[INTRO — 8 bars — Space Sound Design Build] (sub-bass single deep note alone — vast and resonant, metallic space sound FX panning left to right, vocal chop sample enters rhythmic — G minor melodic hook, crisp snare ghost note pattern builds underneath, hi-hat rapid rolls off-kilter syncopation locks in, lush space synth pad swells atmospheric left and right, kick hits centered mono — deep and crunchy soft-clipped, filtered percussive synth panned extreme left answers right, full Timbaland 2007 space-age R&B groove established) (Male — smooth spoken ad-lib): Yeah... come on... [INTRO HOOK — Vocal chop repeated rhythmic] Come on my spaceship Come on my spaceship (vocal chop stutters on "space-ship" — chopped rhythmic) Hey baby Come on my spaceship (sub-bass glides into verse) [CHORUS — Male, B-flat major atmospheric lift] I got a plan, got a plan What you want me to know, know, know? You want a man, want a man I got a feel what you know, know, know? See me girl, see me girl I'm full of hydro, dro, dro (vocal chop hook fires on "dro dro" — rhythmic stutter) You want a world, want a world What you want me to know, know, know? (Yeah... uh...) [POST-CHORUS — Female breathy atmospheric mezzo] Let's get, let's get blown away (reverb delay wash — vast and deep) Let's get, let's get blown away (vocal chop answers underneath rhythmic) Let's get, let's get blown away Let's get, let's get blown away (sub-bass drop — space synth pad swells wide) [BRIDGE 1 — INSTRUMENTAL — Space Percussion Solo — 8 bars] (all vocals drop out completely, vocal chop sample takes over as lead melodic instrument, chopped "come on" stutter fires rhythmically panned left-right, hi-hat rapid rolls double speed — syncopated off-kilter, snare ghost notes rapid pattern intricate and human-feel, sub-bass glides slow and vast underneath, metallic space FX ping across stereo field left to right, filtered percussive synth fires in rhythm — panned extreme, lush space pad breathes in and out atmospheric, groove builds intensity — no melody just pure rhythm texture) [CHORUS 2 — Male, B-flat major, soulful rhythmic delivery] Why girl, why girl Many more want to go, go, go? And see my world, see my world Full of rainbow, bow, bow (vocal chop "bow bow" stutters chopped rhythmic) You see the stars, see the stars Above the moon and Pluto, Pluto, Pluto (metallic space FX fires on "Pluto Pluto") You like the cars, like the cars I got four by the toes, the toes, the toes (Uh... yeah... come on...) [POST-CHORUS — Female atmospheric, layered] Let's get, let's get blown away (reverb delay vast and deep) Let's get, let's get blown away (vocal chop rhythmic underneath) Let's get, let's get blown away Let's get, let's get blown away (sub-bass pulse — space synth wide stereo wash) [BRIDGE 2 — ATMOSPHERIC BREAKDOWN — 10 bars] (tempo feels like it stretches — half-time feel, sub-bass alone with slow lush synth pad, metallic space sound FX drifting distant, Female vocal hum atmospheric underneath — no words, vocal chop sample slow and filtered — dreamy, single snare ghost note every two bars, space is vast and open — pure atmospheric texture, then: hi-hat rapid roll builds from silence, snare kicks back in full on bar 8, full groove EXPLODES back in — massive energy return, sub-bass crunches back deep and centered) [OUTRO — Male smooth spoken-word, over groove] (Full groove running underneath — sub-bass, hi-hats, snare) Smoking with me You like my ship? Yeah, she likes you too Where you want to go today? (vocal chop "today" fires rhythmic — chopped) How about we shag now? No, right now Me and you, there's nobody else around Come on I know you heard that Timbo sound (metallic FX on "Timbo sound" — space ping) Yeah, I got a crew too But you got some friends? (Haha) (Female breathy whisper underneath): Come on... come on... Alright baby, let's take a ride on my spaceship (vocal chop "spaceship" stutters rhythmic three times) Oh, you don't want to go no more? Alright, I got something that's gonna relax you (sub-bass slow glide down) Let's get No, no, no, no, no, come on Take it off, take it off (hi-hat rapid roll intensifies) Oh, I like you do it like that Let's get (groove fades slowly — sub-bass last to fade, vocal chop "come on" last sound heard — three times, metallic space FX final ping — silence) [End]
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