[Instrumental club intro — 12 bars, soft kick, warm connected bass notes, shuffled hats gradually enter] [Female hook — 4 bars, calm low chest voice, short melodic phrases, clipped final word] C’est pas très raisonnable Ce que tu penses tout bas [Vocal stops immediately after “bas”] [Instrumental response — 4 bars, bass and percussion only, vocals silent] [Female verse — 8 bars, composed melodic singing, clean phrase endings] Il suffirait de presque rien D’un peu moins de retenue On fait semblant, on le fait bien Le reste n’était pas prévu [Instrumental development — 8 bars, bass phrase changes, ghost notes and percussion answers, vocals silent] [Female hook — 4 bars, calm voice, original melody, clean ending] C’est pas très raisonnable De me regarder comme ça [Female verse — 8 bars, chest voice, growing intensity] On garde encore les apparences On laisse planer le soupçon Mais à force de faire silence On en dit long de toute façon [Metal variation — 8 bars,vocals silent] [Metal variation develops — 4 bars, riff changes its ending, open ringing guitar accents, short tom fill] [Female hook — 4 bars, powerful pitched chest belt, sing the written words only] C’est pas très raisonnable Ce que tu penses tout bas [Instrumental return — 4 bars, electronic bass groove upfront, short guitar answers, vocals silent] [Female final section — 8 bars, fierce melodic soul-metal singing, original hook melody] C’est pas très raisonnable De me regarder comme ça [Brief double-kick burst between phrases, bass groove continues] [Female repetition — gritty chest belt, controlled distortion] C’est pas très raisonnable [Second brief double-kick burst] [Female final line — furious melodic delivery, single lead voice] Non ! Pas raisonnable ! [Vocals end] [Instrumental resolution — 4 bars, bass and guitar resolve together over the steady beat] Il suffirait de presque rien On fait semblant, on le fait bien C’est pas très raisonnable ! [Final synchronized kick, bass and guitar hit — hard stop]
