[Title: Higher State (Future Bass Rebuild)] [Style: Future Bass / Melodic Bass] [BPM: 150] [Produced By: Seven Lions, Nero, Zeds Dead] [Rhythm Rules] [Continuous, unbroken groove throughout the entire track.] [No silent bars, no 1-bar drum drops, no drop-prep mutes, no reset moments.] [Kick remains present at all times; percussion mutates instead of disappearing.] [Instruments & Production] [Future bass kick: punchy transient, warm sub tail, constant pulse with sidechain shaping] [Sub + mid bass: sine sub layered with detuned saw stack, saturated harmonics, heavy pump] [Supersaw chords: wide stereo, lush voicings, slow attack bloom, strong sidechain swell] [FM bass: metallic character retained but softened into harmonic layer under chords] [Plucks & vocal chops: bright, transient-rich, ping-pong delay, stereo movement] [Snare/clap: trap-style layered hit, wide stereo, gated reverb tail] [Hi-hats: off-beat and rolling trap patterns, velocity variation, groove swing] [FX: OTT compression, white noise sweeps, risers, reverb throws, tape saturation] [Panning: chords wide L/R, chops moving L→R, bass mono low-end with stereo mids] [Arrangement: evolving filters, swelling dynamics, continuous motion across sections] [Intro] [Vocals: low] [Instruments: medium] [Metallic FM bass softened and filtered into atmospheric layer] [Kick enters immediately with subtle sidechain motion] [Off-beat hi-hats introduce groove with light swing] [Pads and harmonic textures fade in beneath] [Chorus] [Vocals: high] [Instruments: high] Higher and higher Like I've never been high enough [Supersaw chords bloom wide with strong sidechain swell] [Sub and mid bass reinforce harmonic depth] [Snare/clap hits sharply on backbeat] [Vocal chops and bright plucks accent melody] [Drop] [Vocals: medium] [Instruments: high] [Heavy bass synth transformed into future bass chord-bass hybrid] [Syncopated rhythm expressed through sidechain pulses and chord stabs] [White noise sweeps expand stereo width] [Hi-hat rolls increase energy while kick remains constant] [Verse 1] [Vocals: medium] [Instruments: medium] Getting so much higher and higher Like I've never been high enough [Drums thin dynamically but kick remains steady] [Filtered synth pad supports vocal space] [Sub bass enters subtly beneath chords] [Plucks echo vocal phrasing with delay] [Chorus] [Vocals: high] [Instruments: high] Higher and higher Like I've never been high enough [Full percussion and wide supersaw chords return] [Increased brightness and harmonic layering] [Vocal chops add rhythmic texture across stereo field] [Bridge] [Vocals: high] [Instruments: medium] Your love takes me higher and higher And higher than I've ever been Love be love by [Sub-bass swell emphasized with reduced high-end] [Chords filtered to warm midrange] [Sidechain softened slightly for emotional lift] [Ambient risers and reversed textures fill space] [Outro] [Vocals: medium] [Instruments: medium] Getting so much higher and higher Your love takes me to another world [Chords gradually lose brightness while maintaining pump] [Bass softens but groove continues] [Vocal chops fade with delay trails] [Tape stop effect closes track while kick sustains briefly]
