Everything You've Ever Wanted - by @bladebaa (Dartiste remix)

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V5.5

[Intro - Vinyl and Voices]

[Vinyl crackle fades in, faint children's choir far back in the reverb, no rhythm yet]

[TV Samples - dry mono fragments, each a different voice and room tone, cutting one another off]
...and we'll be right back...
...right back...
...after this...

[Guitar Arpeggio Enters]

[Chiming jangly arpeggio begins, bright and ringing, perfectly in tune]

[TV Sample - warm female announcer, tape hiss around it]
Everything you've ever wanted.
Everything you've ever wanted.
And more.

[Breakbeat Drops In]

[Warm sampled breakbeat enters, rounded kick, crisp snare, dusty swung hats]

[Found-Sound Layer]

[Struck pots, pans and scrap metal enter alongside the kit, junkyard percussion hiding inside the polished groove]

[TV Sample - educational narrator, clipped at both ends]
...which is, of course, entirely natural...
...entirely natural...
...natural...

[Bassline Enters]

[Warm fuzzy bassline slides in, bouncing and saturated]

[Verse Section 1]

[Honky-tonk piano and warm organ fill the middle, space open for an airy dreamy vocal floating high above]

[TV Sample Montage - back to back fragments, different voices, different rooms]
The weather tomorrow will be...
...three, two, one...
...a truly remarkable discovery...
...please stay on the line...
...stay on the line...
...please stay on the line...
...stay on the line...
...stay...

[Pre-Chorus Lift]

[String samples swell, brass stabs punctuating, tambourine doubling]

[TV Sample - game show host, chopped and stuttered rhythmically]
Are you ready?
Are you are you ready?
Are you are you are you ready?

[Chorus - Widescreen and Golden]

[Layered harmonies, children's choir soaring, orchestral stabs, guitar ringing bright, euphoric and clean]

[Post-Chorus Break]

[Drums drop to kick and pans, choir lingering in the reverb]

[TV Sample - child's voice, very close, sudden and clear]
Is it still going?
Is it still going?

[First Warp]

[Guitar arpeggio drifts out of tune for a few bars, tape pitch bending, the first hint of melting]

[Verse Section 2 - Grittier]

[Vocal shifts from airy to gritty and soulful, lo-fi synth fuzz creeping under the organ]

[TV Sample - salesman voice, urgent and overdriven]
Act now.
Act now, act now.
Supplies are limited.
Supplies are limited.

[Polyrhythm Emerges]

[Found-sound percussion breaks free of the breakbeat, tribal polyrhythms layering, metallic and unruly]

[Chant Loop]

[Chant-like vocal loop enters, one phrase repeating and stacking, half joyful half unhinged]
Hey
Hey hey
Hey hey hey
Hey

[Glitch Arpeggio]

[Glitchy synth arpeggio stutters across the top, bit-crushed and jittery]

[TV Sample - chopped into sixteenth-note percussion, pitched up, gated]
Go go go go
Go go go go go
Go

[Chorus - Cracking at the Edges]

[Harmonies slightly detuned, choir pitched apart from itself, orchestral stabs distorting, euphoria with something wrong underneath]

[TV Sample - repeated with increasing delay feedback, each repeat darker]
This is a test.
This is a test.
This is only a test.
...only a test...
...only a...

[Carnival Build]

[Honky-tonk piano hammers a manic hook, guitars angular and jittery, density accelerating, dread rising inside the joy]

[Chant Loop Returns - stacked thicker, shouted]
Hey
Hey hey
Hey hey hey
Everybody now
Everybody now
Everybody now

[Freak Gospel Choir]

[Warped gospel choir enters, ecstatic and saturated, voices bending out of tune with each other]

[Peak - Carnival Meltdown]

[Fullest and most chaotic point: junkyard polyrhythms hammering, distorted orchestral stabs, glitch arpeggios, shouted anthemic vocals, gospel choir at full volume, everything melting slightly out of tune, glitter and dirt together]

[TV Samples - shouted over the peak, half-buried, overlapping]
Look at it!
Look at it go!
Look at it go!
Can you believe it?
Can you believe it?

[Peak Sustain]

[The meltdown holds and churns, layers colliding, tape saturation glowing]

[Sudden Collapse]

[Everything cuts at once except one ringing metal hit and vinyl crackle, abrupt and total]

[Aftermath - Bare]

[Only the detuned guitar arpeggio remains, wobbling and fragile, tape hiss around it]

[TV Sample - slow, warm, tender, drenched in reverb, floating alone]
And so, in the end...
...in the end...
...everyone came home.

