Remix me - Triptych+1+1

Garbage Pop, Avant-pop, Ambient, Shoegaze

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This song is no longer part of my SUNO activity.
This remains here as memorial traces.
==================================

[[Disclaimer]]
This piece stems from a specific memory, especially for those who know or have a connection to Japan. I’ve left space for your own interpretation, but please know it was created with my utmost sincerity. For the full story, see the production notes.

この曲は、特にこの時期になると思い浮かぶしかない、とある出来事を根底のテーマにしたものですが、それに限らずご堪能いただけますよう、メタファーと余白をたくさんおかせていただきました。だとして決して軽い気持ちで作っていません。むしろいつもより真剣に取り掛かっています。創作者の話が気になる方は、プロダクションノートをご覧くださいね。

● おすすめの曲/You may also like to listen to :
- 🕊️ 3.11 そっと想いを🪽(369 ☕️🍰): https://suno.com/song/d9005a4f-5068-4a52-b07a-117f4ceacb01
- Our Legacy (hyo_nfo): https://suno.com/song/b9004c77-0e74-47d4-8700-dcd6b5b05e06
- ハーベスト・レイン (hyo_nfo): https://suno.com/song/03f015ba-2e96-40e2-a0c9-304423ee31f6
- Sakura Fading Away (arthur.keychie): https://suno.com/song/b7ec82fb-b3e5-4180-8fda-7511796e5126
- 祈りのつづき (Prayer Continues) (夜更カシ症候群): https://suno.com/song/998610c0-672c-4bb5-8ed1-25a95de46fb2?sh=ln7pGCWyMJnF7Frx
============================

Three...
(3…)

...colors drift across this world
(…つの色に　世界は染まり漂う)
Indifferent to the burdens we bear.
(私たちの背負う重荷など　知らぬ顔で)

Blue.
(青)
The horizon stretches its limbs
(地平線はその肢体を伸ばしている)
In an endless sleep.
(終わりのない眠りの中で)
As if the tides never rose to swallow the light,
(まるで　光を飲み込むほどに波が荒れたことなどなかったかのように)
As if the water is the only truth we have left.
(まるで　この水だけが残された唯一の真実であるかのように)

Grey.
(灰色)
A rusted needle caught in a silent gear
(錆びついた針が静かな歯車に引っ掛かり)
Frozen at the moment the heart froze.
(心が凍りついたその瞬間に　止まったまま)
While the rest of the world spins in a blur,
(世界の残りが霞みの中で回り続けていても)
Oblivious to the time that died right here.
(ここで消えた時間のことなど　気づきもせずに)

Yellow.
(黄色)
Glittering grains over the scars,
(傷跡の上に降り注ぐ　きらめく粒)
A warmth too kind to be true.
(真実にしては　あまりにも優しい温もり)
The sand remembers the weight of the footprints
(砂は残された足跡の重さを覚えているけれど)
But whispers nothing to the passing wind.
(吹き抜ける風には　何も囁きはしない)

ひとつ…
(One...)

ただひとつの問い
(Only one lingering thought.)
あなたのいるそこはまだ春なの？
(Is spring still blooming there?)
わたしの想いは 届いていますか?
(Does my heart find its way to you?)

A thin line between what was and what is
(かつてあったものと　今あるものの間の細い線)
Faint breath amid the void.
(虚空の中に吐き出された　かすかな吐息)
Not a prayer, not a plea,
(祈りでもなく　嘆願でもなく)
Just a gaze at what remains.
(ただ　残されたものを見つめる眼差し)

There is no blame in the rhythm of the waves,
(波のリズムに罪はなく)
No mercy in the height of the sun.
(太陽の高さに慈悲はない)
This world that kept moving,
(動き続けたこの世界と)
A lonely soul left behind.
(置き去りにされた　孤独な魂ひとつ)

One...
(ひとつ...)
...stillness
(...の静けさ)

Three... shades of the world.
(3... つの色が世界を覆い)
One... lingering thought.
(1... つの思いが残像のように残り)
One... absolute stillness.
(1... つの絶対的な静寂が漂う)

Three...
(3...)
One...
(1...)
One...
(1...)

[Korean]
3...

