[[instrumental intro: raw acoustic Mongolian instruments only at first, morin khuur drone, plucked tovshuur, dry frame drum, wind-blown open-steppe atmosphere, no electric guitar yet; after a few bars subtle punk drums enter, then gradually accelerate, layered melodic guitar riffs fade in under the folk motif, tension building without losing the folklore character]] [[verse 1: mid-tempo melodic punk groove, steady kick-snare pulse, bass locked to the root, guitars tight and slightly dusty, Mongolian bowed phrases answering the vocal, male vocal raw, gravelly, weathered, half-spoken then rising, clear but ragged delivery]] Na prázdném tenysovém kurtu válí se kelímek od jogurtu správce se na něj dívá přísně jogurt v něm není - jen trocha plísně [[chorus: faster and more open, layered melodic guitar riffs, wider drums, gang backing on key English words, folk string melody still audible above the punk drive, vocal fiercer and more anthemic]] Fifteen, thirty, advantage Forehand backhand denně cvič. Když je blízko prázdný kurt Můžeš cvičit furt. [[accordion solo: reinterpret as folk-led break, accordion doubled by morin khuur or horsehead-fiddle-like bowing, drums keep moving underneath, guitar adds short melodic answers, playful but slightly wild mood]] [[verse 2: bring back the groove with stronger tom motion, more active bass, alternating muted guitar chops and ringing melodic lines, vocal more amused and dangerous, brief throat-like overtone hum in the background]] Na prázdném tennisovém kurtu Zbloudilý mongol staví jurtu Správce toaletní týrá mísu Dělal si z kumysu tiramisu [[chorus: fuller arrangement, stronger gang shouts, sharper snare, guitar harmonies higher in the mix, sudden stop-start accents before the last line]] Fifteen, thirty, advantage Forehand backhand denně cvič. Když je blízko prázdný kurt Můžeš cvičit furt. [[guitar solo: melodic punk lead, not too polished, fast but singable phrases, doubled in places by folk strings, drums pushing harder, brief rhythm switch for unpredictability, then slam back into the verse]] [[verse 3: keep energy high, drums more urgent, guitars churning underneath a lyrical lead line, vocal drier and more theatrical, contrast menace with humor]] Na prázdném tennisovém kurtu Vátslav Klaus se staví k pultu Správce asi něco tuší Špunty strká si do uší. [[final chorus: biggest section, full punk band plus folk instruments, layered melodic guitars, stomping drums, gang vocals rough and communal, vocal at its most wolfish and ecstatic]] Fifteen,thirty, advantage Forehand backhand denně cvič. Když je blízko prázdný kurt Můžeš cvičit furt... [[tag: brief breakdown, half-time hit, then final shouted response with folk instruments sustaining underneath]] I Vátslav cvičí furt (furt) [[outro: electric instruments drop out one by one, leave bowed folk instrument and low drum pulse, final unresolved folk phrase, windswept ending]]
