The Opening
50% 1997 Seattle Alternative Rock, 5% Atmospheric Psychedelic Rock, 40% Melodic Hard Rock, 10% Heavy Funk-Rock, 15% Art Rock, 1997 Analog Studio Recording, high-fidelity uncompressed master, massive 3D soundstage, wide instrument separation, RMS -14dB headroom, Yamaha Recording Custom Birch drums, 14x5, 5 Stainless Steel Snare with dark articulate metallic ring, Zildjian A-Series B20 Bronze cymbals, unquantized heavy pocket groove, Active melodic bassline, hyper-resonant fingerstyle with slap/pop accents, deep Ampeg SVT tube warmth, Fluid melodic lead guitar with singing sustain and thick pentatonic phrasing, rhythmic staccato guitar riffs, innovative pitch-shifted textures, intriguing dissonant chords, odd time signatures, Mature adult male vocalist, soulful resonant baritone chest voice, soaring clean tenor power, 4-octave range, melodic sweetness, no shouting, no harsh rasp, no vocal fry, wide vibrato, organic 4-piece band, dry punchy mix, zero digital artifacts, big room acoustics
[Verse] Love and trust have fallen out Your evil has left me weak After a lifetime of giving Now my head has fallen out [Pre-Chorus] I see the flames of desire burn [Chorus] Come to me Come to me [Post-Chorus] [whispered vocals] Give me all your love Give me all your love Give me all your love Give me all your love [Verse 2] Don't think Just give in to it The hunger inside my body [whispered vocals] Aroused by the touch of your hand [gritty singing] Open to all your ideas [Pre-Chorus] [low vocal register] I see the flames of desire burn [Chorus] Come to me Come to me