...개의 색으로 세상은 물들어 흘러가고
우리가 짊어진 짐에는 무심하기만 하네.

파랑.
수평선은 그 끝없는 잠 속에서
팔다리를 길게 뻗고 있어.
마치 그 파도들이 빛을 집어삼키려 솟구친 적 없었다는 듯,
마치 이 물만이 우리가 가진 유일한 진실이라는 듯.

회색.
녹슬어버린 바늘은 정적의 톱니바퀴에 걸려
심장이 얼어붙은 그 순간에 멈춰버렸네.
세상의 나머지는 흐릿한 잔상 속에 돌아가는데,
바로 여기서 죽어버린 시간 따위는 잊은 채로.

노랑.
반짝이는 모래알들이 흉터 위를 덮고 있어,
진실이라기엔 너무나 다정한 온기.
모래는 우리가 남긴 발자국의 무게를 기억하지만
스쳐 지나가는 바람에겐 아무것도 속삭이지 않네.

하나…

오직 하나의 질문
당신이 있는 그곳은 아직 봄인가요?
나의 마음은 닿고 있나요?

과거였던 것과 현재인 것 사이의 가느다란 선
공허 속에 흩어지는 희미한 숨결.
기도도 아니고, 애원도 아니며,
그저 남겨진 것들을 바라보는 시선.

파도의 리듬에 잘못은 없고,
높이 뜬 태양에 자비란 없네.
계속해서 움직였던 이 세상과,
뒤처진 외로운 영혼 하나.

하나...
...의 고요함

3... 개의 색상이 세상을 뒤덮고
1... 개의 생각이 잔상처럼 남으며
1... 개의 절대적 고요가 맴돌아

3...
1...
1...

============================
[[Production Note]]
While I mentioned that I left plenty of metaphors and space in this track, some may find the elements reminding them of "that event" quite overt—perhaps even to the point where I couldn’t deny it. I admit my stance here is somewhat different from when I wrote the song about Kobe. It is also why I chose to make this a predominantly English track.

I will likely always be an "outsider" to the people of Japan, yet I am also a member of Japanese society. In March 2011, when I had just moved to Tokyo to start my life here, I felt for the first time how much the world could truly shake. Though I was in Tokyo—perhaps a relatively safe zone—I struggled mentally for a while, even experiencing the illusion that the floor was trembling when nothing was moving.

After that period, I also visited Christchurch, New Zealand. Seeing another place marked by similar echoes further deepened my perspective on memory and recovery.

There are things the world shouldn't forget, things you personally don't want to forget, and things you wish you could forget. To be honest, this event sits somewhere between wanting to forget and wanting to remember. But as someone who remains, I decided to write this song because I didn’t want to let myself forget. So, while this isn’t strictly my "personal story," it is a piece deeply infused with my own reflections.

It has now been 15 years. I want to continue making an effort not to forget. Thank you for listening to my music.
---------------------
この曲のご案内にメタファーと余白をたくさん、と申したわりには、露骨に、とも言われても言い返すようがないくらい、あの出来事を思い起こさせる要素を繰り返し配置しており、苦笑いする方々もいるかもしれません。はい、確かに先日の神戸の歌を作った時とは少し異なるスタンスを取って作らせていただきました。それから、あえて英語主導の曲にしたのもそこからです。

わたしは、多分日本のみなさんにとってはいつまでも「よそ者」かと思われますが、それでも、本格的な日本での生活を決心し、東京で暮らし始めた2011年の3月、世の中がこんなにも揺れることが出来るんだということを生まれて初めて感じていました、日本社会の一員でもあります。東京ですから、もちろんそれでも安全圏だったかもしれません。しかししばらくメンタル的に悩まされることを経験したり、何もないのに床が揺れるような、そんな妄想も味わっていました。

世の中には忘れてほしくないものと、自分自身が忘れたくないものが、そして忘れてしまいたいものがあるんだと思いますが、この出来事は正直に言わせてもらうと、忘れてしまいたいと忘れたくないの間のどこかにあります。でも、残されたものとして忘れたくない、自分自身に忘れさせたくない、と思い、一曲作ることにしました。だから、この曲は「マイストーリー」ではないけど、同時に自分の想いがこもった何かでもあります。

