Plastic Window

[suno::GLOBAL_RULE=INSTRUCTION_TEXT_IS_NOT_LYRICS] [suno::GLOBAL_RULE=ONLY_TEXT_INSIDE_LYRICS_BLOCK_IS_VOCALIZED] [suno::GLOBAL_RULE=DO_NOT_SING_PARAMETER_LINES] [suno::Create a melancholic British alternative rock song (4:10–4:30).] [suno::Era: Streaminghead debut EP. Raw young guitar band. Less aggressive than Offline. No polished later-era chamber sound.] [suno::Core concept: Watching the outside world through a rain-covered plastic window. Everything is visible but emotionally unreachable.] [suno::Lead Vocal: Male. Young. Thin tenor. Fragile and slightly nasal. Natural British accent. Close-mic. Restrained verses. Emotion rises gradually. Final chorus may crack naturally. No screaming. No theatrical delivery.] [suno::Instrumentation: Three electric guitars. Electric bass. Acoustic drums. Very subtle room samples. No strings. No piano. No prominent synthesizer. No electronic beat. No EDM.] [suno::Guitar roles: Thomas plays unresolved clean arpeggios. Johnny creates volume swells, harmonics and sparse high-register notes. Eddy plays muted chords and introduces rough distortion late in the song.] [suno::Bass: Colin plays an independent melodic counterline. Warm slightly overdriven bass. Bass should remain clearly audible.] [suno::Drums: Philip plays restrained live drums. Dry snare. Closed hi-hat in verses. Gradually open cymbals as tension increases. Heavy natural drums only in final chorus.] [suno::Dynamics: Do not begin loudly. First half must remain restrained. Distortion should arrive gradually. Save maximum guitar intensity for final chorus.] [suno::Recording: Mostly live room performance. Amp hum and string noise allowed. Minimal overdubs. Natural imperfections. No glossy modern mastering.] [suno::Structure: Rain Intro Verse 1 Verse 2 Pre-Chorus Chorus Instrumental Interlude Verse 3 Bridge Final Chorus Feedback Outro.] [suno::Finish naturally around 4:20. No repeated final chorus. No extended ambient ending.] #LYRICS_BLOCK_START [suno::Rain Intro — 8–12 seconds. Rain against a thin window. Thomas enters alone with unresolved clean guitar arpeggio. Johnny adds one distant volume-swell note.] [suno::Verse 1 — Close-mic vocal. No drums at first. Colin enters halfway with a soft melodic bass counterline.] Rain makes little rivers Down the plastic pane Everybody's going somewhere Walking through the rain I can see their faces Blur and disappear Close enough to follow Never really here [suno::Verse 2 — Philip enters with dry rim clicks and closed hi-hat. Eddy adds muted guitar pulses.] Someone shuts an umbrella Someone misses the train Someone laughs beneath a doorway Then they're gone again I put my hand against it Cold against my skin There's a whole world on the outside I can't seem to get in [suno::Pre-Chorus — Bass climbs. Johnny's volume swells become more audible. Drums remain restrained.] I can see you I can hear you There's only something Standing in between [suno::Chorus — Full band enters but keep guitars mostly clean. Vocal opens emotionally.] Plastic window Between me and you I see everything But I can't get through Plastic window Thin and clear You look so close From over here If I break it Will I finally know Where everybody goes? [suno::Instrumental Interlude — 25–30 seconds. Colin's melodic bass becomes prominent. Thomas continues arpeggio. Johnny answers with sparse high guitar harmonics and volume swells. Eddy slowly introduces gritty overdrive. No conventional guitar solo.] [suno::Verse 3 — Drums become heavier. Vocal more anxious but still controlled.] Fingerprints and scratches Little marks of time Every one belongs to someone None of them are mine I watch the evening changing Blue to dirty grey Maybe I've been standing here While life just moved away [suno::Bridge — Drums drop out. Bass and one trembling guitar remain. Thomas nearly whispers the first lines.] Maybe there's no window Maybe it's just me Maybe I've been building walls From things nobody sees [suno::Johnny introduces rising feedback. Philip returns with toms.] But if I open Everything tonight Will there be someone On the other side? [suno::Final Chorus — Maximum intensity. Eddy's distorted rhythm guitar explodes in. Thomas uses wide open chords. Johnny creates high sustained feedback melody. Philip switches to heavy live drums. Vocal strained and vulnerable, not screamed.] Plastic window Between me and you I see everything And still can't get through Plastic window Crack tonight Let the rain Come flooding inside I don't care If everything breaks I just want Something real to touch [suno::Final line — Band drops away suddenly except bass resonance and one feedback note.] Something real... [suno::Feedback Outro — 10–15 seconds maximum. Johnny's sustained feedback bends downward while rain remains audible. One accidental guitar-string scrape. Hard tape-style stop.] #LYRICS_BLOCK_END