◢◤◢◤◢ MECHA MUSIC ◥◣◥◣◥ BOUNCE • BASS • RAVE 🎧 Follow for new releases 🎬 HOOK Video: [LINK] 🔁 Remix / Cover welcome 🛠️ Producer help available 💣 BOMBER RECORDS ◢◤◢◤◢ MECHA MUSIC ◥◣◥◣◥ [INTRO – NO KICK, NO SUB. DARK WEST COAST RAP ATMOSPHERE ONLY. DEEP CONFIDENT MALE RAP, DRY AND CLOSE. LOW CINEMATIC DRONES, DISTANT IMPACTS, REVERSED FX AND SHORT METALLIC TEXTURES. KEEP IT EMPTY, THREATENING AND SPACIOUS. DO NOT REVEAL THE DROP.] R-E S-P E-C T Girl, what’s up? B-O S-S U-be in the presence of a real thug M-E C-H A-RE Mix this P-A Y Bow down to the Me-cha [VERSE 1 – 140 BPM DARK TRAP GROOVE ENTERS. DEEP 808/SUB, HARD PUNCHY KICK, SHARP HALFTIME SNARE/CLAP AND MINIMAL HI-HATS. KEEP THE BEAT SPARSE SO THE RAP REMAINS DOMINANT. CUT EVERY SPELLED LETTER INTO ULTRA-SHORT HARD-GATED VOCAL CHOPS. MAKE THE LETTERS SOUND LIKE PERCUSSIVE “EH! EH! P! / EH! C!” HITS. REMOVE TAILS AND BREATHS. EXTREME DUCKING AROUND KICK AND SUB. ADD OCCASIONAL SHORT WUB ANSWERS BETWEEN RAP PHRASES.] A-E EH-E EH-E T Girl, what’s up? BO-O E-E U-be in the presence of a real thug O-E EH-E E-E E me P-A Y U-Pay up or get Popped blood [BUILDUP 1 – REMOVE THE FULL 808. KEEP ONLY SHORT SUB PULSES. 8-BAR TRAP/DUBSTEP BUILD WITH ACCELERATING SNARES, PITCH RISERS, REVERSED VOCAL CHOPS AND FILTERED GROWLS. REPEAT THE VOCAL MORE AGGRESSIVELY EACH TIME. CUT THE FINAL LINE INTO SMALLER PIECES. END WITH COMPLETE SILENCE BEFORE THE DROP.] U-Pay up or get Popped blood U-Pay up or get Popped blood U-Pay up or get Popped blood U-Pay up or get Popped blood U-PAY UP OR DOUBLE TAP HEADSHOT TO YUH [DEAD SILENCE] [DROP 1 – INSTRUMENTAL TRAP/WUB HYBRID. 140 BPM HALFTIME. MASSIVE KICK, HARD SNARE/CLAP ON THE HALFTIME BACKBEAT, DEEP CLEAN SUB AND HEAVILY SIDECHAINED MID-BASS. USE LONG SUSTAINED WUB/GROWL PHRASES, NOT CONSTANT TINY FM STABS. STOP-START ARRANGEMENT WITH SUDDEN DEAD-SILENCE GAPS BEFORE BASS HITS. ALTERNATE LOW GROWLS, HOLLOW TALKING WUBS AND PITCHED METALLIC BASS. KEEP PERCUSSION MINIMAL. FIRST 8 BARS SIMPLE AND HEAVY; SECOND 8 BARS ADD FASTER TRIPLET BASS RESPONSES AND A SHORT SWITCH-UP. NO FULL VOCALS.] [BREAKDOWN – REMOVE KICK, SNARE AND SUB COMPLETELY. RETURN TO DARK HIP-HOP. LOW PIANO, DISTANT PAD, TAPE TEXTURE AND OCCASIONAL REVERSED BASS FX. DEEP MALE RAP FRONT AND CENTRE. NATURAL FLOW, NO SINGING. KEEP THE BACKGROUND MINIMAL AND CINEMATIC.] [VERSE 2 – GANGSTER RAP] Nick-uh, when you been broke Back against the rope And tryna hang onto hope This the last ounce of it Two steps back Ain’t the way to go What frustration feel like UK Emmy White Chris don’t know When you overqualified Talking KPIs Got the business tryna grow And they tryna stunt you Man, they used to hunt you Now they playin’ with ya dough Tryna tell me ’bout myself Strength and weaknesses Got me soundin’ like a hoh Stealing ideas Using ebonics When they present They slideshows Product removed from culture Leave a boardroom Of vultures tryna call me bro No. [BUILDUP 2 – DARKER AND BIGGER THAN BUILD 1. START WITH ONLY VOCAL AND LOW SUB PULSE. ADD TRAP SNARES, RAPID HI-HAT ROLLS, DISTORTED RISERS, REVERSED GROWLS AND PITCH-LIFTING BASS TEXTURES. CHOP THE VOCAL INTO RHYTHMIC FRAGMENTS. LAST TWO BARS BECOME CHAOTIC, THEN EVERYTHING CUTS TO SILENCE.] Mecha Re-walker Mecha Mix Re-ster Gang mo-far kin’ robotic C-walkin’ sideways up Off the top, no-stop flow, but— Take it easy for the next verse, werd— [ONE-BEAT DEAD SILENCE] [DROP 2 – INSTRUMENTAL ONLY. MUCH HARDER THAN DROP 1. 140 BPM HALFTIME TRAP/DUBSTEP. MASSIVE CLEAN SUB, HARDER KICK AND SNARE, WIDER GROWLS AND MORE AGGRESSIVE WUB MOVEMENT. OPEN WITH A LONG SUSTAINED GROWL, THEN CUT INTO STOP-START SILENCE. USE CALL-AND-RESPONSE BETWEEN DEEP SUB WUBS, MIDRANGE TALKING BASS AND SHORT METALLIC STABS. ADD TRIPLET BASS BURSTS, PITCH-DOWN FILLS AND OCCASIONAL DOUBLE-TIME TRAP HI-HATS. SECOND HALF SWITCHES RHYTHM COMPLETELY BEFORE RETURNING TO THE MAIN WUB MOTIF. MINIMAL PERCUSSION, HUGE TRANSIENT SPACE, EXTREME SIDECHAIN, MONO SUB, CLEAN SEPARATION. NO VOCALS.]
