[Tempo: 108 BPM | Time: 4/4 | Key: G Major] [Style: Christian pop-rap × pop-punk × alt-pop hybrid; modern radio-clean; playful urgency → communal hook → confident build → triumphant finale] [CRITICAL VOICE RULE: FEMALE VOCALS ONLY. Lead must be FEMALE ALTO/MEZZO (Belle Mourne). All sing-rap/rap/spoken parts MUST be performed by the SAME female alto/mezzo lead. NO male vocals, NO male rapper, NO male features.] [Lead Vocal: Belle Mourne (female alto/mezzo) — rhythmic female sing-rap verses (tight consonants) → big melodic chorus; confident, joyful, slightly gritty edge; close-mic in verses, wider in choruses] [Backing Vocals: female-only pop-punk “friends” gang vocals + chant stacks; call/response echoes; NO arena worship ad-libs; NO crowd noise beds] [Drums: tight hip-hop kick/snare + stomp/clap accents; NO trap hats; use tight closed hats + occasional open-hat lifts] [Instruments: sub bass locked to kick; bright synth hook (neon/glitch pop, not EDM lead); crunchy electric guitar chops on off-beats in verses; bigger pop-punk power-chords in choruses; optional subtle glitch/tape wobble ear-candy] [FX Rules: Short “HEY!” responses are FEMALE gang shouts only (2–4 total hits max); no crowd ambience; brief stop before final word of final chorus] [Length Target: 2:50–3:20 | Keep sections as written; do NOT add extra verses; breakdown is 8 lines] [Arrangement Arc: Intro hook → Verse 1 groove → Pre build → Chorus lift → Verse 2 fuller → Pre bigger → Chorus bigger → Breakdown (female rhythmic spoken/sing-rap) → Final Chorus biggest + stop-hit ending] [Intro] [4 bars | Bright synth hook + sub bass | hip-hop drums + stomp/clap accents | guitar chops on off-beats | 2 quick FEMALE gang “HEY!” hits only | clean, radio mix] [Verse 1] [VOCALS: SAME FEMALE ALTO/MEZZO LEAD (Belle Mourne) sing-rap/rap-sung. NO male voice.] [Delivery: punchy, close-mic, clear consonants; keep pitch in alto/mezzo range; no high soprano timbre] We write grace in sharpie over mess-filled nights Coffee cup courage and dashboard prayers in stoplight lights Wyoming wind whips, but we laugh and lean right in Louisiana rhythm in the bones—let the hands go up again Newsfeed noise fades when the six-strings start to shine Real-life, loud praise—yeah, that’s the kind we rhyme [Pre-Chorus 1] [Drop drums to half-time for 2 bars | synth hook filters down | build with tom fill + riser | Belle gets more melodic on last phrase | add harmony stack on last line only] If these chords feel like home and this melody hits you Don’t just watch—step in, hands up, sing it with us too [Chorus] [Full lift | pop-punk power-chords + wide synth hook | female gang vocals on beats 2 & 4 chanting “hands up high” | call/response echo of last words | Belle lead doubled; harmony on last word of each line] If you feel this vibe - hands up high Lift your voices—praise God tonight Clap on beat—let ’em hear it outside If you feel this vibe - hands up high [Verse 2] [VOCALS: SAME FEMALE ALTO/MEZZO LEAD (Belle Mourne) sing-rap/rap-sung. NO male voice.] [Add playful synth pluck | occasional Belle ad-libs (2 max: “yeah”, “come on”)] This one’s for the wired and the worn-out too For the “trying my best” and the “God, come through” For the faithful, the doubtful, the brave-in-between For the ones who need a hook like a handrail to lean For the long-drive miles and the quiet-room blues If you’ve got breath in you, you’ve got a place in these tunes [Pre-Chorus 2] [Repeat build but bigger | add higher harmony layer | bigger drum fill into chorus] If our songs lift your day or help you breathe through the noise Make this whole place a choir—let praise be your choice [Chorus] [Repeat chorus | add extra chant layer under last line only; female gang only] If you feel this vibe - hands up high Lift your voices—praise God tonight Clap on beat—let ’em hear it outside If you feel this vibe - hands up high [Breakdown (Female Rhythmic Spoken / Sing-Rap)] [IMPORTANT: SAME FEMALE ALTO/MEZZO LEAD performs this section. If “rap” triggers male casting, treat as rhythmic spoken/sing-rap by Belle Mourne. NO male voice.] [Drop to sparse beat: kick + clap + sub bass only | minimal guitar | build intensity every 2 lines | add 3 female gang responses total after lines 2, 4, 6 only: “HEY!” “LET’S GO!” “HEY!”] Yeah—fast drums, but the gospel stays loud Little room, big heart—come join this crowd Same old grace, new day, we keep it real If it hits your chest, then you know how it feels Lift your hands up high, let your praise take flight Clap on beat—let ’em hear it outside Sing it back to Him, put your fear aside If you feel this vibe—hands up high [Final Chorus] [Biggest chorus | full female gang stack + higher Belle harmonies | brief stop on beat 4 before final “high” | end tight; no fade-out crowd bed] If you feel this vibe - hands up high Lift your voices—praise God tonight Clap on beat—let ’em hear it outside If you feel this vibe - hands up high [End] [Stop-time hit + final FEMALE gang unison “HAND
