz channel frequency shift] [Long shimmer reverb on pads and vibraphone (Valhalla Shimmer)] [Gentle tape saturation on bass and strings] [Parallel compression on low frequencies] [Filtered noise sweeps and subtle reverse FX between sections] [Dynamic volume automation preserving natural phrasing] [break] [verce 1] [Cello Lead Melody Tab:] (3.9;0.8) – (4.7;0.8) – (4.5;0.6) – (3.4;0.6) – (4.5;0.7) – (3.7;0.8) – (3.9;1.0) – (3.10;1.2) [Guitar: denser chord voicing with rhythmic strumming.] [Drums: steady kick pulse, open trans flourishes at phrases’ peaks.] [Grand Piano: full layout of chords with voiced transitions.] [Bass: slow expressive melody outlining chord roots, with glissandi.] [verce 2] [Harmony: Cmaj7 – Bm7b5 – Em – Dsus4 – A] [violin and Synth Pad Counterpoint Tab:] (3.10;0.6) – (3.9;0.7) – (4.7;0.8) – (3.9;0.6) – (3.7;1.0) – (3.5;0.8) – (3.7;1.2) [Contrabass Synth: Slow melodic slides between chord roots] [Synth Pads: Layered with filtered white noise textures] [Vibraphone: Gentle tremolo runs] [Tribal Drums: Syncopated hits with soft shaker rolls] [break] [verce 3] [instrumental:Guitar_2;melodic fingerpicking with harmonic accents]:[Grand Piano: full layout of chords]:[Synth: muffled pad, soft rise in upper frequencies.] [Drums: steady kick pulse] [Begins with ambient synth pads and reverberated clean guitars, Guitar_1 solo arpeggios] [verce 4] [Harmony: Em11 – Bm7 – Am(add9) – Dsus2] [Contrabass Synth: Deep sustained notes matching harmony with subtle modulation] [Synth Pads: Warm evolving textures with slow filter opening] [Vibraphone: Single-note accents with long reverb tails] [Tribal Drums: Slow frame drum rhythm with shaker rolls] [Ambient Bells: Echoing bell textures with delay] [break] [pause] [Tempo: 95 BPM] [Rhythm Change] [drums: deep, resonant timbre underpinning the harmonic progression] [Wind Chimes: sporadic, shimmering accents adding a celestial dimension] [Transformation Section] [Saxophone: spirited, improvisational runs weaving through lively electric guitar] [Electric Guitar: resonant power chord progression, propelling the intensity] [Background Harmonies: ethereal echo contrasting the robust main voice] [verce 5] [Voice Style: Very low, sacred whisper, with long spatial delay] [Electric Mandolin: crisp tones cutting through the mix, adding a vibrant energy] [Piccolo: bright, playful melodies weaving with the strings] [Synth Bass: deep, resonant tones providing a solid foundation] [Percussion: aggressive, syncopated beats accentuating the rhythm] [verce 6] [violin Tab:] (3.7;0.9) (3.5;0.7) (4.7;1.0) (4.9;0.8) (3.9;1.2) (3.10;0.9) (4.9;0.7) (4.7;1.0) [Ambient Pad: Melodic fills between vocal phrases] [Children’s Choir: Sustained G minor triad hum softly in background] [Bridge — Instrumental Interlude with Choir (8 bars)] [Harmony: Em – Dsus4 – Cmaj7 – Em9 – Am – Em] [Cello and Pad interplay with melodic triplets and slides] [Shamanic Drum: Low rhythmic pulse with rolls] [Instrumental finish- Synths and Turntable scratching and chopping to fadeout]