[Intro](Tempo: 104 BPM. A dusty, filtered piano chord loop plays in a minor key. Distant, high-pitched vocal sample chops bounce back and forth with heavy delay and reverb.)(Female Vocal Sample - pitched up, sounding like an old vinyl record): (A sharp kick and a crisp shaker click in on the 4th bar.) "Hold on tight... through the night... if you want it..." [Chorus](The main Afrobeats/Dancehall groove drops. Heavy, round sub-bass carries the rhythm. The vocals are smooth, melancholic, yet highly rhythmic.) [Male Part] I just need one more touch before the lights go down,We don't need to talk too much, just feel the baseline pound.Give me that late-night spin, look at the state I’m in,Yeah, you know where to begin, don't let it look like a sin.One more, one more chance,Baby, give me this last dance. [Verse 1](The main drums stay steady, but the piano chords become more sparse. Subtle percussion like a woodblock and low congas fill the gaps.) [Male Part] Your friends are calling from the car outside,But you’re looking at me like you wanna hide.Two shots left and the ice is gone,We’ve been moving to the rhythm since the lights went on.I know your style, I know your vibe,You like the energy we can’t describe.Yeah, you’ve been running through my mind all week,Now we’re standing in the corner, and we barely speak. [Pre-Chorus](The heavy kicks drop out, leaving only a ticking high-hat, the soft piano stabs, and a rising synth swell.) [Male Part] And I don’t wanna leave this room alone,Put a lock on your phone, yeah.Tell 'em that you’re staying out,Show me what it's all about. [Chorus](The full beat drops back in with maximum energy, adding a rhythmic tambourine and a subtle synth bell layer.) [Male Part] I just need one more touch before the lights go down,We don't need to talk too much, just feel the baseline pound.Give me that late-night spin, look at the state I’m in,Yeah, you know where to begin, don't let it look like a sin.One more, one more chance, [Bridge](The music shifts focus entirely to a guest feature—reminiscent of Wizkid's contribution—singing with a distinct Afro-fusion melody over a bouncy, syncopated rhythm block.) [Female Part] Ona, look at the way that you move, yeah,Bringing the heat to the room, yeah.Slow it down, bring it right back for me,You are the only one I want to see.Wine for me, line for me, taking your time for me,Yeah, she tell me she divine for me, yeah. [Outro](The drums fade out, leaving only the filtered piano loop and the high-pitched female vocal sample from the intro.) [Male Part] Just one more...Before the morning comes.Yeah.(Vocal sample plays one last time: "Through the night...")(Music cuts sharply on a final piano chord staccato.)
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