いつの間にか15年目を迎えましたね。これからも、忘れないように、していきたいと思います。曲を聴いてくださり、ありがとうございます。

5635/7500

This song is no longer part of my SUNO activity. This remains here as memorial traces. ================================== [[Disclaimer]] This piece stems from a specific memory, especially for those who know or have a connection to Japan. I’ve left space for your own interpretation, but please know it was created with my utmost sincerity. For the full story, see the production notes. この曲は、特にこの時期になると思い浮かぶしかない、とある出来事を根底のテーマにしたものですが、それに限らずご堪能いただけますよう、メタファーと余白をたくさんおかせていただきました。だとして決して軽い気持ちで作っていません。むしろいつもより真剣に取り掛かっています。創作者の話が気になる方は、プロダクションノートをご覧くださいね。 ● おすすめの曲/You may also like to listen to : - 🕊️ 3.11 そっと想いを🪽(369 ☕️🍰): https://suno.com/song/d9005a4f-5068-4a52-b07a-117f4ceacb01 - Our Legacy (hyo_nfo): https://suno.com/song/b9004c77-0e74-47d4-8700-dcd6b5b05e06 - ハーベスト・レイン (hyo_nfo): https://suno.com/song/03f015ba-2e96-40e2-a0c9-304423ee31f6 - Sakura Fading Away (arthur.keychie): https://suno.com/song/b7ec82fb-b3e5-4180-8fda-7511796e5126 - 祈りのつづき (Prayer Continues) (夜更カシ症候群): https://suno.com/song/998610c0-672c-4bb5-8ed1-25a95de46fb2?sh=ln7pGCWyMJnF7Frx ============================ Three... (3…) ...colors drift across this world (…つの色に　世界は染まり漂う) Indifferent to the burdens we bear. (私たちの背負う重荷など　知らぬ顔で) Blue. (青) The horizon stretches its limbs (地平線はその肢体を伸ばしている) In an endless sleep. (終わりのない眠りの中で) As if the tides never rose to swallow the light, (まるで　光を飲み込むほどに波が荒れたことなどなかったかのように) As if the water is the only truth we have left. (まるで　この水だけが残された唯一の真実であるかのように) Grey. (灰色) A rusted needle caught in a silent gear (錆びついた針が静かな歯車に引っ掛かり) Frozen at the moment the heart froze. (心が凍りついたその瞬間に　止まったまま) While the rest of the world spins in a blur, (世界の残りが霞みの中で回り続けていても) Oblivious to the time that died right here. (ここで消えた時間のことなど　気づきもせずに) Yellow. (黄色) Glittering grains over the scars, (傷跡の上に降り注ぐ　きらめく粒) A warmth too kind to be true. (真実にしては　あまりにも優しい温もり) The sand remembers the weight of the footprints (砂は残された足跡の重さを覚えているけれど) But whispers nothing to the passing wind. (吹き抜ける風には　何も囁きはしない) ひとつ… (One...) ただひとつの問い (Only one lingering thought.) あなたのいるそこはまだ春なの？ (Is spring still blooming there?) わたしの想いは届いていますか? (Does my heart find its way to you?) A thin line between what was and what is (かつてあったものと　今あるものの間の細い線) Faint breath amid the void. (虚空の中に吐き出された　かすかな吐息) Not a prayer, not a plea, (祈りでもなく　嘆願でもなく) Just a gaze at what remains. (ただ　残されたものを見つめる眼差し) There is no blame in the rhythm of the waves, (波のリズムに罪はなく) No mercy in the height of the sun. (太陽の高さに慈悲はない) This world that kept moving, (動き続けたこの世界と) A lonely soul left behind. (置き去りにされた　孤独な魂ひとつ) One... (ひとつ...) ...stillness (...の静けさ) Three... shades of the world. (3... つの色が世界を覆い) One... lingering thought. (1... つの思いが残像のように残り) One... absolute stillness. (1... つの絶対的な静寂が漂う) Three... (3...) One... (1...) One... (1...) [Korean] 3... ...