[INTRO — CORRUPTED AM RADIO: filtered breakbeat from AM radio static, vinyl crackle, needle drop, warped record noise, tape hiss. Heavy kick, enormous snare, reversed FX, distant broadcasts. Prepared piano drops out. Sub-bass pulse gradually appears, 45 Hz, slow attack.] Хей! [HYSTERICAL RADIO LAUGH: distorted manic laughter, clipped and overdriven, abruptly cut by static] Ха-ха-ха Elvis is alive! YEAH!... Let's GO—go-go-goooooWH— Baby... Don't cry... It's all right... Yeah! [GUITAR 1 — CRY BABY ATTACK: heavily distorted vintage guitar through Cry Baby. Aggressive heel-to-toe wah movements used rhythmically. Rapid wah bursts, muted attacks, staccato power chords, pinch harmonics, feedback squeals, vibrato and dive bombs. Sharp high-frequency wah peaks alternate with filthy low-register growls. Guitar acts like a second percussion instrument.] You ain't nothing but a stray cat, Crying all the time! Well, you ain't no friend of mine, Until you ride this groove and line! [ACID STABS: short distorted analog synth stabs between drum hits, resonant filter sweeps, acidic squelches and broken radio interference. Minimal melody, maximum rhythmic attitude.] ! Everybody in the cell block Started to jump and sway! We're caught in a trap, I can't walk out, So let the music play! [GUITAR 2 — CRY BABY RIFF MACHINE: distorted rhythm guitar with Cry Baby in short rhythmic movements. Palm-muted chugs, staccato power chords, chromatic attacks, octave jumps, muted scratches and aggressive picking. Wah snaps between sharp accents and heel-down growls. Sudden stops and harmonic squeals.] Don't worry, baby... Hold on... You know it... That's the way... [BASS — FUNK ROCK ENGINE: thick distorted bass, syncopated funk-rock groove, tight kick interaction, repetitive two-note motifs, octave jumps and muted attacks. Deep physical pocket, dirty analog saturation.] Wise men say only fools jump in, But I can't help the way I spin! Don't cry, baby, hold on tight, We’re gonna rock the house tonight! [GUITAR 3 — PSYCHOTIC WAH LEAD: screaming distorted guitar through Cry Baby. Rapid pedal sweeps, pinch harmonics, feedback, tremolo picking, octave jumps, dive bombs and extreme vibrato. Short explosive bursts instead of a conventional solo.] Same shit, different planet, Rough sound, who damned it? Mmm[hard scratching] That's.. C'MON! C'MON! C'MON!!! Don't stop... [BREAK — DRUM SURGERY: bass and most percussion disappear. Chopped breakbeat fragments, isolated kick and snare, reverse effects, rising resonance, turntable scratches, needle noise and vinyl manipulation. Guitar feedback emerges from the silence.] Can you feel it? Right there... Hear that sound... Keep going... [GUITAR 1 CONTINUES — CRY BABY STALKER: distorted guitar almost alone. Slow heel-down wah, sudden toe-down attacks, muted strings, bends, pinch harmonics and feedback. Guitar answers the vocal like a distorted voice.] That's all right... I got you...wh—ouuuuooo! Yeah... Same shit, different planet, Rough sound, who damned it? [BUILD — LIVE BAND IGNITION: distorted bass enters, followed by dry explosive drums. Guitar builds through palm-muted attacks, wah bursts, harmonics and feedback. Stop-start accents increase intensity.] LET'S GO! Same sh—it-it-it different planet! [DROP — BLOCK ROCKING ROCK MACHINE: explosive full-band return. Massive live drums, dry snare, distorted funk-rock bass and aggressive guitar groove. Radio static and analog noise remain as texture. Sampled breakbeat stays underneath the live rhythm.] [GUITAR 2 EXPLODES — CRY BABY RIFF ASSAULT: heavy palm-muted chugs, full-sweep Cry Baby, dissonant power chords, octave jumps, pinch harmonics, whammy dives and pickup scratches. Guitar 1 answers with screaming wah lead and feedback. Guitar 3 adds wah rhythm chops and octave-fuzz bursts.] Get out the way, give the King some room! Good golly, baby, yeah you sure look bold, Driving this track like a locomotive cold! [PSYCHEDELIC RADIO GUITAR: hypnotic wah-wah sequence, rhythmic sweeps, feedback harmonics, tremolo picking, octave effects and psychedelic delay. Dirty analog synth stabs appear only as accents. Bass and drums maintain the groove.] Feel the rhythm... Don't look back... [FINAL 4 BARS — GUITAR RIOT: all guitars synchronize into crushing stop-start hits. Palm-muted chugs through Cry Baby max, two-beat gaps, D–G#–D dissonant chord, rapid wah, pinch harmonics, feedback avalanche and dive bombs. Huge drums, distorted bass, metallic percussion and turntable scratches.] C'MON! C'MON! C'MON! Wise men say only fools jump in, But I can't help the way I spin! Don't cry, baby, hold on tight, We’re gonna rock the house to night! [SUDDEN CUT TO SILENCE — 2 SEC: all instruments stop. Vinyl crackle, tape hiss and faint amplifier hum remain. Final guitar feedback slowly decays while Cry Baby closes toward heel-dow Thank you—WHOO— very much... Good night... [END]