[TV Sample - warm female announcer, tape hiss around it]
Everything you've ever wanted.
Everything you've ever wanted.
And

4629/7500

[Intro - Vinyl and Voices] [Vinyl crackle fades in, faint children's choir far back in the reverb, no rhythm yet] [TV Samples - dry mono fragments, each a different voice and room tone, cutting one another off] ...and we'll be right back... ...right back... ...after this... [Guitar Arpeggio Enters] [Chiming jangly arpeggio begins, bright and ringing, perfectly in tune] [TV Sample - warm female announcer, tape hiss around it] Everything you've ever wanted. Everything you've ever wanted. And more. [Breakbeat Drops In] [Warm sampled breakbeat enters, rounded kick, crisp snare, dusty swung hats] [Found-Sound Layer] [Struck pots, pans and scrap metal enter alongside the kit, junkyard percussion hiding inside the polished groove] [TV Sample - educational narrator, clipped at both ends] ...which is, of course, entirely natural... ...entirely natural... ...natural... [Bassline Enters] [Warm fuzzy bassline slides in, bouncing and saturated] [Verse Section 1] [Honky-tonk piano and warm organ fill the middle, space open for an airy dreamy vocal floating high above] [TV Sample Montage - back to back fragments, different voices, different rooms] The weather tomorrow will be... ...three, two, one... ...a truly remarkable discovery... ...please stay on the line... ...stay on the line... ...please stay on the line... ...stay on the line... ...stay... [Pre-Chorus Lift] [String samples swell, brass stabs punctuating, tambourine doubling] [TV Sample - game show host, chopped and stuttered rhythmically] Are you ready? Are you are you ready? Are you are you are you ready? [Chorus - Widescreen and Golden] [Layered harmonies, children's choir soaring, orchestral stabs, guitar ringing bright, euphoric and clean] [Post-Chorus Break] [Drums drop to kick and pans, choir lingering in the reverb] [TV Sample - child's voice, very close, sudden and clear] Is it still going? Is it still going? [First Warp] [Guitar arpeggio drifts out of tune for a few bars, tape pitch bending, the first hint of melting] [Verse Section 2 - Grittier] [Vocal shifts from airy to gritty and soulful, lo-fi synth fuzz creeping under the organ] [TV Sample - salesman voice, urgent and overdriven] Act now. Act now, act now. Supplies are limited. Supplies are limited. [Polyrhythm Emerges] [Found-sound percussion breaks free of the breakbeat, tribal polyrhythms layering, metallic and unruly] [Chant Loop] [Chant-like vocal loop enters, one phrase repeating and stacking, half joyful half unhinged] Hey Hey hey Hey hey hey Hey [Glitch Arpeggio] [Glitchy synth arpeggio stutters across the top, bit-crushed and jittery] [TV Sample - chopped into sixteenth-note percussion, pitched up, gated] Go go go go Go go go go go Go [TV Sample - chopped into sixteenth-note percussion, pitched up, gated] Go go go go Go go go go go Go [Chorus - Cracking at the Edges] [Harmonies slightly detuned, choir pitched apart from itself, orchestral stabs distorting, euphoria with something wrong underneath] [TV Sample - repeated with increasing delay feedback, each repeat darker] This is a test. This is a test. This is only a test. ...only a test... ...only a... [Carnival Build] [Honky-tonk piano hammers a manic hook, guitars angular and jittery, density accelerating, dread rising inside the joy] [Chant Loop Returns - stacked thicker, shouted] Hey Hey hey Hey hey hey Everybody now Everybody now Everybody now [Chant Loop Returns - stacked thicker, shouted] Hey Hey hey Hey hey hey Everybody now Everybody now Everybody now [Freak Gospel Choir] [Warped gospel choir enters, ecstatic and saturated, voices bending out of tune with each other] [Peak - Carnival Meltdown] [Fullest and most chaotic point: junkyard polyrhythms hammering, distorted orchestral stabs, glitch arpeggios, shouted anthemic vocals, gospel choir at full volume, everything melting slightly out of tune, glitter and dirt together] [TV Samples - shouted over the peak, half-buried, overlapping] Look at it! Look at it go! Look at it go! Can you believe it? Can you believe it? [Peak Sustain] [The meltdown holds and churns, layers colliding, tape saturation glowing] [Sudden Collapse] [Everything cuts at once except one ringing metal hit and vinyl crackle, abrupt and total] [Aftermath - Bare] [Only the detuned guitar arpeggio remains, wobbling and fragile, tape hiss around it] [TV Sample - slow, warm, tender, drenched in reverb, floating alone] And so, in the end... ...in the end... ...everyone came home. [TV Sample - warm female announcer, tape hiss around it] Everything you've ever wanted. Everything you've ever wanted. And

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