개의 색으로 세상은 물들어 흘러가고 우리가 짊어진 짐에는 무심하기만 하네. 파랑. 수평선은 그 끝없는 잠 속에서 팔다리를 길게 뻗고 있어. 마치 그 파도들이 빛을 집어삼키려 솟구친 적 없었다는 듯, 마치 이 물만이 우리가 가진 유일한 진실이라는 듯. 회색. 녹슬어버린 바늘은 정적의 톱니바퀴에 걸려 심장이 얼어붙은 그 순간에 멈춰버렸네. 세상의 나머지는 흐릿한 잔상 속에 돌아가는데, 바로 여기서 죽어버린 시간 따위는 잊은 채로. 노랑. 반짝이는 모래알들이 흉터 위를 덮고 있어, 진실이라기엔 너무나 다정한 온기. 모래는 우리가 남긴 발자국의 무게를 기억하지만 스쳐 지나가는 바람에겐 아무것도 속삭이지 않네. 하나… 오직 하나의 질문 당신이 있는 그곳은 아직 봄인가요? 나의 마음은 닿고 있나요? 과거였던 것과 현재인 것 사이의 가느다란 선 공허 속에 흩어지는 희미한 숨결. 기도도 아니고, 애원도 아니며, 그저 남겨진 것들을 바라보는 시선. 파도의 리듬에 잘못은 없고, 높이 뜬 태양에 자비란 없네. 계속해서 움직였던 이 세상과, 뒤처진 외로운 영혼 하나. 하나... ...의 고요함 3... 개의 색상이 세상을 뒤덮고 1... 개의 생각이 잔상처럼 남으며 1... 개의 절대적 고요가 맴돌아 3... 1... 1... ============================ [[Production Note]] While I mentioned that I left plenty of metaphors and space in this track, some may find the elements reminding them of "that event" quite overt—perhaps even to the point where I couldn’t deny it. I admit my stance here is somewhat different from when I wrote the song about Kobe. It is also why I chose to make this a predominantly English track. I will likely always be an "outsider" to the people of Japan, yet I am also a member of Japanese society. In March 2011, when I had just moved to Tokyo to start my life here, I felt for the first time how much the world could truly shake. Though I was in Tokyo—perhaps a relatively safe zone—I struggled mentally for a while, even experiencing the illusion that the floor was trembling when nothing was moving. After that period, I also visited Christchurch, New Zealand. Seeing another place marked by similar echoes further deepened my perspective on memory and recovery. There are things the world shouldn't forget, things you personally don't want to forget, and things you wish you could forget. To be honest, this event sits somewhere between wanting to forget and wanting to remember. But as someone who remains, I decided to write this song because I didn’t want to let myself forget. So, while this isn’t strictly my "personal story," it is a piece deeply infused with my own reflections. It has now been 15 years. I want to continue making an effort not to forget. Thank you for listening to my music. --------------------- この曲のご案内にメタファーと余白をたくさん、と申したわりには、露骨に、とも言われても言い返すようがないくらい、あの出来事を思い起こさせる要素を繰り返し配置しており、苦笑いする方々もいるかもしれません。はい、確かに先日の神戸の歌を作った時とは少し異なるスタンスを取って作らせていただきました。それから、あえて英語主導の曲にしたのもそこからです。わたしは、多分日本のみなさんにとってはいつまでも「よそ者」かと思われますが、それでも、本格的な日本での生活を決心し、東京で暮らし始めた2011年の3月、世の中がこんなにも揺れることが出来るんだということを生まれて初めて感じていました、日本社会の一員でもあります。東京ですから、もちろんそれでも安全圏だったかもしれません。しかししばらくメンタル的に悩まされることを経験したり、何もないのに床が揺れるような、そんな妄想も味わっていました。世の中には忘れてほしくないものと、自分自身が忘れたくないものが、そして忘れてしまいたいものがあるんだと思いますが、この出来事は正直に言わせてもらうと、忘れてしまいたいと忘れたくないの間のどこかにあります。でも、残されたものとして忘れたくない、自分自身に忘れさせたくない、と思い、一曲作ることにしました。だから、この曲は「マイストーリー」ではないけど、同時に自分の想いがこもった何かでもあります。いつの間にか15年目を迎えましたね。これからも、忘れないように、していきたいと思います。曲を聴いてくださり、ありがとうございます。

0/500