[Intro – filtered two-bar synth pulse, distant kick, close female whisper] Eyes off the mixer. Give me some space. You came to dance. I came to work. [Groove In – full kick enters, narrow stereo, dry rhythmic female delivery] Watch where you stand. Watch what you touch. You want the spotlight, but you talk too much. You came with a story. You came with a name. I move the whole room. You pose for the frame. [Pre-Drop – hats tighten, snare pressure rises, vocal fragments repeat] Back it up. Let me work. No request. No reverse. Hands off. Eyes front. Three... Two... One... CUT. [Drop I – full low-end impact, chopped female chant, staccato stab responses] I RUN THE FLOOR. I SET THE RATE. YOU CAME TO DANCE. I CAME TO GET PAID. (GIRLS GET PAID) Girls get paid. (GIRLS GET PAID) Say it again. I RUN THE FLOOR. I SET THE RATE. YOU CAME TO DANCE. I CAME TO GET PAID. [Instrumental Groove – distorted riff variations, percussion switching, no lead vocal] (Get paid) (Get paid) [Verse 2 – stripped groove, close spoken vocal, cold controlled tone] Don't call me baby. Don't reach for the cue. You talk about cities. They never heard of you. You count your followers. I count every beat. When I cut the signal, they move at my feet. [Build II – kick filters down, whisper doubles circle the stereo field] No borrowed status. No borrowed fame. If you want the spotlight, build your own name. Hands off. Eyes front. Three... Two... One... DROP. [Drop II – harder kick, wider synth stabs, layered female group response] I RUN THE FLOOR. I SET THE RATE. YOU CAME TO DANCE. I CAME TO GET PAID. {GIRLS GET PAID} Girls get paid. {GIRLS GET PAID} Again. Again. WORK. MOVE. SWEAT. GET PAID. I RUN THE FLOOR. I SET THE RATE. [Breakdown – kick cuts, distorted pulse remains, intimate whisper] You wanted my hands. You wanted my place. Now watch from the floor while I control the space. No crown. No guest list. No borrowed name. [hard silence] I came to get paid. [Final Drop – maximum impact, aggressive riff variation, crowd-sized vocal layers] I RUN THE FLOOR. I SET THE RATE. YOU CAME TO DANCE. I CAME TO GET PAID. {GIRLS GET PAID} GIRLS GET PAID. {GIRLS GET PAID} GIRLS GET PAID. HANDS ON THE MIXER. EYES ON THE CROWD. I CAME TO WORK. TURN IT UP LOUD. WORK. MOVE. SWEAT. GET PAID. I RUN THE FLOOR. I SET THE RATE. [Outro – vocal chops decay, synth riff filters down, DJ-friendly drums remain] (Get paid) (Get paid) I set the rate.
