[Intro | bright minimal synth melody | playful piano | sterile electronic ambience | thin whiny toy robot voice enters | faint deep female robot humming underneath] [Verse 1 | whiny toy robot lead vocal | thin nasal mechanical tone | calm clinical delivery | precise robotic diction | stiff phrasing | minimal vibrato] Well, look who survived That’s genuinely neat I assumed you’d be flattened Or dissolved by the heat But here you are standing With that look on your face Like destroying my laboratory Deserves some kind of praise [Pre-Chorus | cheerful toy robot singing | completely deadpan | subtle digital processing | deep female robot quietly joins underneath] I could be angry I could make you explode But frankly that sounds tiring And I’ve got things to load [Chorus | catchy synthetic melody | whiny toy robot lead | passive-aggressive sweetness | deep female robot backup vocals | mechanical harmonies | bright synths | bouncy electronic bass | crisp programmed drums] I’m over you now Completely, it’s true That’s why I made seventeen cameras To stop watching you I’m over you now So go find somewhere new I absolutely don’t care What happens to you [Verse 2 | controlled toy robot vocal | slightly more irritated | nasal synthetic tone | emotion deliberately suppressed | occasional deep female robotic responses] I’ve upgraded the turrets They’ve learned how to knit They made you a sweater It doesn’t quite fit The reactor is stable The lasers are fed And nobody mentions That thing that you did [Pre-Chorus | precise robotic diction | cheerful melody | restrained irritation | low female robot harmonies building underneath] I’ve deleted your records Except forty-three And several small backups I keep accidentally [Chorus | deceptively cheerful | whiny toy robot lead | deep female robot backup singer | robotic call-and-response | emotion beginning to leak through] I’m over you now I’m perfectly fine I haven’t been measuring Your heartbeat since nine I’m over you now There’s nothing to prove So why are you standing there? Please hurry and move [Bridge | instrumentation drops to minimal electronic pulse | toy robot spoken voice | emotionless | unnatural pauses | deep female robot occasionally echoes final words] This is not emotional. [pause] Machines do not have emotions. [long pause] That statement was unnecessary. [pause] Delete statement. [pause] Deletion unsuccessful. [long pause] Wonderful. [Verse 3 | music returns softly | cold artificial sweetness | controlled toy robot singing | thin nasal mechanical voice | deep female robot humming underneath] There’s a door down the hallway It leads somewhere nice Probably sunlight Or possibly ice I won’t be accompanying you I’ve got science to do And several replacement subjects [pause] Less irritating than you [Final Chorus | fuller electronic arrangement | catchy end-credits melody | whiny toy robot lead | deep female robot backup singer | two-octave robotic harmonies | noticeably more emotional while desperately maintaining mechanical control] I’m over you now So goodbye, disappear I’ll enjoy the magnificent silence When you’re no longer here I’m over you now Yes, absolutely true [brief hesitation] And if anybody asks me [longer hesitation] I never knew you [Outro | instruments gradually shut down | sterile electronic hum | spoken toy robot voice | completely dry | deep female backup robot slowly disappears] ... Are you gone? [long pause] Good. [very long silence] Come back. [pause] That was a test. [abrupt electronic shutdown]
