Pick Me (Duck, Duck, Goon)

[Intro] What’s uuuppppppp DOOOOOOCCCCCCCCC [Production Note: Start with pulsing, palm-muted guitar hits mimicking a heartbeat — slow tempo at first, super crunchy distortion, low-passed to feel like it’s inside your chest. Add vinyl crackle and deep sub rumbles underneath for tension.] Wabbit. Wait. WABBIT. WWAAAAAAAAAAAHHH-BIT [Production Note: Glitchy vocal chops and slapback delay FX; pitch-shift “WABBIT” like a broken tape recorder. Add reversed reverb tail into next section.] ⸻ [Verse 1] I mean rub it. Come again a genie I’ll grant your wish every time. The player’s name’s been passed around Hold your breath and listen now Don’t go outside Cuz you can play me [Lo-fi guitar chugs, bass swell under vocals, rising percussion] ⸻ [Bridge] Close the door. It’s time to play. It’s time to play. It’s time to playaaaaayyy. It’s time to play. [Tension-building toms, riser, filtered guitars, layered vocal stacks] ⸻ [Chorus] I got your dict-shon-airing. Not something you can carry. Spilt from your mouth. Undercover, alllll you gotta do is pick me Pick me YoooooOOOOOOOOO-OhOhOh [Huge saw synths, growl bass, sidechained drum hits] I got your dict-shon-airing. No sharing Lock it in and I’ll make the key my middle name. Cuz you can play me. (Cuz you can play me) [Heavy dubstep snare, layered chorus vocals, wide stereo FX] ⸻ [Verse 2] Duck, duck, GOON. Snap a string and hear it boom — Catch me running through the room. Hey! You said my name? Now I’m tangled in your game. Stretch the rules like rubber bands, Hatchin, My-evil-plan. Your mouth not just another font. A princess I’ll come and save you, No doubt, Let’s Bounce, Let’s Bounce, BOUNCE, BOUNCE, bow-owowow-ounce! [Cartoon FX, glitchy risers, slap bass, gritty riffs layered behind the vocals] ⸻ [Breakdown] Wabbit. Wabbit. Gotta have it. Scratch the itch, make me habit. Spell it backwards — B.I.T. (WAAAAAAAAHHHHH-BIT) [No instruments – just claps, stomp FX, dry vocals, maybe a distant bass rumble] ⸻ [Verse 3] Snapback crown, King of static in your town. Pull the plug — I’m still around, Lights out, bass in the ground. Click-clack with a booby trap, You step, I snap — that’s a wrap. Don’t blink, it’s not a drill, I’m the glitch inside your will. Twitchy, wicked, got that tick Pick me now, or pick me quick. [Perc builds from minimal to full as verse progresses, call/response guitars] ⸻ [Verse 4] Burn the script, rewrite your fate. I’m the scene you love to hate. Heartbeat spazzin’ double time, Like dubstep laced with Frankenstein. Spit fire, pixel-flare. You chase smoke — I’m everywhere. I’m the noise in every beat, That grime you never can delete. So type it out in bold and caps: WABBIT’S BACK — collapse collapse! [Massive snare reverb tail after last line, cut to silence] ⸻ [Chorus] I got your dict-shon-airing. Not something you can carry. Spilt from your mouth. Undercover, alllll you gotta do is pick me Pick me YoooooOOOOOOOOO-OhOhOh [Huge saw synths, growl bass, sidechained drum hits] I got your dict-shon-airing. No sharing Lock it in and I’ll make the key my middle name. Cuz you can play me. (Cuz you can play me) [Heavy dubstep snare, layered chorus vocals, wide stereo FX] [Final Drop – Intro to Outro Section] [Whispered Voice] Pick me. [Low sub rumble builds — heartbeat pulse — riser screams] [DROP] WAAAAAAAAAAAAAAAAAAAAAHHHHHHHHHHHHHHH-BIT! [Full dubstep drop: detuned growl bass, machine-gun snares, filtered guitar solo slicing through the synths. Layer in a glitchy vocal stab: “Pick me!”] [Guitars chug in half-time under the drop, layered with squelchy bass modulations. Hi-hat rushes, risers. Vocal chops echo “play me,” “wabbit,” and “collapse.” Final blast of the beat before hard cut-to-black.]