[STYLE: Hip-Hop / EDM / Rock / Melodic Metalcore — dark, sarcastic, groovy, explosive] [Tempo: 148–154 BPM] [Tuning: Drop C or Drop B] [Core sound: punchy hip-hop drums layered with electronic percussion, sub-bass, distorted rhythm guitars, very present melodic lead guitar with wah-wah, octave bends, slides and vocal-like phrasing] [Spoken Intro — dead serious corporate training-video voice, filtered telephone EQ, no full drums] 85% of the working population follows orders... 100% of those who follow orders ... eventually ....... die. [Long pause] Coincidence? I don't think so. [ironic tone, female vocals] smart right ? hahahahahaha [short Drop — sub hit + distorted guitar scrape] [short Instrumental Intro — syncopated metalcore riff, electronic kick underneath, lead guitar answers every phrase with wah-wah bends] [Verse 1 — half-rapped, half-sung; tight hip-hop pocket, sparse palm-muted guitars] He might be small, He might be angry, She might be tall She might be happy, Sometimes he says hi, Sometimes he don’t. Sometimes she’s nice, Sometimes she won’t. [Lead guitar — short wah-wah lick between vocal lines] [Verse 4 — rhythmic spoken flow over electronic beat] Five fifty-nine: “Quick one before you go.” Six twenty-two: “Just circling back On the below.” Saturday morning: “No rush at all.” [Phone notification sound] Sunday: “Did you see my call?” [Drum fill] [Pre-Chorus — melodic vocal, chords open up, synth riser, lead guitar climbing in octaves] “We are a family,” She likes to say. But not when grandma dies On a working day. [Half-beat silence] [Chorus — huge melodic metalcore; wide guitars, double kick, gang vocals, soaring lead guitar] Oh boss, oh boss, Smiling while fucking us around. Oh boss, oh boss, Someday, we’ll turn it upside down. Oh boss, oh boss— [Lead guitar takes over the missing vocal line — wah-wah melody, high bend, descending run] [Backing vocals / gang chant] (Oh boss) (Oh boss) (Oh, oh, oh) [Post-Chorus — EDM drop, chopped “OH BOSS” vocal sample, sub-bass, syncopated guitar chugs] [Lead Guitar Feature — wah pedal fully expressive, call-and-response with synth] [Verse 2 — rap-heavy, kick/snare groove, bass forward] Whatever the type, Always one to like, Always one to hate. You know when there’s gain, Drop the smile And bring the pain. Success stuck in his brain, A fucking winner Constantly drunk on champagne. You thought you heard “Teamwork is the key.” You’ll soon discover That it means: “Work harder for me.” [Beat strips down] “Think outside the box.” Sure. But first— Fill the box. Label the box. Send the box. And book a meeting To discuss the box. [Backing vocal — distorted / pitched down] The box. [Instrumental pulse resumes] Nothing to say, Nothing to learn— “Great meeting, guys.” Back to work. [Pre-Chorus 2 — tension build, toms + rising synth + sustained lead-guitar feedback] [Chorus — bigger] Oh boss, oh boss, Getting all the praise. While driving us insane Oh boss, oh boss, New job title, But the paycheck stays the same. Oh boss, oh boss— [Lead guitar scream — wah-wah bend held over breakdown hit] [Instrumental Stop] [Spoken — cheerful HR voice, bright corporate music underneath] He asks for my devotion, But always blocks my next promotion. You think respect is what you earn? Nah— It’s what you give and never learn. [Corporate music hard-cuts] [Breakdown — low-tuned metalcore riff, halftime drums, electronic sub drops] [Verse 3 — female vocal switches between rap and aggressive melodic delivery] Best time ever When he’s off, Pretending to work Yet doing all kinds of stuff. [Bridge — sleazy halftime groove, bass and wah guitar dominant] I know it all ’Bout the handcuffs— No police reports, Only kinky toys With his new dove. A success... And a loss. [Lead guitar — wah-wah phrase mimicking laughter] [Beat cuts] [Instrumental Break — EDM build into guitar solo] [Guitar Solo — major feature: wah-wah throughout, vocal-like bends, octave melodies, fast legato bursts, harmonic squeals, rhythmic pauses; alternate between melodic theme and aggressive shred] [Beat] [Chorus — full band + orchestral synth layer] Oh boss, oh boss, Smiling while fucking us around. Oh boss, oh boss, Someday, we’ll turn it upside down. Oh boss, oh boss— [Silence] [Massive hit] [Backing vocals] (Oh boss) (Oh boss) (Oh, oh, oh) [Lead guitar slides upward, almost mocking the vocal] One hand on the phone, One hand on her ass— So much class... ! [Silence] Oh boss.
