[Intro — pull one existing non-lyrical female adlib from the source, left exposed] [low smoky chest voice, slow and close] Don’t move. Stay like that. [Verse 1 — thick low register, lazy behind-the-beat phrasing] You know how to take your time When you know I’m getting restless Keep your hand right where it is Don’t make me have to correct it You get close enough to feel Every little change in me Then you stop Like you enjoy What waiting does to me [Pull a short existing source female adlib as a response] I know that look You know mine too So don’t ask What I want you to do [Pre-Chorus — voice begins lifting, breathier but still full] Stay close Go slow You already know Don’t move Not yet Right— [Chorus — pure floating high head voice, long intoxicating vowels] [hold “there” as one smooth syllable, natural pronunciation, long soft sustain] There… [hold “there” naturally as one syllable] Stay right there Keep me right on the edge With you right there [Pull a higher source adlib beneath the sustained lead] So sloooooow Don’t let me come down yet You know exactly How to make me forget [soft strange upper harmonies bloom] [long smooth sustain on “there,” one syllable] Right there… [drop immediately into low chest voice] Again. [Verse 2 — low, darker and more affected] You keep dragging out the part You know I want the most Every time I pull you closer You pull back just enough I can feel you watching me Trying not to lose my cool You like when I get quiet I like what that does to you [Source adlib response] Don’t tease me If you can’t stay Don’t start something Then move away [low rasp] You know better. [Pre-Chorus — melody floats upward] Stay close Go slow You already know Don’t move Not yet Right— [Chorus — higher, hazier, overlapping harmonies] [hold “there” as one smooth syllable, natural pronunciation, long soft sustain] There… [hold “there” naturally as one syllable] Stay right there Keep me right on the edge With you right there [Existing source female adlibs weave beneath the sustained lead] So sloooooow Don’t let me come down yet You know exactly How to make me forget [close high harmonies hover unresolved] [long smooth sustain on “there,” one syllable] Right there… [Bridge — almost no voice above a low murmur] Put it back. [long pause] Mm. There. [Pull one longer recognizable non-lyrical source female adlib] Slower. [breath] Don’t make me say it twice. [Source Vocal Pocket] [Lead remains silent] [Pull only existing non-lyrical female source vocals: sustained vowels, sliding ornaments, sighs and melodic adlibs] [Let intact phrases drift, overlap and answer one another] [No source lyrics] [Final Chorus — most intoxicated delivery, high voice weightless and suspended] [hold “there” as one smooth syllable, natural pronunciation, long soft sustain] There… [hold “there” naturally as one syllable] Keep me right there Don’t let me lose that feeling Keep me right there [Source adlibs float around the lead] So sloooooow I don’t wanna come down yet You know exactly What you do to my head [wide strange angelic harmony bloom] [long smooth sustain on “there,” one syllable] Right there… [long suspended harmony] [drop into very low chest voice] Now don’t ruin it.