Always There

Quiet garage rock/alternative metal at 120 BPM, muted three-chord vamp, barely-breaking tube amp grit, soft fuzz guitar haze, restrained rumbling bass, and low male bass voice, Dry natural drums with room bleed, half-time pulse, jagged riff fragments, asymmetrical meter, tape saturation, spring reverb, low-end compression, hushed instrumental breaks, whisper-thin solos to fade, ‑bright pop choruses, ‑dance pop polish, ‑EDM drops, ‑trap hi-hats, ‑rap verses, ‑nu metal bounce, ‑hard rock party riffs, ‑glam swagger, ‑power metal heroics, ‑metalcore gloss, ‑symphonic brightness, ‑folk metal tavern energy, ‑punk shout-alongs, ‑upbeat rock, ‑indie warmth, ‑acoustic ballad softness, ‑singer-songwriter intimacy, ‑piano pop sentiment, ‑gospel uplift, ‑radio hooks, ‑clean pop vocals, ‑R&B smoothness, ‑soul grooves, ‑funk basslines, ‑disco sparkle, ‑synthwave nostalgia, ‑darkwave club motion, ‑industrial dance swing, ‑techno pulse, ‑house grooves, ‑trance lift, ‑dubstep wobble, ‑drum and bass rush, ‑breakcore chaos, ‑vaporwave haze, ‑chillwave softness, ‑ambient sleep music, ‑trailer brass, ‑orchestral optimism, ‑cabaret playfulness, ‑musical theatre diction, ‑country twang, ‑blues shuffle, ‑jazz lounge chords, ‑reggae skank, ‑latin percussion, ‑world-fusion color, ‑cute gothic novelty, ‑horror-punk bounce, ‑comedy rock, ‑lo-fi cassette comfort, ‑bedroom pop fragility, ‑shoegaze wash, ‑post-rock patience, ‑math-rock angles