[SPIRITUAL HYPNOTIC TECHNO HOUSE, strict 124 BPM. NO PIANO anywhere. Young luminous MALE TENOR soloist. MIXED CHURCH CHOIR with men, women and blended children's treble voices] [Brief opening: warm breathy TRANSVERSE FLUTE alone plays a memorable four-note phrase. Natural expressive breath, no orchestral accompaniment] [Mixed choir softly answers the flute, deep warm foundations and luminous upper harmonies] Ah... [Flute repeats its phrase with a short variation. Choir opens gently] Alleluia. [HARD DROP with MALE SOLOIST: heavy dry kick, tight sub, muscular rolling bass, shuffled hats, sharp claps, interlocking hand percussion, sparse warm synth stabs] [Verse 1: young male soloist, warm clear rhythmic singing, full kick and bass] Una notte di sudore in mezzo al mare, ho bisogno di incontrarti, di fermarmi ad ascoltare. Una voce che ti chiama raggiunge anche me. Tra le cose che domando, unica ragione Tu. [Mixed choir: brief flowing response] La stella polare Tu. [Instrumental: 16 bars. Distinctive flute hook answers the syncopated bass. Powerful dry drums, hypnotic groove] [Chorus: male soloist clearly forward, mixed choir opens behind him. Strong melodic hook over full club beat] Tu al centro del mio cuore, la stella polare Tu. Anche il cielo gira intorno a Te, e il mio canto sale su. [Full mixed choir: broad luminous harmony] Alleluia, alleluia, alleluia. [Male soloist] Quello che farò sarà soltanto amore. [Instrumental DROP: 32 bars. Heavy kick, rolling bass variations, shuffled hats, crisp percussion. Flute develops the four-note motif in short rhythmic answers. No lead vocals] [Verse 2: young male soloist, intimate conviction, full driving groove] Maria, nel tuo silenzio imparo a dire sì. Porto il giorno fra le mani, lo consegno fino a qui. Servo per amore, con il cuore che è in festa, canto per Cristo: la speranza rimane desta. [Mixed choir: warm resonant response] Festa per tutti gli amici. [Male soloist] Una tavola più grande, una porta aperta in più. Ogni volto trova spazio, nell'amore che dai Tu. [Instrumental: 16 bars. Flute hook returns, muscular bass, crisp claps and interlocking percussion. Continuous dance pressure] [Chorus: male soloist and mixed choir, clear words, radiant upper harmonies] Tu al centro del mio cuore, la stella polare Tu. Anche il cielo gira intorno a Te, e il mio canto sale su. [Full mixed choir] Alleluia, alleluia, alleluia. [Male soloist] Quello che farò sarà soltanto amore. [Extended instrumental DROP: 32 bars. Maximum hypnotic techno-house drive. Muscular bass, heavy dry kick, rhythmic flute variations and warm synth stabs. Choir harmonies rise in spacious waves] [Prayer bridge: drums withdraw briefly. Soft flute notes and mixed choir, close and reverent] Benedetto colui che viene nel nome del Signore. [Young male soloist: tender fully sung response] Il cielo e la terra sono pieni di Te. [Mixed choir alone: broad flowing sacred melody] Osanna, osanna, osanna nell’alto dei cieli. [EXPLOSIVE FULL GROOVE RETURN beneath the choir's sustained note. Heavy kick, powerful bass and full percussion enter together; flute answers between vocal phrases] [Final chorus: young male soloist forward, full mixed choir, luminous treble voices blended above adult harmonies] Tu al centro del mio cuore, la stella polare Tu. Anche il cielo gira intorno a Te, e il mio canto sale su. [Full choir] Alleluia, alleluia, alleluia. [Male soloist] Quello che farò sarà soltanto amore. [Full choir: radiant melodic answer] Osanna nell’alto dei cieli. [Instrumental peak: 16 bars. Signature flute motif, heavy kick, rolling bass, crisp percussion. Choir gradually withdraws] [Single male vocal signature, once only, clear English pronunciation over active groove] Dee Jay Em. [All flute, synth, choir, bass, percussion and reverb tails withdraw completely] [Final mixing outro: KICK ONLY, 15 bars in 4/4 at 124 BPM, approximately 29 seconds total. Maximum 30 seconds. No other sounds, vocals, effects or fills] [End immediately]
