Sarıkanat Göçü

Atonal Dissonant Instrumental Central Asian Turkic, Tuvan/Altai/Kazakh/Kyrgyz steppe timbre;kobuz/qobyz/komuz/dombra/kyl-kobyz, jaw harp(khomus/temir komuz;mouth-oscillated), frame drum, shamanic ritual ambience;küy/küü, tökpe/shertpe attack, nomad trance, horse-gait pulse, gallop ostinato, yurt-drone, overtone-rich timbre(no vocal), avant-garde/post-tonal, experimental orchestra, tone clusters, microtonal(quarter-tone), aleatoric, noise-ambient/drone(akustik), No vocals, no song form, No stable key;chromatic saturation, tritone bias, minor-2nd/major-7th grind, polychords, unresolved suspensions, micropolyphonic blur, spectral smears, Irregular groove:polymeter(5/8 vs 7/8), shifting accents, asymmetrical phrases, metric resets, Techniques:sul pont/sul tasto, col legno, tremolo, glissandi;flutter, key-clicks, breath tones;mutes/half-valve;bowed cymbals, tam-tam swells, soft irregular pulses, Evolving textures, long fades+dropouts, Play variations on an atonal dissonant melody with character